Stuart Neville

Sooner or later, everybody pays. Gerry Fegan, a former paramilitary contract killer, is haunted by the ghosts of the 12 people he has slaughtered. Every night, on the point of losing his mind, he drowns their screams in drink. His solution is to kill those who engineered their deaths. From the greedy politicians to the corrupt security forces, the street thugs to the complacent bystanders who let it happen, all are called to account. But when Fegan's vendetta threatens to derail a hard-won truce and destabilise the government, old comrades and enemies alike want him dead. Winner of the Los Angeles Times Book Prize for Best Thriller.

STAY ON THE MOVE. STAY OUT OF SIGHT. In LA Times Book Prizewinner Stuart Neville’s daring foray into horror fiction, a mother takes desperate measures to protect her daughter in a sinister, blood-chilling highway pursuit across the American West. On a snowy December night, single mother Rebecca Carter drives her van into a snowbank to avoid hitting an elk on a desolate mountain highway. She is at the end of her rope, out of money and food. Still, she refuses help from a man in a pickup truck—Rebecca’s adolescent daughter, Moonflower, is on the run from a grisly secret, and the last thing they can afford is to be remembered by anyone they meet. Meanwhile, Special Agent Marc Donner of the FBI has spent the better part of two years hunting down a gruesome serial killer who drains victims of blood before severing their spinal cords, leaving a trail of bodies throughout the American West. As Agent Donner’s investigation brings him closer and closer to where Rebecca and Moonflower are hiding out, in the foothills of Colorado, the life that Rebecca has fought so hard to hold together for her daughter becomes increasingly imperilled. In this deadly, high-stakes game of cat and mouse by the Los Angeles Times Book Prize winning author of THE GHOSTS OF BELFAST, nobody is safe and nothing is certain—not even the line between predator and prey.

Sara Keane's husband, Damien, has uprooted them from England and moved them to his native Northern Ireland for a "fresh start" in the wake of her nervous breakdown. Sara, who knows no one in Northern Ireland, is jobless, carless, friendless—all but a prisoner in her own house. When a blood-soaked old woman beats on the door, insisting the house is hers before being bundled back to her care facility, Sara begins to understand the house has a terrible history her husband never intended for her to discover. Through the counterpoint voices of two women—one modern Englishwoman, one Northern Irish farmgirl speaking from half a century earlier—Stuart Neville offers a chilling and gorgeous portrait of violence and resilience in this truly haunting narrative.