Percival Everett

Praise for Percival “If Percival Everett isn’t already a household name, it’s because people are more interested in politics than truth.”—Madison Smartt Bell, author of The Washington Square Ensemble “Everett’s talent is multifaceted, sparked by a satiric brilliance that could place him alongside Richard Wright and Ralph Ellison . . .”— Publishers Weekly “I think Percival Everett is a genius. I’ve been a fan since his first novel. He continues to amaze me with each novel—as if he likes making 90-degree turns to see what’s around the corner, and then over the edge . . . He’s a brilliant writer and so damn smart I envy him.”—Terry McMillan, author of Mama A fictitious and satirical chronicle of South Carolina Senator Strom Thurmond’s desire to pen a history of African-Americans—his and his aides’ belief being that he has done as much, or more, than any American to shape that history. An epistolary novel, The History follows the letters of loose cannon Congressional office workers, insane interns at a large New York publishing house and disturbed publishing executives, along with homicidal rival editors, kindly family friends, and an aspiring author named Septic. Strom Thurmond appears charming and open, mad and sure of his place in American history. Percival Everett is the author of 15 works of fiction, among them Glyph , Watershed and Frenzy . His most recent novel, Erasure , won the Hurston/Wright Legacy Award and did little to earn him friends. James Kincaid is an English professor at the University of Southern California and has written seven books in literary theory and cultural studies. These books and Kincaid himself have gradually lost their moorings in the academic world, so there was nothing left for him to do but to adopt the guise of fiction writer. Writing about madness comes easy to him.

A baffling triptych of murder mysteries by the author of I Am Not Sidney Poitier Ogden Walker, deputy sheriff of a small New Mexico town, is on the trail of an old woman's murderer. But at the crime scene, his are the only footprints leading up to and away from her door. Something is amiss, and even his mother knows it. As other cases pile up, Ogden gives chase, pursuing flimsy leads for even flimsier reasons. His hunt leads him from the seamier side of Denver to a hippie commune as he seeks the puzzling solution. In Assumption, his follow-up to the wickedly funny I Am Not Sidney Poitier, Percival Everett is in top form as he once again upends our expectations about characters, plot, race, and meaning. A wild ride to the heart of a baffling mystery, Assumption is a literary thriller like no other.

The characters in Big Picture, Percival Everett's darkly comic collection of stories, are often driven to explosive, life-changing action. Everett delves into those moments when outside forces bring us to the brink of insanity or liberation. The catalysts in Everett's tales are a stuffed boar's head, mounted on the wall of a diner, becomes an object of intense, inexplicable desire; a painter is driven to the point of suicide by a mute who returns day after day to mow the artist's lawn; the loss of a pair of dentures sparks a turn toward revelation.

Affermare che la carriera da scrittore di Thelonious “Monk” Ellison sia arrivata a un punto fermo, è un il suo nuovo romanzo è stato rifiutato da diciassette editori, nonostante la critica abbia acclamato i libri precedenti. Ai margini del mondo letterario, ferito nell’orgoglio, assiste al successo clamoroso di una giovane autrice venuta dal nulla, il cui best seller Vita nel ghetto è in testa alle classifiche e in tutte le trasmissioni televisive, ammirato come il nuovo grande romanzo afroamericano. La colpa di Monk? La sua estrazione borghese – una famiglia di medici da generazioni – impedisce a lui, nero, di poter raccontare in modo credibile la vita reale dei neri d’America. Come può, lo si accusa, uno scrittore che non ha mai conosciuto la povertà e la miseria raccontarle nei suoi romanzi? Se il lavoro è un disastro, la vita privata non va per assistere la madre malata di Alzheimer si trasferisce da Los Angeles a Washington, nella casa in cui è cresciuto. Qui deve rimettere insieme i pezzi della sua l’infanzia, il rapporto coi fratelli, l’eredità del padre, morto suicida sette anni prima. Per distrarsi dai ricordi e dalle delusioni della scrittura, Monk compone di getto una feroce parodia di Vita nel ghetto e di tutta la peggiore narrativa di genere. Il libro, scritto con uno pseudonimo, dovrebbe rimanere uno sfogo da tenere nel cassetto, ma quando il suo agente lo invia alle case editrici, il mondo dell’editoria impazzisce per il nuovo fenomeno al suo alter ego vengono offerti soldi, fama, successo. E ora Monk ha un altro, inatteso, problema da affrontare. “Una delle opere più sorprendenti di un gigante della letteratura americana.” NPR “Tra ironia e commozione, Cancellazione affronta in modo originale la questione razziale in America.” The New York Times Book Review “Un capolavoro. Un talento incredibile illuminato da una satira brillante.” Publishers Weekly “I libri di Everett sono immancabilmente intelligenti, divertenti, audaci e intellettualmente ambiziosi.” LA Weekly"

An exceptional new collection of short stories by Percival Everett, author of the highly praised and wickedly funny novel ErasurePeople are just naturally hopeful, a term my grandfather used to tell me was more than occasionally interchangeable with stupid.A cop, a cowboy, several fly fishermen, and a reluctant romance novelist inhabit these revealing and often hilarious stories. An old man ends up in a high-speed car chase with the cops after stealing the car that blocks the garbage bin at his apartment building. A stranger gets a job at a sandwich shop and fixes everything in sight: a manual mustard dispenser, a mouthful of crooked teeth, thirty-two parking tickets, and a sexual-identity problem.Percival Everett is a master storyteller who ingeniously addresses issues of race and prejudice by simultaneously satirizing and celebrating the human condition.

A sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising The protagonist of Percival Everett’s puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means “nothing” in Tagalog, and Kitu is Swahili for “nothing.”) He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break into Fort Knox to steal, well, not gold bars but a shoebox containing nothing. Once he controls nothing he’ll proceed with a dastardly plan to turn a Massachusetts town into nothing. Or so he thinks.With the help of the brainy and brainwashed astrophysicist-turned-henchwoman Eigen Vector, our professor tries to foil the villain while remaining in his employ. In the process, Wala Kitu learns that Sill’s desire to become a literal Bond villain originated in some real all-American villainy related to the murder of Martin Luther King Jr. As Sill says, “Professor, think of it this way. This country has never given anything to us and it never will. We have given everything to it. I think it’s time we gave nothing back.”Dr. No is a caper with teeth, a wildly mischievous novel from one of our most inventive, provocative, and productive writers. That it is about nothing isn’t to say that it’s not about anything. In fact, it’s about villains. Bond villains. And that’s not nothing.

Novel·la finalista del Premi Booker i guanyadora del Bollinger Everyman Wodehouse al millor llibre de ficció humorística del 2022. Un assassinat brutal sacseja el poble de Money (Mississipí): troben a casa seva un home blanc desfigurat i mutilat i, al seu costat, un home negre desconegut, mort també, que té a les mans els testicles tallats de l'altre. Tot es complica quan el cadàver de l'home negre desapareix del dipòsit i dos detectius arriben a aquell poble, tan blanc i tan racista, per investigar-ho. I aleshores s'esdevé una altra mort amb les mateixes circumstàncies… Everett parteix de la història real d'Emmett Till, ocorreguda seixanta anys abans: un adolescent negre que, acusat de flirtejar amb una dona blanca, va ser bestialment assassinat i llençat al riu Tallahatchie. La commoció arreu dels Estats Units va impulsar decisivament la lluita pels drets civils. Els arbres és una barreja estranya i perfecta: novel·la policíaca que es capbussa en la vergonyosa història dels linxaments racistes, que ridiculitza el supremacisme blanc amb un humor corrosiu i manté un ritme vertiginós i cinematogràfic que fa impossible deixar de llegir. Traducció de Jordi Martín Lloret

Percival Everett's blistering satire about race and writing, available again in paperback Thelonious "Monk" Ellison's writing career has bottomed his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto , a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before. In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

For Her Dark Skin is a tightly crafted exploration of the story of Jason and Medea weaving both traditional and contemporary fictional and thematic elements into a sharply ironic tale of revenge, ambition, passion and pride. Desires and consequences lead the all-too-human characters through a piercing new interpretation of classic themes.

Praise for Glyph: Carol Muske-Dukes" Glyph is an answer-- and an antidote-- to not only what ails the Academy, but what ails a society without the self-knowledge to satirize itself. Percival Everett's infant genius protagonist vaults out of the playpen like Voltaire in flaming diapers-- to dispatch Theory's charlatans, kidnappers and con men in this brilliantly, wildly parodic romp. Deconstruct THIS!!!"Terry McMillan" I think Percival Everett is a genius. I've been a fan since his first novel. He continues to amaze me with each novel-- as if he likes making 90 degree turns to see what's around the corner, and then over the edge. I think he has a following, but not large enough. He's a brilliant writer and so damn smart I envy him."

This ‘comic and fierce’ novel spoofs the classic Western format with the dark, incisive humor we’ve come to expect from its acclaimed author. One of the earliest works anchoring Percival Everett’s illustrious career, God’s Country is by turns funny, shocking, and devastating. The unlikely narrator through this tale of misadventures is one Curt Marder: gambler, drinker, cheat, and would-be womanizer. Unfortunately, he’s a coward. When he sees a band of “Injun impersonators” pillaging his home, he has “half a mind to ride down that hill and say somethin’, but it was just half a mind after all.” It’s 1871, and he’s lost his farm, his wife, and his dog to a band of marauding hooligans. With nothing to live on but a desire to recover what is rightfully his, Marder enlists the help of the best tracker in the West: a Black man named Bubba. With an introduction from renowned novelist Madison Smartt Bell, this is the perfect edition to add to your growing Percival Everett collection. As NPR’s Michael Schaub noted, “It’s impossible to predict what the next Everett book will bring, but it's always a safe bet that it's going to be great.”

A new collection of stories set in the West from "one of the most gifted and versatile of contemporary writers" (NPR)Percival Everett's long-awaited new collection of stories, his first since 2004's Damned If I Do, finds him traversing the West with characteristic restlessness. A deaf Native American girl wanders off into the desert and is found untouched in a den of rattlesnakes. A young boy copes with the death of his sister by angling for an unnaturally large trout in the creek where she drowned. An old woman rides her horse into a mountain snowstorm and sees a long-dead beloved dog. For the plainspoken men and women of these stories--fathers and daughters, sheriffs and veterinarians--small events trigger sudden shifts in which the ordinary becomes unfamiliar. A harmless comment about how to ride a horse changes the course of a relationship, a snakebite gives rise to hallucinations, and the hunt for a missing man reveals his uncanny resemblance to an actor. Half an Inch of Water tears through the fabric of the everyday to examine what lies beneath the surface of these lives. In the hands of master storyteller Everett, the act of questioning leads to vistas more strange and unsettling than could ever have been expected.

An irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in AmericaI was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.Percival Everett’s hilarious new novel follows Not Sidney’s tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: “What’s your name?” a kid would ask. “Not Sidney,” I would say. “Okay, then what is it?”

A brilliant, action-packed reimagining of The Adventures of Huckleberry Finn , both harrowing and ferociously funny, told from the enslaved Jim's point of view. When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of The Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.

Novela policiaca, comedia mordaz, caricatura del supremacismo blanco, Los árboles es una mezcla de elementos ejecutada con valentía, audacia y genialidad; una narración que no deja indiferente, que actúa como un puñetazo, y que está llamada a recordar, a fijar en la memoria, lo que aún no ha sido superado Everett parte de un acontecimiento real, la atroz matanza, un 28 de agosto de 1955, de Emmett Till, un adolescente de color, nacido en Chicago, que estando de vacaciones con familiares en Money, Mississippi, fue acusado por una mujer blanca, Carolyn Bryant, de haber coqueteado con ella, motivo que bastó a su hermano y a su marido para asesinarlo cruelmente, mutilando su cuerpo y lanzándolo al río Tallahatchie. La madre del muchacho decidió que en su funeral el ataúd permaneciera abierto para que se conociera la brutalidad de los hechos, lo cual contribuyó a acaparar aún más titulares de prensa, conmocionó a gran parte de la población y activó la lucha por los Derechos Civiles.

“Anything we take for granted, Mr. Everett means to show us, may turn out to be a lie.” —Wall Street Journal A story inside a story inside a story. A man visits his aging father in a nursing home, where his father writes the novel he imagines his son would write. Or is it the novel that the son imagines his father would imagine, if he were to imagine the kind of novel the son would write? Let’s simplify: a woman seeks an apprenticeship with a painter, claiming to be his long-lost daughter. A contractor-for-hire named Murphy can’t distinguish between the two brothers who employ him. And in Murphy’s troubled dreams, Nat Turner imagines the life of William Styron. These narratives twist together with anecdotes from the nursing home, each building on the other until they crest in a wild, outlandish excursion of the inmates led by the father. Anchoring these shifting plotlines is a running commentary between father and son that sheds doubt on the truthfulness of each story. Because, after all, what narrator can we ever trust? Not only is Percival Everett by Virgil Russell a powerful, compassionate meditation on old age and its humiliations, it is an ingenious culmination of Everett’s recurring preoccupations. All of his prior work, his metaphysical and philosophical inquiries, his investigations into the nature of narrative, have led to this masterful book. Percival Everett has never been more cunning, more brilliant and subversive, than he is in this, his most important and elusive novel to date.

A new high point for a master novelist, an emotionally charged reckoning with art, marriage, and the past Kevin Pace is working on a painting that he won’t allow anyone to not his children; not his best friend, Richard; not even his wife, Linda. The painting is a canvas of twelve feet by twenty-one feet (and three inches) that is covered entirely in shades of blue. It may be his masterpiece or it may not; he doesn’t know or, more accurately, doesn’t care. What Kevin does care about are the events of the past. Ten years ago he had an affair with a young watercolorist in Paris. Kevin relates this event with a dispassionate air, even a bit of puzzlement. It’s not clear to him why he had the affair, but he can’t let it go. In the more distant past of the late seventies, Kevin and Richard traveled to El Salvador on the verge of war to retrieve Richard’s drug-dealing brother, who had gone missing without explanation. As the events of the past intersect with the present, Kevin struggles to justify the sacrifices he’s made for his art and the secrets he’s kept from his wife. So Much Blue features Percival Everett at his best, and his deadpan humor and insightful commentary about the artistic life culminate in a brilliantly readable new novel.

These sonnets were inspired by the Preludes of Chopin. Do keys matter? Do they speak to different parts of us? Inspired by the Preludes of Chopin and the piano solos of Art Tatum, these experimental sonnets seek to question timbre and tone. That's bullshit. They are just sonnets.

Craig Suder, third baseman for the Seattle Mariners, is in a terrible slump. He’s batting below .200 at the plate, and even worse in bed with his wife; and he secretly fears he’s inherited his mother’s insanity. Ordered to take a midseason rest, Suder instead takes his record of Charlie Parker’s “Ornithology,” his record player, and his new saxophone and flees, negotiating his way through madcap adventures and flashbacks to childhood (“If you folks believed more strongly in God, maybe you wouldn’t be colored”). Pursued by a raging dope dealer, saddled with a mishandled elephant and an abused little white girl, he manages in the end to fly free, both transcending and inspired by the pull of so much life.

Zach Wells is a perpetually dissatisfied geologist-slash-paleobiologist. Expert in a very narrow area—the geological history of a cave forty-four meters above the Colorado River in the Grand Canyon—he is a laconic man who plays chess with his daughter, trades puns with his wife while she does yoga, and dodges committee work at the college where he teaches. After a field trip to the desert yields nothing more than a colleague with a tenure problem and a student with an unwelcome crush on him, Wells returns home to find his world crumbling. His daughter has lost her edge at chess, she has developed mysterious eye problems, and her memory has lost its grasp. Powerless in the face of his daughter’s slow deterioration, he finds a mysterious note asking for help tucked into the pocket of a jacket he’s ordered off eBay. Desperate for someone to save, he sets off to New Mexico in secret on a quixotic rescue mission. A deeply affecting story about the lengths to which loss and grief will drive us, Telephone is a Percival Everett novel we should have seen coming all along, one that will shake you to the core as it asks questions about the power of narrative to save.

Lewis Martin, a retired college professor, stumbles upon the body of a friend of his, Martin Aguilera, when he stops by his cabin for a quick visit. When he later returns with the sheriff, the body is no longer there and there is no real evidence that anything had taken place in the cabin.

When a pair of detectives from the Mississippi Bureau of Investigation arrive in Money, Mississippi, to investigate a series of brutal murders, they find at each crime scene an unexpected second body: that of a man who resembles Emmett Till. After meeting resistance from the local sheriff, his deputy, the coroner, and a string of racist white townsfolk, the MBI detectives suspect these are killings of retribution. Then they discover eerily similar murders taking place in rapid succession all over the country. The past, it seems, refuses to be buried. The uprising has begun. In this provocative page-turner that takes direct aim at racism and police violence, Percival Everett offers a devastating critique of white supremacy and confronts the legacy of lynching in the United States.

I am guilty not because of my actions, to which I freely admit, but for my accession, admission, confession that I executed these actions with not only deliberation and premeditation but with zeal and paroxysm and purpose . . . The true answer to your question is shorter than the lie. Did you? I did. This is a confession of a victim turned villain. When Ishmael Kidder's eleven-year-old daughter is brutally murdered, it stands to reason that he must take revenge by any means necessary. The punishment is carried out without guilt, and with the usual equipment--duct tape, rope, and superglue. But the tools of psychological torture prove to be the most devastating of all. Percival Everett's most lacerating indictment to date, The Water Cure follows the gruesome reasoning and execution of revenge in a society that has lost a common moral ground, where rules are meaningless. A master storyteller, Everett draws upon disparate elements of Western philosophy, language theory, and military intelligence reports to create a terrifying story of loss, anger, and helplessness in our modern world. This is a timely and important novel that confronts the dark legacy of the Bush years and the state of America today.

t's Hole, Wyoming, and seeks to integrate himself amid a hardscrabble cast of memorable locals. David is taken in by Sixbury, a one-legged widow, sheep farmer, and mother to a nearly adult mentally handicapped son. This rough-hewn family unit is later augmented when David becomes the unwilling guardian to Butch, a Vietnamese girl abandoned at a highway rest stop. A tragic turn of events moves the novel into violent territory that bridges western laconic traditions with southern gothic and interrogates our notions of home, family, duty, and the always uncertain responsibilities of the individual in society. First published in 1985, Walk Me to the Distance was Percival Everett's second novel, a hauntingly dark tragicomedy of the modern West, still clinging to a mythical heritage and code of frontier justice. With spare strokes Everett paints a telling landscape of big-sky country, where the mere act of living can be hard, cruel, and heart-stopping. This Southern Revivals edition includes a new introduction by the author and a contextualizing preface from series editor Robert H. Brinkmeyer, director of the University of South Carolina Institute for Southern Studies.

A classic of politics, murder, and espionage On a windswept landscape somewhere north of Denver, Robert Hawks, a feisty and dangerously curious hydrologist, finds himself enmeshed in a fight over Native American treaty rights. What begins for Robert as a peaceful fishing interlude ends in murder and the disclosure of government secrets. Everett mines history for this one, focusing on the relationship between Native American activists and Black Panther groups who bonded over their shared enemies in the 1960s Civil Rights movement.

Training horses is dangerous--a head-to-head confrontation with a 1,000 pounds of muscle and little sense takes courage, but more importantly patience and smarts. It is these same qualities that allow John and his uncle Gus to live in the beautiful high desert of Wyoming. A black horse trainer is a curiosity, at the very least, but a familiar curiosity in these parts. It is the brutal murder of a young gay man, however, that pushes this small community to the teetering edge of fear and tolerance. As the first blizzard of the season gains momentum, John is forced to reckon not only with the daily burden of unruly horses, a three-legged coyote pup, an escape-artist mule, and too many people, but also a father-son war over homosexuality, random hate-crimes, and―perhaps most frightening of all--a chance for love. Highly praised for his storytelling and ability to address the toughest issues of our time with humor, grace, and originality, Everett offers yet another brilliant novel.