Charles Palliser

The protagonist, a young man naive enough to be blind to all clues about his own hidden history (and to the fact that his very existence is troubling to all manner of evildoers) narrates a story of uncommon beauty which not only brings readers face-to-face with dozens of piquantly drawn characters at all levels of 19th-century English society but re-creates with precision the tempestuous weather and gnarly landscape that has been a motif of the English novel since Wuthering Heights. The suspension of disbelief happens easily, as the reader is led through twisted family trees and plot lines. The quincunx of the title is a heraldic figure of five parts that appears at crucial points within the text (the number five recurs throughout the novel, which itself is divided into five parts, one for each of the family galaxies whose orbits the narrator is pulled into). Quintuple the length of the ordinary novel, this extraordinary tour de force also has five times the ordinary allotment of adventure, action and aplomb.

At once a hypnotic murder mystery, scathing literary parody, soap opera, and brilliant pastiche, Betrayals is an astonishing virtuouso performance by a modern master of literary gamesmanship in the tradition of Vladimir Nabokov and John Barth. The novel unforlds in a series of seemingly unrelated narratives, each written in a different style -- indeed, in a different genre. There is an obituary for a Scottish scientist and Nobel Prize winner, written by a colleague who clearly relishes his death. Early in the century, a train in the Scottish Highlands heads down the wrong track during a winter snowstorm, and the passengers are forced to abandon the train, resulting in the death -- or is it murder? -- of one of them. An inane publisher's reader summarizes the plot of a tacky hospital romance novel, which ends in a gory murder all too reminiscent of Jack the Ripper. Even a report on a contemporary academic controversy explodes into a scandal of plagiarism, shattered reputations, paranoia, and suicide -- or is it murder made to look as such? As Palliser deftly teases out each new situation, it becomes clear that they are all variations on a single outrageous a distinguished figure in some intellectual pursuit -- science, literature, academia -- becomes obsessed with the success of a rival and schemes his demise, only to botch the job out of sheer monomania. Like the scorpion that stings itself to death, each plotter becomes a victim of his own plot; each betrayer changes places with the betrayed in an intricate dance of deception, revenge, and revelation. A challenging, engrossing, utterly original work of art, Betrayals is also pure joy to read -- a book that will make you laugh out loud, turn pages madly in pursuit of the next plot twist, and above all, marvel at the supreme ingenuity of a fictional puzzle in which the unlikeliest pieces fit together perfectly.

A riveting historical murder-mystery by the bestselling author of The Quincunx. There are three separate tales interwoven in this novel-three tales that could be called ghost stories, for their mysteries can never be resolved, the victims and the perpetrators never laid to rest. Dr. Courtine, an unworldly academic, is invited to spend the days before Christmas with an old friend. Twenty years have passed since Courtine and Austin last met, and the invitation to Austin's home in the cathedral close of Thurchester is a welcome one. When Courtine arrives, Austin tells him a tale of deadly rivalry and murder two centuries old. The mystery captures Courtine's donnish imagination, as it is intended to do. Courtine also plans to pursue his research into another unresolved and older mystery in the labyrinthine cathedral library. If he can track down an elusive eleventh-century manuscript, he hopes to dispose of a deadly rival of his own. Doubly distracted, Courtine becomes unwittingly enmeshed in the sequence of terrible events that follows his arrival, and he becomes witness to a murder that seems never to have been committed.

As the twentieth century ends, David, collecting women as conquests and discarding them, meets the unstable and irresistable Lucy and learns the power and peril of intimacy

It is winter 1863, and Richard Shenstone, aged seventeen, has been sent down — "rusticated" — from Cambridge under a cloud of suspicion. Addicted to opium and tormented by sexual desire, he finds temporary refuge in a dilapidated old mansion on the southern English coast inhabited by his newly impoverished mother and his sister, Effie. Soon, graphic and threatening letters begin to circulate among his neighbors, and Richard finds himself the leading suspect in a series of crimes and misdemeanors ranging from vivisection to murder.

From the author of the international bestseller The Quincunx When his nation is invaded and occupied by a brutal enemy, a man persuades his wife that they should give temporary shelter to a young girl who is at school with their daughter. He has no idea that the girl belongs to a community against whom the invader intends to commit genocide. Days stretch into weeks and then months while the enemy's pitiless hatred of the girl's community puts all of the family in danger. Nobody outside the family can be trusted with the dangerous secret and the threat from outside creates internal conflicts that put the family's unity at risk.