Jenny Xie

A NATIONAL BOOK FOUNDATION "5 UNDER 35" HONOREE Holding Pattern. Noun. 1. A state of suspended progress. 2. The awkward way your mother tries to hug you now that you live with her. Again. Kathleen Cheng has blown up her life. She’s gone through a humiliating breakup, dropped out of her graduate program, and left everything behind. Now she’s back in her childhood home in Oakland, wondering what’s next. To her surprise, her mother isn’t the same person Kathleen remembers. No longer depressed or desperate to return to China, the new Marissa Cheng is sporty, perky, and has been transformed by love. Kathleen thought she’d be planning her own wedding, but instead finds herself helping her mother plan hers—to a Silicon Valley tech entrepreneur. Grasping for direction, Kathleen takes a job at a start-up that specializes in an unconventional form of therapy based on touch. While she negotiates new ideas about intimacy and connection, an unforeseen attachment to someone at work pushes her to rethink her relationships—especially the one with Marissa. Will they succeed in seeing each other anew, adult to adult? As they peel back the layers of their history—the old wounds, cultural barriers, and complex affection—they must come to a new understanding of how they can propel each other forward, and what they’ve done to hold each other back. Brilliantly observant, tender, and warm, Holding Pattern is a hopeful novel about immigration and belonging, mother-daughter relationships, and the many ways we learn to hold each other.

* 2023 PEN OAKLAND JOSEPHINE MILES BOOK AWARD WINNER ** FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR POETRY ** FINALIST FOR THE 2023 BALCONES PRIZE FOR POETRY *The astounding second collection by Jenny Xie, “a magician of perspective and scale” (The New Yorker) Shaped around moments of puncture and release, The Rupture Tense registers what leaks across the breached borders between past and future, background and foreground, silence and utterance. In polyphonic and formally restless sequences, Jenny Xie cracks open reverberant, vexed experiences of diasporic homecoming, intergenerational memory transfer, state-enforced amnesia, public secrecies, and the psychic fallout of the Chinese Cultural Revolution. Across these poems, memory—historical, collective, personal—stains and erodes. Xie voices what remains irreducible in our complex entanglements with familial ties, language, capitalism, and the histories in which we find ourselves lodged.The Rupture Tense begins with poems provoked by the photography of Li Zhensheng, whose negatives, hidden under his floorboards to avoid government seizure, provide one of the few surviving visual archives of the Chinese Cultural Revolution, and concludes with an aching elegy for the poet’s grandmother, who took her own life shortly after the end of the Revolution. This extraordinary collection records the aftershocks and long distances between those years and the present, echoing out toward the ongoing past and a trembling future.

Jenny Xie’s award-winning debut, Eye Level, takes us far and near, to Phnom Penh, Corfu, Hanoi, New York, and elsewhere, as we travel closer and closer to the acutely felt solitude that centers this searching, moving collection. Animated by a restless inner questioning, these poems meditate on the forces that moor the self and set it in motion, from immigration to travel to estranging losses and departures. The sensual worlds here―colors, smells, tastes, and changing landscapes―bring to life questions about the self as seer and the self as seen. As Xie writes, “Me? I’m just here in my traveler’s clothes, trying on each passing town for size.” Her taut, elusive poems exult in a life simultaneously crowded and quiet, caught in between things and places, and never quite entirely at home. Xie is a poet of extraordinary perception―both to the tangible world and to “all that is untouchable as far as the eye can reach.”

A NATIONAL BOOK FOUNDATION "5 UNDER 35" HONOREE“There is so much heart in these pages, so much wisdom on how we love. This book had me in its orbit, from beginning to end.” – Weike Wang, author of Joan is OkayHolding Pattern. Noun.1. A state of suspended progress.2. The awkward way your mother tries to hug you now that you live with her. Again.Kathleen Cheng has blown up her life. She’s gone through a humiliating breakup, dropped out of her graduate program, and left everything behind. Now she’s back in her childhood home in Oakland, wondering what’s next.To her surprise, her mother isn’t the same person Kathleen remembers. No longer depressed or desperate to return to China, the new Marissa Cheng is sporty, perky, and has been transformed by love. Kathleen thought she’d be planning her own wedding, but instead finds herself helping her mother plan hers—to a Silicon Valley tech entrepreneur.Grasping for direction, Kathleen takes a job at a start-up that specializes in an unconventional form of therapy based on touch. While she negotiates new ideas about intimacy and connection, an unforeseen attachment to someone at work pushes her to rethink her relationships—especially the one with Marissa. Will they succeed in seeing each other anew, adult to adult?As they peel back the layers of their history—the old wounds, cultural barriers, and complex affection—they must come to a new understanding of how they can propel each other forward, and what they’ve done to hold each other back. Brilliantly observant, tender, and warm, Holding Pattern is a hopeful novel about immigration and belonging, mother-daughter relationships, and the many ways we learn to hold each other.