Aristophanes Aristophanes

Capturing the antic outrageousness and lyrical brilliance of antiquity’s greatest comedies, Aaron Poochigian’s Four Plays brings these classic dramas to vivid life for a twenty-first century audience. The citizens of ancient Athens enjoyed a freedom of speech as broad as our own. This freedom, parrhesia, the right to say what one pleased, how and when one pleased, and to whom, had no more fervent champion than the brilliant fifth-century comic playwright Aristophanes. His plays, immensely popular with the Athenian public, were frequently crude, even obscene. He ridiculed the great and the good of the city, showing up their hypocrisy and arrogance in ways that went far beyond the standards of good taste, securing the ire (and sometimes the retaliation) of his powerful targets. He showed his contemporaries, and he teaches us now, that when those in power act obscenely, patriotic obscenity is a fitting response. Aristophanes’s satirical masterpieces were also surpassingly virtuosic works of poetry. The metrical variety of his plays has always thrilled readers who can access the original Greek, but until now, English translations have failed to capture their lyrical genius. Aaron Poochigian, the first poet-classicist to tackle these plays in a generation, brings back to life four of Aristophanes’s most entertaining, wickedly crude, and frequently beautiful lyric comedies―the pinnacle of his comic · Clouds , a play famous for its caricature of antiquity’s greatest philosopher, Socrates; · Lysistrata , in which a woman convinces her female compatriots to withhold sex from their warmongering lovers unless they negotiate peace; · Birds , in which feathered creatures build a great city and become like gods; · and Women of the Assembly , Aristophones’s most revolutionary play, which inverts the norms of gender and power. Poochigian’s new rendering of these comic masterpieces finally gives contemporary readers a sense of the subversive pleasure Aristophones’s original audiences felt when they were first performed on the Athenian stage.

A brand-new translation of the world's greatest satirist. With a signature style that is at once bawdy and delicate, as well as a fearless penchant for lampooning the rich and powerful, Aristophanes remains arguably the finest satirist of all time. Collected here are all 11 of his surviving plays-newly translated by the distinguished poet and translator Paul Roche.  

Ecclesiazusae, probably produced in 391 BC, is at once a typically Aristophanic fantasy of gender inversion, obscenity and farce, the earliest surviving work in the western Utopian tradition, and the source of a blueprint for a communist society on which Plato may well have drawn in his Republic.

Birds is generally recognized as one of Aristophanes' masterpieces, for its imaginative plot (it is the source of the word "Cloudcuckooland"), and its charming and original lyrics. This abridgment of Nan Dunbar's widely acclaimed edition of Birds , published in 1995, preserves all the material designed to help the less advanced student of Greek or the non-specialist to translate, understand, and enjoy the play. It also retains the notes on staging, but the metrical, textual, and ornithological problems are dealt with more summarily, and purely illustrative parallels are omitted.

This new verse translation of Aristophanes' comedies offers one of the world's great comic dramatists in a form that is both historically faithful and theatrically vigorous. Aristophanes' plays were produced for the festival theater of classical Athens in the fifth century BC and encompass the whole gamut of humor, from brilliantly inventive fantasy to obscene vulgarity. This edition includes a substantial general introduction and introductory essays for each of the plays, as well as full explanatory notes and an index of names. About the For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Whether his target is the war between the sexes or his fellow playwright Euripides, Aristophanes is the most important Greek comic dramatist—and one of the greatest comic playwrights of all time. His writing—at once bawdy and delicate—brilliantly fuses serious political satire with pyrotechnical bombast, establishing the tradition of comedy as high art. His messages are as timely and relevant today as they were in ancient Greece, and his plays still provoke laughter—and thought.   This volume features four celebrated   Lysistrata, The Frogs, The Birds, and The Clouds , translated by three of the most distinguished translators and classicists of our time.  

Aristophanes' comic masterpiece of war and sex remains one of the greatest plays ever written. Led by the title character, the women of the warring city-states of Greece agree to withhold sexual favours with their husbands until they agree to cease fighting. The war of the sexes that ensues makes Lysistrata a bawdy comedy without peer in the history of theatre.

Writing at the time of political and social crisis in Athens, Aristophanes was an eloquent yet bawdy challenger to the demagogue and the sophist. The Achanians is a plea for peace set against the background of the long war with Sparta. In Lysistrata a band of women tap into the awesome power of sex in order to end a war. The darker comedy of The Clouds satirizes Athenian philosophers, Socrates in particular, and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged. For this edition Alan Sommerstein has completely revised his translation of these three plays, bringing out the full nuances of Aristophanes’ ribald humour and intricate word play, with a new introduction explaining the historical and cultural background to the plays.

Three plays by the comedian of Ancient Greece Writing at the time of political and social crisis in Athens, Aristophanes was an eloquent yet bawdy challenger to the demagogue and the sophist." The Achanians" is a plea for peace set against the background of the long war with Sparta. In "Lysistrata "a band of women tap into the awesome power of sex in order to end a war. The darker comedy of "The Clouds" satirizes Athenian philosophers, Socrates in particular, and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged.

Writing at a time when Athens was undergoing a crisis in its social attitudes, Aristophanes was an eloquent opponent of the demagogue and the sophist. This collection includes Lysistrata, the hilariously bawdy anti-war fantasy; The Acharnians, a plea for peace set against the background of the long war with Sparta; and The Clouds, a satire on contemporary philosophy.

The satire in this, one of the best known of all Aristophanes' comedies, is directed against the new schools of philosophy, or perhaps we should rather say dialectic, which had lately been introduced, mostly from abroad, at Athens. The doctrines held up to ridicule are those of the 'Sophists'-such men as Thrasymachus from Chalcedon in Bithynia, Gorgias from Leontini in Sicily, Protagoras from Abdera in Thrace, and other foreign scholars and rhetoricians who had flocked to Athens as the intellectual centre of the Hellenic world.

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Thesmophoriazusae was performed in Athens in 411 BCE, most likely at the City Dionysia, and is among the most brilliant of Aristophanes' eleven surviving comedies. It is the story of the crucial moment in a quarrel between the tragic playwright Euripides and Athens' women, who accuse him of slandering them in his plays and are holding a meeting at one of their secret festivals to set a penalty for his crimes. Thesmophoriazusae is a brilliantly inventive comedy, full of wild slapstick humor and devastating literary parody, and is a basic source for questions of gender and sexuality in late 5th-century Athens and for the popular reception of Euripidean tragedy. Austin and Olson offer a text based on a fresh examination of the papyri and manuscripts, and a detailed commentary covering a wide range of literary, historical, and philological issues. The introduction includes sections on the date and historical setting of the play; the Thesmophoria festival; Aristophanes' handling of Euripidean tragedy; staging; Thesmophoriazusae II; and the history of modern critical work on the text. All Greek in the introduction and commentary not cited for technical reasons is translated.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Aristophanes; tr. by David Barrett, Wasps, The; the Poet and the Women; the Frogs