Tasha Alexander

From gifted new writer Tasha Alexander comes a stunning novel of historical suspense set in Victorian England, meticulously researched and with a twisty plot that involves stolen antiquities, betrayal, and murder And Only to Deceive For Emily, accepting the proposal of Philip, the Viscount Ashton, was an easy way to escape her overbearing mother, who was set on a grand society match. So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek. Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.

In the latest installment of Tasha Alexander's New York Times bestselling series, Lady Emily must solve a string of high stakes "accidents" while trapped in a lavish villa in the Bavarian Alps. In the winter of 1906, Lady Emily and husband Colin are invited to the opulent home of Baroness Ursula von Duchtel in the Bavarian alps. Outside is a mountainous winter wonderland with a view of Mad King Ludwig's fairy tale castle. Inside, the villa hosts a magnificent but eclectic art collection--as well as an equally eclectic collection of fellow guests, among them a musician, an art dealer, a coquette from the demi-monde, and Kaspar, the Baroness' boorish son-in-law, whom, it begins to appear, someone wants dead. Almost forty years earlier, Niels, a young German lord, sings to himself in the forest surrounding those same alps, capturing the attention of a not-yet-mad King Ludwig. Niels and the king become fast friends, their relationship deepening into something more as their time together stretches on. But while King Ludwig is content to live out a fantasy where their responsibilities don't matter and the outside world doesn't affect them, Niels knows that their bliss cannot last forever... Decades later, Emily continues to investigate Kaspar's increasingly lethal "mishaps" when tragedy strikes, ensnaring the guests in a web of fear and suspicion. It's up to Emily to sift through old secrets and motivations, some stretching far into the past, to unmask the killer.