Joe Haldeman

2043 A.D.: The Ngumi War rages. A burned-out soldier and his scientist lover discover a secret that could put the universe back to square one. And it is not terrifying. It is tempting...

Joe Haldeman "has quietly become one of the most important science fiction writers of our time" (Rocky Mountain News). Now he delivers a provocative novel of a man who stumbles upon the discovery of a lifetime-or many lifetimes. Grad-school dropout Matt Fuller is toiling as a lowly research assistant at MIT when, while measuring subtle quantum forces that relate to time changes in gravity and electromagnetic force, his calibrator turns into a time machine. With a dead-end job and a girlfriend who has left him for another man, Matt has nothing to lose taking a time machine trip himself-or so he thinks.

Jacque Le Favre is a tamer, a member of one of the exploration teams that humankind has been able to send to the stars. His first world is the second planet out from Groombridge 1618, a rather unpromising place until they encounter the alien L'vrai, with its awesome and appalling gift of telepathy.

In this powerful, provocative SF classic from the award-winning author of The Forever War, a young man of peace is transformed into an intergalactic killer. Once Otto McGavin was a kind and gentle soul; then he was recruited by the all-powerful Confederación.   An ultrasecretive, government-linked organization, the Confederación’s stated mission of protecting threatened life, both human and alien, throughout the galaxy greatly appeals to the Anglo-Buddhist McGavin as he eagerly prepares to embark on a career of diplomacy and selfless works. But Otto’s new masters have other plans for the idealistic young recruit. Through a process of immersion therapy and hypnosis, and by encasing him in temporary bodies of plastiflesh, scientists can overlay Otto’s true persona with other ones, transforming him completely—body, mind, and soul—into the ruthlessly effective prime operator the Confederación wants him to be. But decades of interstellar subterfuge and violence, and years spent wearing the personae of spies and cold-blooded killers, must ultimately take their toll—and before he leaves behind the lives that have been cruelly thrust upon him, Otto McGavin will have to somehow come to terms with who he really is and the monstrous things he has done.   One of the most powerful and thought-provoking stories from the Hugo and Nebula Award–winning author of Worlds and The Forever War, Joe Haldeman’s All My Sins Remembered is a stunning work of speculative fiction. This ebook features an illustrated biography of Joe Haldeman including rare images from the author’s personal collection. 

Two aliens have wandered Earth for centuries. The Changeling has survived by adapting the forms of many different organisms. The Chameleon destroys anything or anyone that threatens it. Now, a sunken relic that holds the key to their origins calls to them to take them home—but the Chameleon has decided there's only room for one.

Iniciada en 1997, la guerra con los taurinos dura desde hace siglos. Como pasan de un mundo a otro a velocidades superiores a la de la luz, las tropas de la guerra interminable envejecen sólo nos pocos días mientras en la Tierra pasan los años y el planeta se vuelve cada vez más irreconocible. De este modo, la lucha más cruel que habrán de mantener estos soldados será su batalla personal contra el tiempo. La Guerra interminable es la novela más conocida de Haldeman, con más de un millón de ejemplares vendidos en inglés. Ha sido traducida a dieciocho idiomas y ganó los prestigiosos de ciencia ficción Hugo, Nébula y Ditmar a la mejor novela del año en 1976.

The legendary novel of extraterrestrial war in an uncaring universe comes to comics, in a stunningly realized vision of Joe Haldeman's Vietnam War parable! The visionary Hugo and Nebula Award-winning SF tale by Joe Haldeman is beautifully realized in full color by the legendary artist Marvano. An epic SF war story spanning relativistic space and time, The Forever War explores one soldier's experience as he is caught up in the brutal machinery of a war against an unknown and unknowable alien foe that reaches across the stars.

The Earth's leaders have drawn a line in the interstellar sand—despite the fact that the fierce alien enemy that they would oppose is inscrutable, unconquerable, and very far away. A reluctant conscript drafted into an elite Military unit, Private William Mandella has been propelled through space and time to fight in the distant thousand-year conflict; to perform his duties without rancor and even rise up through military ranks. Pvt. Mandella is willing to do whatever it takes to survive the ordeal and return home. But "home" may be even more terrifying than battle, because, thanks to the time dilation caused by space travel, Mandella is aging months while the Earth he left behind is aging centuries.

The Arrival Is Imminent Joe Haldeman's novel The Comingis a tightly constructed near future thriller which begins by recapitulating a classic science fictional motif: the moment of first contact with an alien intelligence. The story begins on October 1, 2054. Aurora (Rory) Bell, a professor of astrophysics at the University of Florida, has just made the discovery of the century. A sophisticated sensing device called a gamma ray burst detector has picked up a message from somewhere beyond the solar system. The easily decrypted message contains two unambiguous words: We're coming. Subsequent analysis reveals that the source of the message is heading directly toward Earth and is scheduled to arrive on the first day of January 2055. A media circus inevitably ensues, as the citizens of Earth attempt to prepare for a wholly unprecedented event. From this point forward, Haldeman focuses not on the alien spaceship but on the social, political, and environmental conditions of a rapidly deteriorating planet. He envisions a 21st century marked by unpredictable weather patterns and geopolitical chaos, a world in which corruption is an endemic element both of private enterprises and governmental institutions. Controversial -- i.e., gay -- sexual practices have been outlawed. The electoral process has become a joke, ushering in a new generation of leaders who are incompetent and uninformed but intensely photogenic. Most significantly, the nations of Europe are flexing their muscles once again, marshaling their forces for an inevitable -- and catastrophic -- global conflict. Haldeman's portrait of the century to come is at once familiar and strange, enlivened by a steady flow of imaginative details: automated traffic control systems, virtual reality pornography, designer drugs tailored to the individual DNA. Haldeman shows us this world from the constantly shifting perspective of a variety of characters. Included among them are Rory Bell, whose initial discovery jump-starts the narrative; Norman Bell, a middle-aged composer with a history of "illegal" sexual behavior; Willie Joe Capra, a sadistic bagman with delusions of grandeur; and a nameless "historian," whose ruminations illuminate the cyclical patterns of violence present throughout recorded history. As always, Haldeman writes with clarity, economy, and wit, skillfully moving his extensive cast toward a climactic moment of revelation in which "hope and caution" predominate. The Coming is both a provocative, cleverly conceived entertainment and a compelling meditation on the eternal human propensity for violent solutions. It is speculative fiction of the highest order and reaffirms its author's position as a modern master of the form. --Bill Sheehan Bill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has just been published by Subterranean Press (www.subterraneanpress.com).

Around 1991, Haldeman wrote: ""What is the book about? The subtitle A 'Short Comic Novel of Existential Terror' is accurate. In a way, it's a horror novel tinged with ghastly humor, as the apparently insane ghost of Ernest Hemingway murders a helpless scholar over and over; the scholar slipping from one universe to the next each time he dies, in what is apparently a rather unpleasant form of serial immortality. The tongue-in-cheek explanations for how this could happen qualify the book as a science fiction novel. ... It may be the most 'literary' of my books, but it also has the most explicit sex and the most gruesome violence I've ever written. Nobody will be bored by it."