Suzanne Scanlon
Suzanne Scanlon is the author of two works of fiction, the critically acclaimed Promising Young Women (Dorothy 2012) and the experimental novel Her 37th Year, An Index (Noemi 2015). Her first work of nonfiction, Committed: On Meaning and Madwomen, is forthcoming from Vintage and John Murray in the UK. Scanlon has taught at conferences and colleges nationwide; and has been awarded fellowships from the Virginia Center for Creative Arts, Ox-Bow Artists Residency, and the Ragdale Foundation. She is the recipient of an MFA from Northwestern University and teaches creative writing at Northwestern and the School of the Art Institute Chicago. Her essays and fiction have appeared in Granta, Fence, Harper’s Bazaar, the Iowa Review, The Los Angeles Review of Books, Electric Literature, and elsewhere. Her work has been anthologized and translated into many languages. For years, she reviewed theater for Time Out and the Chicago Reader.
Promising Young Women
Suzanne Scanlon
A series of fragmentary tales tells the story of Lizzie, a young woman who, in her early twenties, unexpectedly embarks on a journey through psychiatric institutions, a journey that will end up lasting many years. With echoes of Sylvia Plath, and against a cultural backdrop that includes Shakespeare, Woody Allen, and Heathers, Suzanne Scanlon's first novel is both a deeply moving account of a life of crisis and a brilliantly original work of art.
Committed: On Meaning and Madwomen
Suzanne Scanlon
A raw and masterful memoir about becoming a woman and going mad—and doing both at once.
When Suzanne Scanlon was a student at Barnard in the 90s, grieving the loss of her mother—feeling untethered and swimming through inarticulable pain—she made a suicide attempt that landed her in the New York State Psychiatric Institute.
After nearly three years and countless experimental treatments, Suzanne left the ward on shaky legs. In the decades it took her to recover from the experience, Suzanne came to understand her suffering as part of something a long tradition of women whose complicated and compromised stories of self-actualization are reduced to “crazy chick” and “madwoman” narratives. It was a thrilling discovery, and she searched for more books, more woman writers, as the journey of her life converged with her journey through the literature that shaped her.
Transporting, honest, and graceful, Committed is a story of discovery and recovery, reclaiming the idea of the madwoman as a template for insight and transcendence through the works of Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Janet Frame, Audre Lorde, Shulamith Firestone, and others.
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