Lionel Shriver

The gripping international bestseller about motherhood gone awry.Eva never really wanted to be a mother - and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

For Pandora, cooking is a form of love. Alas, her husband, Fletcher, a self-employed high-end cabinetmaker, now spurns the “toxic” dishes that he’d savored through their courtship, and devotes hours each day to manic cycling. Then, when Pandora picks up her older brother Edison at the airport, she doesn’t recognize him. In the years since they’ve seen one another, the once slim, hip New York jazz pianist has gained hundreds of pounds. What happened? After Edison has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: It’s him or me. Rich with Shriver’s distinctive wit and ferocious energy, Big Brother is about fat: an issue both social and excruciatingly personal. It asks just how much sacrifice we'll make to save single members of our families, and whether it's ever possible to save loved ones from themselves.

In this eagerly awaited new novel, Lionel Shriver, the Orange Prize-winning author of the international bestseller We Need to Talk About Kevin, delivers an imaginative and entertaining look at the implications, large and small, of whom we choose to love. Using a playful parallel-universe structure, The Post-Birthday World follows one woman's future as it unfolds under the influence of two drastically different men. Children's book illustrator Irina McGovern enjoys a quiet and settled life in London with her partner, fellow American expatriate Lawrence Trainer, a smart, loyal, disciplined intellectual at a prestigious think tank. To their small circle of friends, their relationship is rock solid. Until the night Irina unaccountably finds herself dying to kiss another man: their old friend from South London, the stylish, extravagant, passionate top-ranking snooker player Ramsey Acton. The decision to give in to temptation will have consequences for her career, her relationships with family and friends, and perhaps most importantly the texture of her daily life. Hinging on a single kiss, this enchanting work of fiction depicts Irina's alternating futures with two men temperamentally worlds apart yet equally honorable. With which true love Irina is better off is neither obvious nor easy to determine, but Shriver's exploration of the two destinies is memorable and gripping. Poignant and deeply honest, written with the subtlety and wit that are the hallmarks of Shriver's work, The Post-Birthday World appeals to the what-if in us all. (jacket)

'Seldom is a book as funny, important and timely … I was laughing out loud at the same time as my blood was running cold' JOHN CLEESE ‘Viciously funny… an exhilarating satire’ THE TIMES What if calling someone stupid was illegal? In a reality not too distant from our own, where the so-called Mental Parity Movement has taken hold, the worst thing you can call someone is 'stupid'. Everyone is equally clever, and discrimination based on intelligence is 'the last great civil rights fight'. Exams and grades are all discarded, and smart phones are rebranded. Children are expelled for saying the S-word and encouraged to report parents for using it. You don't need a qualification to be a doctor. Best friends since adolescence, Pearson and Emory find themselves on opposing sides of this new culture war. Radio personality Emory – who has built her career riding the tide of popular thought – makes increasingly hard-line statements while, for her part, Pearson believes the whole thing is ludicrous. As their friendship fractures, Pearson's determination to cling onto the 'old, bigoted way of thinking' begins to endanger her job, her safety and even her family. Lionel Shriver turns her piercing gaze on the policing of opinion and intellect, and imagines a world in which intellectual meritocracy is heresy. Hilarious, deadpan, scathing and at times frighteningly plausible, MANIA will delight the many fans of her fiction and journalism alike.

With dry wit and psychological acuity, this near-future novel explores the aftershocks of an economically devastating U.S. sovereign debt default on four generations of a once-prosperous American family. Down-to-earth and perfectly realistic in scale, this is not an over-the-top Blade Runner tale. It is not science fiction. In 2029, the United States is engaged in a bloodless world war that will wipe out the savings of millions of American families. Overnight, on the international currency exchange, the “almighty dollar” plummets in value, to be replaced by a new global currency, the “bancor.” In retaliation, the president declares that America will default on its loans. “Deadbeat Nation” being unable to borrow, the government prints money to cover its bills. What little remains to savers is rapidly eaten away by runaway inflation. The Mandibles have been counting on a sizable fortune filtering down when their ninety-seven-year-old patriarch dies. Once the inheritance turns to ash, each family member must contend with disappointment, but also—as the U.S. economy spirals into dysfunction—the challenge of sheer survival. Recently affluent, Avery is petulant that she can’t buy olive oil, while her sister, Florence, absorbs strays into her cramped household. An expat author, their aunt, Nollie, returns from abroad at seventy-three to a country that’s unrecognizable. Her brother, Carter, fumes at caring for their demented stepmother, now that an assisted living facility isn’t affordable. Only Florence’s oddball teenage son, Willing, an economics autodidact, will save this formerly august American family from the streets. The Mandibles is about money. Thus it is necessarily about bitterness, rivalry, and selfishness—but also about surreal generosity, sacrifice, and transformative adaptation to changing circumstances.

A striking new collection of ten short stories and two novellas that explores the idea of property in every meaning of the word, from the acclaimed New York Times bestselling author of the National Book Award finalist So Much for That and the international bestseller We Need to Talk About Kevin . Intermingling settings in America and Britain, Lionel Shriver’s first collection explores property in both senses of the real estate and stuff. These pieces illustrate how our possessions act as proxies for ourselves, and how tussles over ownership articulate the power dynamics of our relationships. In Lionel Shriver’s world, we may possess people and objects and places, but in turn they possess us. In the stunning novella "The Standing Chandelier," a woman with a history of attracting other women’s antagonism creates a deeply personal wedding present for her best friend and his fiancée—only to discover that the jealous fiancée wants to cut her out of their lives. In "Domestic Terrorism," a thirty-something son refuses to leave home, resulting in a standoff that renders him a millennial cause célèbre. In "The ChapStick," a middle-aged man subjugated by service to his elderly father discovers that the last place you should finally assert yourself is airport security. In "Vermin," an artistic Brooklyn couple’s purchase of a ramshackle house destroys their once-passionate relationship. In "The Subletter," two women, both foreign conflict junkies, fight over a claim to a territory that doesn’t belong to either. Exhibiting a satisfying thematic unity unusual for a collection, this masterful work showcases the biting insight that has made Shriver one of the most acclaimed writers of our time.

Eva es autora y editora de guías de viaje para gente tan urbana y feliz como ella. Casada desde hace años con Franklin, un fotógrafo de publicidad, decide, con muchas dudas, cerca de los cuarenta años, tener un hijo. Y el producto de tan indecisa decisión será Kevin. Pero casi desde el comienzo, nada se parece a los mitos familiares de la clase media urbana y feliz. Eva siente que Franklin se ha apoderado de su maternidad, convirtiéndola en el mero contenedor del hijo por nacer. Y Kevin es el típico bebé difícil, que tortura con sus llantos, que no quiere comer. Se convertirá en el terror de las niñeras, en un adolescente terrible, en el antihéroe a quien sólo le interesa la belleza de la maldad. Al llegar la sangrienta, mortífera epifanía de Kevin, dos días antes de cumplir los dieciséis años, el niño es un enigma para su madre.

Shep Knacker has long saved for "the Afterlife," an idyllic retreat in the Third World where his nest egg can last forever. Exasperated that his wife, Glynis, has concocted endless excuses why it's never the right time to go, Shep finally announces he's leaving for a Tanzanian island, with or without her. Yet Glynis has some news of her own: she's deathly ill. Shep numbly puts his dream aside, while his nest egg is steadily devastated by staggering bills that their health insurance only partially covers. Astonishingly, illness not only strains their marriage but saves it. From acclaimed New York Times bestselling author Lionel Shriver comes a searing, ruthlessly honest novel. Brimming with unexpected tenderness and dry humor, it presses the question: How much is one life worth?

A 16 anni, Kevin ha preso l'arco con cui si esercitava da tempo e ha ucciso sistematicamente, nella palestra della scuola che frequentava, sette compagni, un inserviente e l'insegnante di algebra. Uccidere, nella sua logica distorta, era il mezzo per uscire dalla massa indistinta e diventare protagonista. E ora lo è, nel carcere minorile in cui è rinchiuso, temuto e rispettato dagli altri giovani reclusi. A raccontarcelo è la madre, Eva Katchadourian, newyorkese di successo, in una serie di lettere al marito assente. Attraverso le sue parole si snoda la storia della famiglia e dei suoi componenti: Eva, con il suo rapporto ambivalente nei confronti della maternità, il marito Frank, sempre pronto a giustificare il figlio in totale contrasto con lei, e lo stesso Kevin, un piccolo genio del male da quando ha aperto gli occhi sul mondo. Lettera dopo lettera, è un susseguirsi di fatti e di episodi che scavano nella vita familiare e ci restituiscono un quadro lacerante, sofferto, filtrato dalla lucida intelligenza e dalla profonda umanità di Eva, che non smette di chiedersi se non sia anche sua, e del rapporto di malcelata ostilità con il figlio, la colpa di quanto è successo.

Para falar de Kevin Khatchadourian, 16 anos – o autor de uma chacina que liquidou sete colegas, uma professora e um servente no ginásio de um bom colégio dos subúrbios de Nova York –, Lionel Shriver não apresenta apenas mais uma história de crime, castigo e pesadelos americanos: arquiteta um romance epistolar em que Eva, a mãe do assassino, escreve cartas ao marido ausente. Nelas, ao procurar porquês, constrói uma reflexão sobre a maldade e discute um tabu: a ambivalência de certas mulheres diante da maternidade e sua influência e responsabilidade na criação de um pequeno monstro. Precisamos falar sobre o Kevin discute casamento e carreira; maternidade e família; sinceridade e alienação. Denuncia o que há de errado com culturas e sociedades contemporâneas que produzem assassinos mirins em série e pitboys. Um thriller psicanalítico no qual não se indaga quem matou, mas o que morreu. Enquanto tenta encontrar respostas para o tradicional “onde foi que eu errei?” a narradora desnuda, assombrada, uma outra interdição atávica: é possível odiarmos nossos filhos?

Neposredno pred svoj šesnaesti rođendan, 8. aprila 1999, Kevin Kačadurijan ubio je sedam školskih drugova, nastavnicu i radnika u kafeteriji. Nepune dve godine nakon tog fatalnog četvrtka, njegova majka Eva konačno je spremna da podeli svoja razmišljanja o događajima koji su vodili masakru. U nizu pisama svom suprugu Frenklinu, koji više nije s njom, ona pokušava da objasni tragediju i da razume svoju ulogu u njenom stvaranju. To pitanje opseda Evine i misli č Da li je za masakr krivo dete jer je rođeno zlo, odnosno s poremećajem ličnosti? Ili je porodica kriva zato što postoje pogrešni načini vaspitanja, nedostatak prave pažnje i ljubavi prema deci? Prikazujući emotivni haos koji je rastrgao Evu, njena ambivalentna osećanja prema majčinstvu, karijeri, porodici i američkoj kulturi, blistava proza Lajonel Šrajver drži nas u napetosti da bi nam na samom kraju zadala još jedan neočekivan udarac.

Los variopintos personajes que pueblan los cuentos de Lionel Shriver viven situaciones tensas provocadas por la fijación por la propiedad. Por el empeño de poseer bienes inmobiliarios, objetos o personas. Como es habitual en la autora, las situaciones cotidianas pueden desbordarse en cualquier momento, y las personas en apariencia más cabales son perfectamente capaces de perder los papeles hasta límites insospechados. Así, hallamos que un regalo de boda muy personal se convierte en una fuente de disputas; un árbol da lugar al choque entre dos vecinos, que se verán arrastrados por una hostilidad creciente; un treintañero se resiste a abandonar el hogar familiar; un cartero espía las cartas que reparte; una cooperante en Kenia vive una aventura inesperada; un padre y un hijo se ven envueltos en una situación complicada en un aeropuerto; una pareja se enreda en una trifulca por la compra de una casa; un fugado de la justicia se harta del paraíso en el que se ha escondido; dos mujeres extranjeras se cruzan en Belfast en pleno conflicto... Un abanico de parejas, padres e hijos, vecinos y familias se ven sometidos a una montaña rusa de engaños, obsesiones, miedos, deseos y desencuentros. Con su sagacidad –y afilado estilete– de costumbre, Shriver escruta y radiografía la sociedad contemporánea en estos cuentos que pueden ser al mismo tiempo desoladores y descacharrantes, hirientes y poéticos, virulentos y profundos. En la brevedad del relato la autora no pierde ni un ápice de su mordiente: la condensa en un elixir irresistible.