Franny Choi
Franny Choi is a poet, performer, editor, and playwright. She is the author of Floating, Brilliant, Gone and the chapbook Death by Sex Machine. Her poems have appeared in Poetry Magazine, American Poetry Review, the New England Review, and elsewhere. She is a Kundiman Fellow, Senior News Editor for Hyphen, co-host of the Poetry Foundation's podcast VS, and member of the Dark Noise Collective. Her second collection, Soft Science, was released from Alice James Books in April 2018. A current Zell Postgraduate Fellow at the University of Michigan, she is currently based near Detroit, Michigan.
Soft Science
Franny Choi
Soft Science explores queer, Asian American femininity. A series of Turing Test-inspired poems grounds its exploration of questions not just of identity, but of consciousness―how to be tender and feeling and still survive a violent world filled with artificial intelligence and automation. We are dropped straight into the tangled intersections of technology, violence, erasure, agency, gender, and loneliness.
The World Keeps Ending, and the World Goes On
Franny Choi
From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds--past, present, and future. Choi's third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.
Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples and calls us to imagine what will persist in the aftermaths.
With lyric and tonal dexterity, these poems spin backwards and forwards in time. They look into the collective psyche of our years in the pandemic and in the throes of anti-racist uprisings, while imagining other vectors, directions, and futures. Stories of survival collide across space and time--from Korean comfort women during World War II to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. Throughout, Choi grapples with where the individual fits within the strange landscapes of this apocalyptic world, with its violent and many-layered histories. In the process, she imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope.
Death by Sex Machine
Franny Choi
Poetry. In Death by Sex Machine fem-surrogate cyborgs of manga and film are used as a force "for understanding personal suppression of language," a series of poems made uncomfortable by both what is said and not said.
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