Roxane Gay

From the New York Times bestselling author of Bad Feminist: a searingly honest memoir of food, weight, self-image, and learning how to feed your hunger while taking care of yourself. “I ate and ate and ate in the hopes that if I made myself big, my body would be safe. I buried the girl I was because she ran into all kinds of trouble. I tried to erase every memory of her, but she is still there, somewhere. . . . I was trapped in my body, one that I barely recognized or understood, but at least I was safe.” In her phenomenally popular essays and long-running Tumblr blog, Roxane Gay has written with intimacy and sensitivity about food and body, using her own emotional and psychological struggles as a means of exploring our shared anxieties over pleasure, consumption, appearance, and health. As a woman who describes her own body as “wildly undisciplined,” Roxane understands the tension between desire and denial, between self-comfort and self-care. In Hunger, she explores her past—including the devastating act of violence that acted as a turning point in her young life—and brings readers along on her journey to understand and ultimately save herself. With the bracing candor, vulnerability, and power that have made her one of the most admired writers of her generation, Roxane explores what it means to learn to take care of yourself: how to feed your hungers for delicious and satisfying food, a smaller and safer body, and a body that can love and be loved—in a time when the bigger you are, the smaller your world becomes.

Roxane Gay, Tracy Lynne Oliver, and Rebecca Kirby adapt Gay’s New York Times bestselling short story “We Are the Sacrifice of Darkness” as a full length graphic novel, expanding and further developing the unforgettable world where the sun no longer shines.“When I was a young girl, my husband’s father flew an air machine into the sun. Since then, the days have been dark, the nights bright.” Follow one woman’s powerful journey through this new landscape as she discovers love, family, and the true light in a world seemingly robbed of any. As she challenges notions of identity, guilt, and survival she’ll find that no matter the darkness, there remains sources of hope that can pierce the veil.

Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink—all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I’m not doing it ironically, though it might seem that way. I once live-tweeted the September issue. In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman of color while also taking readers on a ride through culture of the last few years and commenting on the state of feminism today. The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture. Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better. Feel me, see me, hear me, reach me -- Peculiar benefits -- Typical first year professor -- To scratch, claw or grope clumsily or frantically -- How to be friends with another woman -- Girls, girls, girls -- I once was Miss America -- Garish, glorious spectacles -- Not here to make friends -- How we all lose -- Reaching for catharsis : getting fat right (or wrong) and Diana Spechler's Skinny -- The smooth surfaces of idyll -- The careless language of sexual violence -- What we hunger for -- The illusion of safety/the safety of illusion -- The spectacle of broken men -- A tale of three coming out stories -- Beyond the measure of men -- Some jokes are funnier than others -- Dear young ladies who love Chris Brown -- So much they would let him beat them -- Blurred lines, indeed -- The trouble with Prince Charming, or, He who trespassed against us -- The solace of preparing fried foods and other quaint remembrances from 1960s Mississippi : thoughts on The help -- Surviving Django -- Beyond the struggle narrative -- The morality of Tyler Perry -- The last day of a young black man -- When less is more -- The politics of respectability -- When Twitter does what journalism cannot -- The alienable rights of women -- Holding out for a hero -- A tale of two profiles -- The racism we all carry -- Tragedy, call, compassion, response -- Bad feminist : take one -- Bad feminist : take two

Mireille Duval Jameson is living a fairy tale. The strong-willed youngest daughter of one of Haiti’s richest sons, she has an adoring husband, a precocious infant son, by all appearances a perfect life. The fairy tale ends one day when Mireille is kidnapped in broad daylight by a gang of heavily armed men, in front of her father’s Port au Prince estate. Held captive by a man who calls himself The Commander, Mireille waits for her father to pay her ransom. As it becomes clear her father intends to resist the kidnappers, Mireille must endure the torments of a man who resents everything she represents. An Untamed State is a novel of privilege in the face of crushing poverty, and of the lawless anger that corrupt governments produce. It is the story of a wilful woman attempting to find her way back to the person she once was, and of how redemption is found in the most unexpected of places. An Untamed State establishes Roxane Gay as a writer of prodigious, arresting talent.

In this valuable and revealing anthology, cultural critic and bestselling author Roxane Gay collects original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence, and aggression they face, and where they are “routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied” for speaking out. Contributions include essays from established and up-and-coming writers, performers, and critics, including actors Ally Sheedy and Gabrielle Union and writers Amy Jo Burns, Lyz Lenz, and Claire Schwartz. Covering a wide range of topics and experiences, from an exploration of the rape epidemic embedded in the refugee crisis to first-person accounts of child molestation, this collection is often deeply personal and is always unflinchingly honest. Like Rebecca Solnit’s Men Explain Things to Me, Not That Bad will resonate with every reader, saying “something in totality that we cannot say alone.” Searing and heartbreakingly candid, this provocative collection both reflects the world we live in and offers a call to arms insisting that “not that bad” must no longer be good enough.

From beloved and bestselling author Roxane Gay, “a strikingly fresh cultural critic” (Washington Post) comes an exhilarating collection of her essays on culture, politics, and everything in between. Since the publication of the groundbreaking Bad Feminist and Hunger, Roxane Gay has continued to tackle big issues embroiling society—state-sponsored violence and mass shootings, women’s rights post-Dobbs, online disinformation, and the limits of empathy—alongside more individual topics: Can I tell my co-worker her perfume makes me sneeze? Is it acceptable to schedule a daily 8 am meeting? In her role as a New York Times opinion section contributor and the publication’s “Work Friend” columnist, Gay reaches millions of readers with her wise voice and sharp insights. Opinions is a collection of her best nonfiction pieces from the past ten years. Covering a wide range of topics—politics, feminism, the culture wars, civil rights, and much more—with an all-new introduction in which she reflects on the past decade in America, this sharp, thought-provoking anthology will delight Roxane Gay’s devotees and draw new readers to this inimitable talent.

A collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation.

The debut collection from the vibrant voice of Roxane Gay is a unique blend of fiction, nonfiction, and poetry, all interwoven to represent the Haitian diaspora experience.

"YOU DESERVED SO MUCH MORE, LITTLE FLOWER. YOU DESERVED A WAKANDA THAT CHERISHED YOU." Writer ROXANE GAY (Bad Feminst, Hunger) spins a Wakandan love story — its tenderness matched only by its brutality. You know them now as The Midnight Angels, but in this story they are just Ayo and Aneka, young women recruited to become Dora Milaje, an elite task force trained to protect the crown at all costs. What happens when your nation needs your hearts and minds, but you already gave them to each other? Illustrated by industry veteran ALITHA E. MARTINEZ (Iron Man, Black Panther). And in a special backup story, acclaimed poet YONA HARVEY (Hemming the Water) explores the true origins of The People's mysterious leader Zenzi. Black Panther thinks he knows who Zenzi is and how she got her powers, but he only knows part of the story… Illustrated by rising star AFUA RICHARDSON (Genius).

A high-stakes heist thriller about the most daring and successful thieves in three generations of women from the Banks family.For fifty years the women of the Banks family have been the most successful thieves in Chicago by following one simple never get greedy. But when the youngest Banks stumbles upon the heist of a lifetime, the potential windfall may be enough to bring three generations of thieves together for one incredible score and the chance to avenge a loved one taken too soon. From NY Times bestselling writer Roxane Gay (Hunger; Black Panther) and artist Ming Doyle (The Kitchen). "The Banks is the best kind of heist a sharp, tight robbery with escalating tensions and threats coming from every direction." - The A.V. Club "It will leave most readers smiling at the end of their journeys with the Banks family." - The Beat

From New York Times bestselling author Roxane Gay comes an unforgettable tale of nightmarish bureaucracy in which genetic profiling has redefined the “unfit mother.” A trip to the library prompts one woman to question her fate in this galvanizing short story. For a woman like Hadley, deemed not acceptable to procreate, there’s only one recourse. Unlicensed for motherhood, she can alleviate her grief and frustration at a “baby library,” where a curiously endless supply of infants is available for a two-week loan. But the borrowed life that serves as a temporary balm leads to a journey of self-discovery that will forever change the direction of Hadley’s future. Roxane Gay’s Graceful Burdens is part of Out of Line, an incisive collection of funny, enraging, and hopeful stories of women’s empowerment and escape. Each piece can be read or listened to in a single thought-provoking sitting.

No Ordinary Love, an anthology of love stories that encourages daters to challenge the notion of “perfect fairytale beginnings” and celebrate the beautiful imperfections of real relationships. Six contemporary literary figures — Roxane Gay, R. O. Kwon, John Paul Brammer, Brontez Purnell, Isle McElroy, and Oisín Mckenna — have paired with six real-life couples who met on Hinge to interpret their experiences and explore modern romance in an 80-page zine made in collaboration with Dazed Studio.

Award-winning author and powerhouse talent Roxane Gay burst onto the scene with An Untamed State and the New York Times bestselling essay collection Bad Feminist (Harper Perennial). Gay returns with Difficult Women, a collection of stories of rare force and beauty, of hardscrabble lives, passionate loves, and quirky and vexed human connection.The women in these stories live lives of privilege and of poverty, are in marriages both loving and haunted by past crimes or emotional blackmail. A pair of sisters, grown now, have been inseparable ever since they were abducted together as children, and must negotiate the elder sister's marriage. A woman married to a twin pretends not to realize when her husband and his brother impersonate each other. A stripper putting herself through college fends off the advances of an overzealous customer. A black engineer moves to Upper Michigan for a job and faces the malign curiosity of her colleagues and the difficulty of leaving her past behind. From a girls’ fight club to a wealthy subdivision in Florida where neighbors conform, compete, and spy on each other, Gay delivers a wry, beautiful, haunting vision of modern America reminiscent of Merritt Tierce, Jamie Quatro, and Miranda July. I will follow you -- Water, all its weight -- The mark of Cain -- Difficult women -- FLORIDA -- La negra blanca -- Baby arm -- North country -- How -- Requiem for a glass heart -- In the event of my father's death -- Break all the way down -- Bad priest -- Open marriage -- A pat -- Best features -- Bone density -- I am a knife -- The sacrifice of darkness -- Noble things -- Strange gods

Roxane Gay, the prominent cultural influencer, novelist, and New York Times bestselling author of Hunger and Bad Feminist, provides the tools necessary for everyone who wants to make their voice heard.Roxane Gay receives numerous requests from aspiring writers: "Will you please read my work and tell me if I have the talent to pursue writing?" What these hopeful wordsmiths all seek is encouragement and validation in a culture that is eager to reject creativity and those who pursue it, especially artists from underrepresented communities. These fans are desperate for someone to say, "Yes, you are good enough." They are looking for permission to use their voice. In this invaluable guide, Gay provides realistic, frank, and humorous advice for inexperienced writers and those who aspire to the writing life. From the beginning she makes clear that anyone can be a writer—so long as you actually practice the craft. She also offers insight on what’s really required to succeed at virtually every endeavor: imagination, ambition, and perseverance. Gay covers a range of topics to help you define the kind of writing life you want, making clear that writing is an art—and a profession. She gives you the inspiration and practical tools you need to find your voice, use it, and be heard. If your dream is to become a published author, Gay walks you through the publishing process, letting you know what to expect. While there have been numerous writing guides, few speak to those whose talents have been overlooked or dismissed. Roxane Gay addresses their needs and aspirations while offering advice and insights useful to everyone.

La lucha por los derechos de las mujeres ha tomado el mundo por asalto, pero por que muchas de sus simpatizantes caen en tantas contradicciones? Por que parece haber tantas malas feministas? Roxane Gay, profesora universitaria, colaboradora de The New York Times, ensayista y novelista con más de un millón de visitas en su charla TED sobre feminismo, tiene algunas respuestas a esas preguntas. La pluma de Gay, filosa como una catana, explora la cultura pop para extraer verdades incomodas acerca de cómo somos representados en el cine, la televisión y la literatura. Con un estilo a veces ácido y corrosivo, otras intimo y personal, pero siempre potente y crítico, Roxane atraviesa el entretenimiento masivo: desde Cincuenta sombras de Grey hasta Los juegos del hambre; sin olvidar a Quentin Tarantino y Orange is The New Black, para rescatar valiosas lecciones e incomodas verdades sobre la discriminación, el privilegio y la frustración de querer un mundo más justo. Sus ensayos no exigen la credencial de feminista para ser leídos. Son una invitación abierta a analizar el entorno en el que estamos inmersos bajo la promesa de que, después de leerlos, creerás firmemente que, como dice la propia Roxane, tenemos el derecho al mismo respeto. Es incompatible querer ser independiente y a la vez ansiar que cuiden de ti, que te gusta la música reggaetón pero te revuelva por dentro lo machista de algunas de sus letras?

A dynamic and strikingly relevant look at a feminist canon as expansive rather than definitiveA Penguin ClassicFor Roxane Gay, a feminist canon is subjective and always evolving. A feminist canon represents a long history of feminist scholarship, embraces skepticism, and invites robust discussion and debate. Selected writings by ancient, historic, and more recent feminist voices include Henricus Cornelius Agrippa, Anna Julia Cooper, Kimberlé Crenshaw, Dorothy Allison, Leslie Feinberg, Eileen Myles, Mona Eltahawy, bell hooks, Sarah Ahmed, Cherrie Moraga, Audre Lorde, The Guerrilla Girls, and many more. With an introduction, headnotes, and an inspired list of multimedia recommendations, Roxane Gay presents multicultural perspectives, ecofeminism, feminism and disability, feminist labor, gender perspectives, and Black feminism. Through the Portable Feminist Reader, readers explore the state of American feminism, its successes and failures, and what feminism looks like in practice, as a complex, contradictory, personal and political, and ever-growing legacy of feminist thought.

Cuando la escritora Roxane Gay se autodenominó –de broma– «mala feminista», reconocía que no podía cumplir con los requisitos de perfección del movimiento feminista. Mala feminista es un conjunto de ensayos ácidos sobre el feminismo en la cultura moderna, y una aguda y divertida reflexión sobre cómo la forma en que consumimos la cultura nos convierte en lo que somos; siempre con tono autocrítico y consciente del papel de la mujer –así como de su relación con los hombres y con las demás mujeres– en nuestros días, a través de su propia experiencia, y de las dinámicas políticas y culturales recientes. Para ella vivimos en un mundo apasionante, lleno de distracciones que nos gustan y que nos obsesionan, incluso si van en contra de nuestros principios. Le gusta la música rap, aunque es consciente de los clichés sexistas de muchos de sus autores. También le gusta el cine absurdo, el color rosa, engancharse a series como Girls y leer la revista Vogue. Mediante ejemplos de la cultura pop y de su propia vida, Gay nos habla del aborto, de la maternidad, del acoso sexual, de la igualdad de salarios, de los mitos sobre la amistad entre mujeres, de la reciente literatura escrita por ellas, de la misoginia en el mundo del espectáculo, etc. El feminismo, como la humanidad y la vida, es imperfecto, y la autora propone que aceptemos todos sus matices.