Jack Kerouac

Two ebullient young men search for Truth the Zen way: from marathon wine-drinking bouts, poetry jam sessions, and "yabyum" in San Francisco's Bohemia, to solitude in the high Sierras and a vigil atop Desolation Peak in Washington State. Published just a year after On the Road put the Beat Generation on the map, The Dharma Bums is sparked by Kerouac's expansiveness, humor, and a contagious zest for life.

"Each book by Jack Kerouac is unique, a telepathic diamond. With prose set in the middle of his mind, he reveals consciousness itself in all its syntactic elaboration, detailing the luminous emptiness of his own paranoiac confusion. Such rich natural writing is nonpareil in later half XX century, a synthesis of Proust, Céline, Thomas Wolfe, Hemingway, Genet, Thelonius Monk, Basho, Charlie Parker & Kerouac's own athletic sacred insight. "Big Sur's humane, precise account of the extraordinary ravages of alcohol delirium tremens on Kerouac, a superior novelist who had strength to complete his poetic narrative, a task few scribes so afflicted have accomplished—others crack up. Here we meet San Francisco's poets & recognize hero Dean Moriarty ten years after On the Road. Jack Kerouac was a 'writer,' as his great peer W.S. Burroughs says, and here at the peak of his suffering humorous genius he wrote through his misery to end with 'Sea,' a brilliant poem appended, on the hallucinatory Sounds of the Pacific Ocean at Big Sur."—Allen Ginsberg 10/10/91 N.Y.C.

A quintessential novel of America & the Beat Generation On the Road chronicles Jack Kerouac's years traveling the N. American continent with his friend Neal Cassady, "a sideburned hero of the snowy West." As "Sal Paradise" & "Dean Moriarty," the two roam the country in a quest for self-knowledge & experience. Kerouac's love of America, compassion for humanity & sense of language as jazz combine to make On the Road an inspirational work of lasting importance. This classic novel of freedom & longing defined what it meant to be "Beat" & has inspired every generation since its initial publication.

This is the original the first ever publication of Kerouac's original draft for the book - transcribed from the famous 'scroll': hundreds of typed pages which constitute the manuscript taped together by Kerouac himself.

Jack Kerouac, one of the great voices of the Beat generation and author of the classic On the Road, here continues his peregrinations in postwar, underground San Francisco. "The subterraneans" come alive at night, travel along dark alleyways, and live in a world filled with paint, poetry, music, smoke, and sex. Simmering in the center of it all is the brief affair between Leo Percepied, a writer, and Mardou Fox, a black woman ten years younger. Just at the moment when she is coolly leaving him, Leo realizes his passion for passion, his inability to function without it, and the puzzling futility of seeking redemption and fulfillment through writing.

Tristessa is the name with which Kerouac baptized Esperanza Villanueva, a Catholic Mexican young woman, a prostitute and addict to certain drugs, whom he fell in love with during one of his stays in Mexico -a country that he frequently visited - by the middle of the fifties. Wrapped in a spiritual atmosphere that expresses the yearnings of Kerouac to find himself, "Tristessa", translated by Jorge García- Robles, a specialist in the beat generation, is the story of the strange loving relationship that the author had with Esperanza, as well as the significant description of the atmosphere that surrounded it, which depicts some key places of Mexico City back then.Hero of the beat generation, the creator of a model of life that would be followed by thousands of young people in the entire world, a sui generis mystic, "Tristessa", which until recently was not known in Spanish and that was published in English, is one of his fresher and better achieved works. Tristessa es el nombre con el que Kerouac bautizó a Esperanza Villanueva, una joven mexicana católica, prostituta y adicta a ciertas drogas, de quien se enamoró durante una de sus estancias en México, país que visitaba con frecuencia, a mediados de los años cincuenta. Tristessa, en la traducción de Jorge García- Robles, especialista en la generación beat, es el relato de la extraña relación amorosa que tuvo con Esperanza, así como la significativa descripción del ambiente que la rodeaba, en la que aparecen retratos de algunos lugares clave de la Ciudad de México: Plaza Garibaldi, Niño Perdido, la colonia Roma. Escritor «al rojo vivo», como lo calificó Henry Miller, héroe de la generación beat, creador de un modelo de vida que seguirían miles de jóvenes en todo el mundo, místico sui géneris, Tristessa, que hasta hace poco no se conocía en español y que se publicó en inglés apenas hace diez años, es una de sus obras más frescas y mejor logradas.

"In the Book of Dreams I just continue the same story but in the dreams I had of the real-life characters I always write about." Excerpt: WALKING THROUGH SLUM SUBURBS of Mexico City I'm stopped by smiling threesome of cats who've disengaged themselves from the general fairly crowded evening street of brown lights, coke stands, tortillas—Unmistakably going to steal my bag—I struggled a little, gave up—Begin communicating with them my distress and in fact do so well they end up just stealing parts of my stuff…. We walk off leaving the bag with someone—arm in arm like a gang to the downtown lights of Letran, across a field— Jack Kerouac (1922–1969) was a principal actor in the Beat Generation, a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Roa, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Scattered Poems, Visions of Cody, Pomes All Sizes, and Scripture of the Golden Eternity.

The classic autobiographical novel by Jack Kerouac featuring "one of the most true, comic, and grizzly journeys in American literature" ( Time )—now in a new edition Originally published in 1965, this autobiographical novel covers a key year in Jack Kerouac's life—the period that led up to the publication of On the Road in September of 1957. After spending two months in the summer of 1956 as a fire lookout on Desolation Peak in the North Cascade Mountains of Washington, Kerouac's fictional self Jack Duluoz comes down from the isolated mountains to the wild excitement of the bars, jazz clubs, and parties of San Francisco, before traveling on to Mexico City, New York, Tangiers, Paris, and London. Duluoz attempts to extricate himself from the world but fails, for one must "live, travel, adventure, bless, and don't be sorry." Desolation Angels is quintessential Kerouac.

From the bard of the Beat Generation, Jack Kerouac's Maggie Cassidy is a profoundly moving, autobiographical novel of adolescence and first love One of the dozen books written by Jack Kerouac in the early and mid-1950s, Maggie Cassidy was not published until 1959, after the appearance of On the Road had made its author famous overnight. Long out of print, this touching novel of adolescent love in a New England mill town, with its straight-forward narrative structure, is one of Kerouac's most accesible works. It is a remarkable, bittersweet evocation of the awkwardness and the joy of growing up in America.

'See my hand up-tipped, learn the secret of my human heart...'Soaring, freewheeling snapshots of life on the road across America, from the Beat writer who inspired a generation. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

Thirty years after his death, popular and academic interest in the life and work of Jack Kerouac have reached an all-time high. The first volume of his selected letters, edited by renowned biographer and Beat scholar Ann Charters, was widely regarded as a vital and momentous contribution to Kerouac scholarship. In Jack Kerouac: Selected Letters 1957-1969, the second and final volume of his correspondence, Charters highlights letters written to his closest friends and colleagues that paint a heart-wrenching portrait of this broken American genius.The first volume of Kerouac's letters documented the writer's discovery of his "spontaneous prose" method and the inspired composition of 11 books between 1951 and 1956. "The second volume," writes Charters, "demonstrates that the publication of his books and the attendant publicity and hostile critical response literally destroyed him." The book opens with letters written prior to the publication of On The Road, an event that would make Kerouac famous overnight and permanently alter the landscape of American literature, and concludes only days before his death in St. Petersburg, Florida, at age 47.Charters provides indispensable commentary between the letters to give the biographical background of what was happening in Kerouac's life, while allowing the writer to comment on his own work as much as possible. Charters also includes some letters from his friends, such as Gary Snyder's reaction to being the fictional hero of The Dharma Bums, and Lawrence Ferlinghetti's letter to Time magazine defending Kerouac from malicious attacks by critics on his books and lifestyle. Occasionally Kerouac responded to fan mail and queries from academics, and some of these replies have also been included. The few letters from his mother and from his third wife, Stella, show just how dependent the writer was on his family.Kerouac is often thought of as being very much like the rugged, wandering, Zen-loony characters that populate his books. But by the late '60s, while pals Snyder, Allen Ginsberg, and Peter Orlovsky were on pilgrimage in Nepal, he was living with his mother, getting rejected on credit card applications. A severe alcoholic, Kerouac suffered rapidly declining health, and he grew increasingly bitter and paranoid. Each book by Kerouac that was published in hardcover after The Dharma Bums was quickly remaindered, yet despite this, Kerouac kept writing right up to the day he died.Unfortunately, his greatest successes came too late for him to enjoy. At least eight works of Kerouac's fiction, poetry, and Buddhist writings have been published posthumously, not to mention the countless studies and biographies that fill the shelves of bookstores each year. In 1999, Jack Kerouac and the Beats are a business unto themselves.Soon after completing her own doctorate work in American literature at Columbia in 1966, Ann Charters had the crazy idea that the Beats needed a scholar like herself to secure a place for them in our nation's history. Thirty years later it is quite clear just how crucial a role she has played in the literary afterlife of Jack Kerouac.—Cary Goldstein

O protagonista, Ray Smith, é um aspirante a escritor de San Francisco que anseia por algo mais na vida. Esse algo mais será apresentado a ele por Japhy Rider - um jovem zen-budista adepto do montanhismo que vive com um mínimo de dinheiro, alheio à sociedade de consumo norte-americana.

Con el paso del tiempo, En el camino, un libro que fue la biblia y el manifiesto de la generación beat, se ha convertido en una «novela de culto» y en un clásico de la literatura norteamericana. Con un inconfundible estilo bop, que consiguió para Kerouac el título de «heredero de Charlie Parker», en esta novela se narran los viajes enloquecidos, a bordo de Cadillacs prestados y Dodges desvencijados, de Dean Moriarty el mítico hipster, el héroe de todos los beatniks, «un demente, un ángel, un pordiosero» y el narrador Sal Paradise, recorriendo el continente, de Nueva York a Nueva Orleans, Ciudad de México, San Francisco, Chicago y regreso a Nueva York. Alcohol, orgías, marihuana, éxtasis, angustia y desolación, el retrato de una América subterránea, auténtica y desinhibida, ajena a todo stablishment. Una crónica cuyos protagonistas, en la vida real y en el libro, fueron Jack Kerouac (Sal Paradise), Neal Cassady (Dean Moriarty), Allen Ginsberg, William Burroughs.

This one-volume omnibus, planned by the author before his death and now completed by his biographer, Ann Charters, makes clear the ambition and accomplishment of Jack Kerouac's "Legend of Duluoz" - the story of his life told in the course of his many "true-story novels, " including "On the Road." As Kerouac once wrote, "The whole thing forms one enormous comedy, seen through the eyes of poor Ti Jean (me), otherwise known as Jack Duluoz, the world of raging action and folly and also of gentle sweetness seen through the keyhole of his eye." The only anthology of Kerouac's work ever published, this compilation presents selections from the "Legend of Duluoz" novels, in chronological order, and also includes poetry, letters, and essays on Buddhism, writing, and the Beat Generation. "The Portable Jack Kerouac" is an essential introduction to one of this country's most important modern writers.

'It is the sum of myself, as far as the written word can go' - Kerouac on "The Town and the City". Kerouac's debut novel is a great coming of age story which can be read as the essential prelude to his later classics. Inspired by grief over his father's death and gripped by determination to write the Great American Novel, he draws largely on his own New England childhood.