Betty Friedan

“It changed my life.” That’s what Betty Friedan heard over and over from women throughout the United States after the publication of her radical best-seller, The Feminine Mystique , sparked the beginning of contemporary feminism. The first stirring and uncertain years of the women’s movement helped many women put a name to the sense of invisibility, powerlessness, and depression that Friedan famously called “the problem that has no name.” First published in 1976, “It Changed My Life” is a compellingly readable collection of reports from the front, back in the days less than a generation ago when women were routinely shut out of the professions and higher education, underpaid, condescended to, and harassed without consequences to the harassers. The book describes the political campaigns for equal pay and job opportunities, for the outlawing of sex discrimination, for the Equal Rights Amendment, and for legalized abortion, the creation of National Organization for Women, the National Abortion Rights Action League, and the National Women’s Political Caucus, and analyzes the antifeminist backlashes. Encounters with Simone de Beauvoir and Indira Gandhi are juxtaposed with moving and vivid personal struggles of many ordinary women. Among those women was Friedan herself, who frankly recorded her astonishment, gratification, and anger as the movement she helped create grew beyond all her hopes, and then raced beyond her control into a sexual politics she found disturbing. A classic of modern feminism, “It Changed My Life” brings back years of struggle for those who were there, and recreates the past for the readers of today who were not yet born during these struggles for the opportunities and respect to which women can now feel entitled. In changing women’s lives, the women’s movement has changed everything.

"La mística de la feminidad" es un clásico del pensamiento feminista que se publicó originalmente en Estados Unidos en 1963. Se trata sobre todo de un libro de investigación respaldado por un abundante trabajo descriptivo, y sólo como consecuencia de esto se acaba convirtiendo en un libro militante, lo que lo aproxima al otro gran clásico del siglo XX, "El segundo sexo", de Simone de Beauvoir. Friedan llama "mística de la feminidad" a esa imagen de lo "esencialmente femenino", eso de lo que hablan y a lo que se dirigen las revistas para mujeres, la publicidad y los libros de autoayuda. Es una horma moral, fabricada en esos años, en la que se pretende, como en un lecho de Procusto, hacer vivir a todas las mujeres. Es algo inauténtico que, si se intenta llevar a cabo, produce consecuencias cada vez más graves. Comienza por un difuso malestar y termina por producir enfermedades verdaderas. Precisamente el libro comienza con un capítulo titulado "El malestar que no tiene nombre". Estamos ante un libro extraordinariamente influyente que ha resultado ser decisivo en el acompañamiento de uno de los cambios sociales más determinantes del siglo XX: la posición y autoconciencia de las mujeres como grupo.

"If you’ve never read it, read it now." ―Arianna Huffington, O, The Oprah Magazine Landmark, groundbreaking, classic―these adjectives barely do justice to the pioneering vision and lasting impact of The Feminine Mystique . Published in 1963, it gave a pitch-perfect description of “the problem that has no name”: the insidious beliefs and institutions that undermined women’s confidence in their intellectual capabilities and kept them in the home. Writing in a time when the average woman first married in her teens and 60 percent of women students dropped out of college to marry, Betty Friedan captured the frustrations and thwarted ambitions of a generation and showed women how they could reclaim their lives. Part social chronicle, part manifesto, The Feminine Mystique is filled with fascinating anecdotes and interviews as well as insights that continue to inspire. This 50th–anniversary edition features an afterword by best-selling author Anna Quindlen as well as a new introduction by Gail Collins.

'What if she isn't happy - does she think men are happy in this world? Doesn't she know how lucky she is to be a woman?' The pioneering Betty Friedan here identifies the strange problem plaguing American housewives, and examines the malignant role advertising plays in perpetuating the myth of the 'happy housewife heroine'. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

"La mística de la feminidad" es un clásico del pensamiento feminista que se publicó originalmente en Estados Unidos en 1963. Se trata sobre todo de un libro de investigación respaldado por un abundante trabajo descriptivo, y sólo como consecuencia de esto se acaba convirtiendo en un libro militante, lo que lo aproxima al otro gran clásico del siglo XX, "El segundo sexo", de Simone de Beauvoir. Friedan llama "mística de la feminidad" a esa imagen de lo "esencialmente femenino", eso de lo que hablan y a lo que se dirigen las revistas para mujeres, la publicidad y los libros de autoayuda. Es una horma moral, fabricada en esos años, en la que se pretende, como en un lecho de Procusto, hacer vivir a todas las mujeres. Es algo inauténtico que, si se intenta llevar a cabo, produce consecuencias cada vez más graves. Comienza por un difuso malestar y termina por producir enfermedades verdaderas. Precisamente el libro comienza con un capítulo titulado "El malestar que no tiene nombre". Estamos ante un libro extraordinariamente influyente que ha resultado ser decisivo en el acompañamiento de uno de los cambios sociales más determinantes del siglo XX: la posición y autoconciencia de las mujeres como grupo.