Julia Alvarez

The first adult novel in almost fifteen years by the internationally bestselling author of In the Time of the Butterflies and How the García Girls Lost Their Accents Antonia Vega, the immigrant writer at the center of Afterlife, has had the rug pulled out from under her. She has just retired from the college where she taught English when her beloved husband, Sam, suddenly dies. And then more jolts: her bighearted but unstable sister disappears, and Antonia returns home one evening to find a pregnant, undocumented teenager on her doorstep. Antonia has always sought direction in the literature she loves—lines from her favorite authors play in her head like a soundtrack—but now she finds that the world demands more of her than words.Afterlife is a compact, nimble, and sharply droll novel. Set in this political moment of tribalism and distrust, it asks: What do we owe those in crisis in our families, including—maybe especially—members of our human family? How do we live in a broken world without losing faith in one another or ourselves? And how do we stay true to those glorious souls we have lost?

Literary icon Julia Alvarez returns with an inventive and emotional novel about storytelling itself that will be an instant classic.   Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories , doesn’t want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories—literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her.   Alma wants her characters to rest in peace. But they have other ideas, and the cemetery becomes a mysterious sanctuary for their true narratives. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener as Alma’s characters unspool their secret tales. Among them: Bienvenida, the abandoned second wife of dictator Rafael Trujillo, consigned to oblivion by history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States.   The characters defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. The Cemetery of Untold Stories asks: Whose stories get to be told, and whose buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories.   Readers of Isabel Allende’s Violeta and Barbara Kingsolver’s Demon Copperhead will devour Alvarez’s extraordinary new novel about beauty and authenticity that reminds us the stories of our lives are never truly finished, even at the end.

Librarian's Note: an alternate cover for this ISBN can be found here. Set during the waning days of the Trujillo dictatorship in the Dominican Republic in 1960, this extraordinary novel tells the story the Mirabal sisters, three young wives and mothers who are assassinated after visiting their jailed husbands. From the author of How the Garcia Girls Lost Their Accents comes this tale of courage and sisterhood set in the Dominican Republic during the rise of the Trujillo dictatorship. A skillful blend of fact and fiction, In the Time of the Butterflies is inspired by the true story of the three Mirabal sisters who, in 1960, were murdered for their part in an underground plot to overthrow the government. Alvarez breathes life into these historical figures--known as "las mariposas," or "the butterflies," in the underground--as she imagines their teenage years, their gradual involvement with the revolution, and their terror as their dissentience is uncovered. Alvarez's controlled writing perfectly captures the mounting tension as "the butterflies" near their horrific end. The novel begins with the recollections of Dede, the fourth and surviving sister, who fears abandoning her routines and her husband to join the movement. Alvarez also offers the perspectives of the other sisters: brave and outspoken Minerva, the family's political ringleader; pious Patria, who forsakes her faith to join her sisters after witnessing the atrocities of the tyranny; and the baby sister, sensitive Maria Teresa, who, in a series of diaries, chronicles her allegiance to Minerva and the physical and spiritual anguish of prison life. In the Time of the Butterflies is an American Library Association Notable Book and a 1995 National Book Critics Circle Award nominee.

Literary icon Julia Alvarez returns with an inventive and emotional novel about storytelling itself that will be an instant classic.   Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories , doesn’t want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories—literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her.   Alma wants her characters to rest in peace. But they have other ideas, and the cemetery becomes a mysterious sanctuary for their true narratives. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener as Alma’s characters unspool their secret tales. Among them: Bienvenida, the abandoned second wife of dictator Rafael Trujillo, consigned to oblivion by history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States.   The characters defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. The Cemetery of Untold Stories asks: Whose stories get to be told, and whose buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories.   Readers of Isabel Allende’s Violeta and Barbara Kingsolver’s Demon Copperhead will devour Alvarez’s extraordinary new novel about beauty and authenticity that reminds us the stories of our lives are never truly finished, even at the end.

Uprooted from their family home in the Dominican Republic, the four Garcia sisters - Carla, Sandra, Yolanda, and Sofia - arrive in New York City in 1960 to find a life far different from the genteel existence of maids, manicures, and extended family they left behind. What they have lost - and what they find - is revealed in the fifteen interconnected stories that make up this exquisite novel from one of the premier novelists of our time.

I wonder what it would be like to be free? Not to need wings because you don’t have to fly away from your country? Anita de la Torre is a twelve-year-old girl living in the Dominican Republic in 1960. Most of her relatives have emigrated to the United States, her Tío Toni has disappeared, Papi has been getting mysterious phone calls about butterflies and someone named Mr. Smith, and the secret police have started terrorizing her family for their suspected opposition to the country’s dictator. While Anita deals with a frightening series of events, she also struggles with her adolescence and her own personal fight to be free.

A Cafecito Story is a story of love, coffee, birds and hope. It is a beautifully written eco-fable by best-selling author Julia Alvarez. Based on her and her husband's experiences trying to reclaim a small coffee farm in her native Dominican Republic, A Cafecito Story shows how the return to the traditional methods of shade-grown coffee can rehabilitate and rejuvenate the landscape and human culture, while at the same time preserving vital winter habitat for threatened songbirds. Not a political or environmental polemic, A Cafecito Story is instead a poetic, modern fable about human beings at their best. The challenge of producing coffee is a remarkable test of our ability to live more sustainably, caring for the land, growers, and consumers in an enlightened and just way. Written with Julia Alvarez's deft touch, this is a story that stimulates while it comforts, waking the mind and warming the soul like the first cup of morning coffee. Indeed, this story is best read with a strong cup of organic, shade-grown, fresh-brewed coffee.

Now available in Spanish, the book Horn Book called “a realistic and compelling account of a girl growing up too quickly while coming to terms with the cost of freedom.” I wonder what it would be like to be free? Not to need wings because you don’t have to fly away from your country? From award-winning author Julia Alvarez comes the story of Anita de la Torre, a 12-year-old girl living in the Dominican Republic in 1960. Most of her relatives have immigrated to the United States, her Tío Toni has disappeared, Papi has been getting mysterious phone calls about butterflies and someone named Mr. Smith, and the secret police have started terrorizing her family for their suspected opposition to the country’s dictator. While Anita deals with a frightening series of events, she also struggles with her adolescence and her own personal flight to be free.

After Tyler's father is injured in a tractor accident, his family is forced to hire migrant Mexican workers to help save their Vermont farm from foreclosure. Tyler isn’t sure what to make of these workers. Are they undocumented? And what about the three daughters, particularly Mari, the oldest, who is proud of her Mexican heritage but also increasingly connected her American life. Her family lives in constant fear of being discovered by the authorities and sent back to the poverty they left behind in Mexico. Can Tyler and Mari find a way to be friends despite their differences?In a novel full of hope, but no easy answers, Julia Alvarez weaves a beautiful and timely story that will stay with readers long after they finish it.From the Hardcover edition.

Homecoming is Alvarez's first published collection of poetry, a work of great subtlety and power in which the young poet returned to her old-world childhood in the Dominican Republic. Now this revised and expanded edition adds thirteen new poems.  Long before her award winning novel, How the Garcia Girls Lost Their Accents , and In the Time of the Butterflies , Julia Alvarez was writing poetry that gave a distinctive voice to the Latina woman and helped give to American letters a vibrant new literary form. These more recent writings are still deeply autobiographical in nature, but written with the edgier, more knowing tone of a woman who has seen, and survived, more of life. Wonderfully lucid and engaging, toned with deep emotionality and a wry observation of life, the poems of Julia Alvarez stand next to her fiction to both delight us and give us lessons in living and loving.

Julia Alvarez's brilliant first book of fiction sets the Garcia girls free to tell their irrepressibly intimate stories about how they came to be at home -- and not at home -- in America."A warm, honest rendering of family life." --Elle Magazine"She has beautifully captured the threshold experience of the new immigrant." --New York Times Book Review

At last! A zesty, exuberant follow-up to the wildly popular How the Garcia Girls Lost Their Accents, full of Julia Alvarez's keen observations and tender affection for her characters. The Garcia Girls are back, most notably Yolanda, or Yo, who has grown up to be a writer. In the process, she has managed to get kicked out of college, break more than a few hearts, have her own heart broken many times, return for extended visits to the Dominican Republic her family fled when she was a child, and marry three times. She has also infuriated her entire family by publishing the intimate details of their lives as fiction. This brilliant novel is a full and true exploration of a woman's soul, a meditation on the writing life, and a lyrical account of the immigrant's search for identity and a place in the world. !Yo!'s bright colors, zesty dialogue, warm feeling, and genuine insight could only come from the palette of Julia Alvarez. Description from Penguin Group.

“[A] beguiling memoir of family and culture.”— O, The Oprah Magazine In a story that travels beyond borders and between families, acclaimed Dominican novelist and poet Julia Alvarez reflects on the joys and burdens of love—for her parents, for her husband, and for a young Haitian boy known as Piti. In this intimate true account of a promise kept, Alvarez takes us on a journey into experiences that challenge our way of thinking about history and how it can be reimagined when people from two countries—traditional enemies and strangers—become friends. Julia Alvarez’s new novel, Afterlife , is available now.

"Un libro importante...emocionalmente sobrecogedor. Álvarez nos hace un regalo cargado de rara generosidad y coraje."—The San Diego Union-Tribune Ellas eran las cuatro hermanas Mirabal—símbolos de una esperanza desafiante en un país ensombrecido por la dictadura y la desesperación. Sacrificaron sus vidas, seguras, y confortables, en nombre de la libertad. Ellas eran “las Mariposas,” y en esta novela extraordinaria, Patria, Minerva, María Teresa, y Dedé nos cuentan, a través de las décadas, sus propias historias. Desde anécdotas sobre lazos para el pelo y secretos enamoramientos al contrabando de armas y las torturas en la cárcel. Con ellas aprendemos los horrores cotidianos de la vida bajo el dictador dominicano Trujillo. A través del arte y la magia de la aclamada e imaginativa novelista Julia Álvarez, la dramática y vibrante vida de estas martirizadas mariposas toma forma en una historia cálida, brillante y desgarradora en la que se nos muestra el incalculable coste humando derivado de la opresión política. “Un regalo de amor sinfónico y espléndido…un magnífico tesoro para todas las culturas y todos los tiempos…una novela que celebra la corriente de vida que fluye entre las mujeres, conectándolas y dándolas coraje para luchar por la justicia y la resistencia, y corazones para amar y perdonar libremente…Julia Álvarez es una escritora asombrosa.”—St. Petersburg Times “Maravilloso…una narración enriquecedora…entrelaza hábilmente la realidad y la ficción hasta alcanzar un sobrecogedor clímax.”—Newsweek “Una novela con un tremendo poder… un libro bello y valiente.”—West Coast Review of Books

Antonia Vega, the immigrant writer at the center of Afterlife, has had the rug pulled out from under her. She has just retired from the college where she taught English when her beloved husband, Sam, suddenly dies. And then more jolts: her bighearted but unstable sister disappears, and Antonia returns home one evening to find a pregnant, undocumented teenager on her doorstep. Antonia has always sought direction in the literature she loves--lines from her favorite authors play in her head like a soundtrack--but now she finds that the world demands more of her than words. Afterlife is a compact, nimble, and sharply droll novel. Set in this political moment of tribalism and distrust, it asks: What do we owe those in crisis in our families, including--maybe especially--members of our human family? How do we live in a broken world without losing faith in one another or ourselves? And how do we stay true to those glorious souls we have lost?

The Barnes & Noble Review - La Musa de la Patria In recent years, novelists Mona Simpson (Anywhere But Here), Karla Kuban (Marchlands) and Susannah Moore (My Old Sweetheart), among numerous others, have memorably explored the mother-daughter relationship, showing us the conflicted, often painful intersections of the lives of their multigenerational characters. But in Julia Alvarez's new novel, In the Name of Salome, the mother, Dominican poet and political muse Salomé Ureña, only lives long enough to hear her three-year-old daughter Camila recite one of her consumptive mother's poems. What we get, then, is a compelling work of fiction based on remarkably tireless research and shaped by Camila's reach into the past, into her mother's history and her mother's place in history, in order to make sense of the choices she has made about her own. A masterful manipulator of time, Alvarez alternates points of view, shuttling us not only back and forth between Salomé and Camila, but also moving us forward in Salome's life as she moves us backward in Camila's. Salomé writes in secret as a child, publishes briefly under a pseudonym and soon emerges as herself, a figure of inspiration for a nation. But all the while she longs for that other kind of passion, the one her family and her readers would like to believe she is above: the passionate love of a man. Sadly, though she finds that love in Papancho, he is never fully hers. He belongs in turn to his country, to his studies, and inevitably to another woman. How Salomé withstands losing this managain andagain has to do with what we all withstand — wisely and unwisely — in the name of love. Camila writes poetry only as a mature woman. As a child her life is shaped by the political values that shape Papancho's life. Those values find only cautious expression in the U.S. where she studies at the University of Minnesota and later becomes a professor at Vassar. But in Cuba, where she spends the last 13 years of her life, she fulfills the dream of both her mother and father as a vital and dedicated participant in Fidel Castro's "revolutionary experiment." Through skillful mechanics Alvarez makes characters of time itself and the history that marks it. And what troubling history it is, spanning over 100 years (1856-1973) in the life of the Dominican Republic, where the government changes hands with as much frequency as a señorita changes her linens, and "Depending on the president, the pantheon of heroes changes, one regime's villain is the next one's hero, until the word hero, like the word patria, begins to mean nothing.". But if history renders language meaningless, what is left? Only the struggle to make meaning, and only love makes that struggle real and worthwhile; on this matter mother and daughter agree. So this is also a love story, in which Salomé discovers that she will give up everything — her writing, her social activism, finally her health — for the man she loves, and Camilla discovers that she will sacrifice her secure teaching position in the U.S., the approval of family, friends and erstwhile lovers for the very thing her mother's passionate poetry taught her: love for the land and the people who give life to it. Alvarez's skillful prose styling distinguishes the two women not only through the details of their lives but also through their meticulously wrought voices. Moreover, just as interesting as what distinguishes them from one another is what unites them: the pull of public life on their private lives and the challenges presented by the conventions that govern their lives as women. And they and we thrill equally to the ultimate discovery we're all reaching for, "that hushed and holy moment...when the word becomes flesh." In a book rich in extended metaphor, where poetry and idealism play a huge role, we are never encumbered with abstraction. This is a writer going at full tilt: wry, wise, ironic, forgiving. She, like both the women of this novel, is an educator, though neither didactic nor condescending. Even though we know from the beginning the details about the end of both mother's and daughter's lives, Alvarez manages to sustain an air of suspense throughout, the point being not what happens, but how it comes about, and at what cost. Susan Thames is the author of a book of short stories, AS MUCH AS I KNOW. Her novel I'll Be Home Late Tonight was a Barnes &#38 Noble Discover Great New Writers selection.