Geetanjali Shree

An eighty-year-old woman slips into a deep depression at the death of her husband, then resurfaces to gain a new lease on life. Her determination to fly in the face of convention – including striking up a friendship with a hijra (trans) woman – confuses her bohemian daughter, who is used to thinking of herself as the more 'modern' of the two. At the older woman's insistence they travel back to Pakistan, simultaneously confronting the unresolved trauma of her teenage experiences of Partition, and re-evaluating what it means to be a mother, a daughter, a woman, a feminist. Rather than respond to tragedy with seriousness, Geetanjali Shree's playful tone and exuberant wordplay results in a book that is engaging, funny, and utterly original, at the same time as being an urgent and timely protest against the destructive impact of borders and boundaries, whether between religions, countries, or genders.

From the International Booker Prize-winning author-translator duo of Tomb of Sand, a powerful, kaleidoscopic novel about a fractured society, loosely based on the gathering violence that led to the demolition of the Babri Mosque by religious extremists in 1992. “That year, in our city, Hindus abandoned their pacifism. We’ve run out of other cheeks to turn, they proclaimed. We’re helpless! they screamed. They climbed atop mosques and waved the flag of Devi from the prongs of tridents proclaiming, What was done to us will be visited on them! Wrong shall be answered with wrong!” In an unnamed city in India, violence is erupting between Hindus and Muslims, each side viewing the other with suspicion, rage, and blame. As their identities sharpen, friends and colleagues turn against each other. Hospital beds fill up and classrooms empty out. Curfews are imposed. Residents flee en masse. Three intellectuals find themselves paralyzed by anxiety and fear. Shruti, a creative writer, spends her time writing and rewriting the same sentence. Hanif is sidelined by his academic department for his own beliefs. And Sharad finds it increasingly difficult to connect with Hanif, his childhood friend. The only one left to bear witness is the novel’s unnamed narrator, who hurries to transcribe everything that’s happening. Explosive, raw, and uncompromising, Our City That Year unfolds in a time of rising uncertainty and dread, when nothing will go back to being as it was before. Twenty-five years after its original publication in Hindi, Shree’s clarion call to bear witness to the toxic ideology of religious nationalism is timelier than ever, speaking to the growing divisions across global borders. Translated from the Hindi by Daisy Rockwell

अस्सी की होने चली दादी ने विधवा होकर परिवार से पीठ कर खटिया पकड़ ली। परिवार उसे वापस अपने बीच खींचने में लगा। प्रेम, वैर, आपसी नोकझोंक में खदबदाता संयुक्त परिवार। दादी बजि़द कि अब नहीं उठूँगी। फिर इन्हीं शब्दों की ध्वनि बदलकर हो जाती है अब तो नई ही उठूँगी। दादी उठती है। बिलकुल नई। नया बचपन, नई जवानी, सामाजिक वर्जनाओं-निषेधों से मुक्त, नए रिश्तों और नए तेवरों में पूर्ण स्वच्छन्द। हर साधारण औरत में छिपी एक असाधारण स्त्री की महागाथा तो है ही रेत-समाधि, संयुक्त परिवार की तत्कालीन स्थिति, देश के हालात और सामान्य मानवीय नियति का विलक्षण चित्रण भी है। और है एक अमर प्रेम प्रसंग व रोज़ी जैसा अविस्मरणीय चरित्र। कथा लेखन की एक नयी छटा है इस उपन्यास में। इसकी कथा, इसका कालक्रम, इसकी संवेदना, इसका