Osamu Tezuka

Better to have loved and lost... The gods with their poetic justice, can be unrelenting. Just ask the young cynic Shogo, who sinned against love. Electroshock therapy was only meant to bring him face to face with his own violent misdeeds, but instead landed him in the court of a stern goddess. If the encounter was a hallucination, then it's a hallucination that starts to encroach on reality in this unforgettable tale penned by manga-god Osamu Tezuka and inspired by Greek myths of divine unforgiving. Sharing with his longer work Phoenix the themes of recurrence and retribution as well as the spirit of high invention, Apollo's Song explores the meaning of love and the consequences of its absence. Shogo's mother is a bar hostess, his father could be any one of a dozen of her regular patrons. Growing up, he learns nothing of genuine love and tenderness, and when he witnesses his mother in the nearest approximation of which she's capable--lustful embrace--he receives a merciless beating soon afterwards. Shogo comes to hate the very notion of love. But goddesses, who are neither the Buddha nor Christ, do not excuse misfortunes of upbringing. Apollo's Song reaches Olympian heights of tragedy as the story proceeds from a boxcar bound for a Nazi concentration camp to a dystopian future where human beings are persecuted by an ascendant race of their own clones. Will Shogo ever attain redemption, or, like the human race itself, will he have to relearn the lessons of love forever? Is it better to have loved and lost if the heartbreak must recur eternally? Love, propagation, nature, war, death--Tezuka holds his trademark cornucopia of concerns together with striking characterizations, an unfailing sense of pacing, and of course, stunning imagery. Though marked by a salty pessimism, this unique masterpiece from Tezuka's transitional period is also unabashedly romantic--and, at times, profoundly erotic. Combining a classic tale of thwarted love with cognitive ambiguities reminiscent of the work of Philip K. Dick, Apollo's Song is guaranteed to plumb new depths of the human heart with each rereading.

Can a robot have a soul? Built by a brilliant scientist to replace his lost son, but with powers beyond imagination, Astro Boy fights for the oppressed and helpless, whether they be human, alien, or robot. Exciting, whimsical, and touching, Astro Boy brings back the classic era of comics and animation, featuring tales that readers young and old will enjoy.   Creator Osamu Tezuka was considered the Walt Disney of Japan, and Astro Boy is his most popular and influential creation. Astro Boy Omnibus Volume 1 features nearly seven hundred pages of Astro’s jet-powered, super-strong, evil-bashing adventures!

Presents the adventures of the robotic Astro Boy, including how he was created and his battles with the Hot Dog Corps.

Long considered as one of Osamu Tezuka's most political narratives, Ayako is also considered to be one of his most challenging. Initially set in the aftermath of World War II, Ayako focuses its attention on the Tenge clan, a once powerful family of landowners living in a rural community in northern Japan. The war and American occupation have begun to erode the fabric that binds them all together. The increasing influence of political, economic and social change begins to tear into the many Tenge siblings, and they decide to turn their collective rage on what they believe to be the source of their troubles - the newest member of the Tenge family, the youngest sister Ayako.

Follows the adventures of Black Jack, a trained--and extremely skillful--surgeon, who practices without a license but has many rich and powerful patients, in a graphic novel told in cartoon form.

Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

Osamu Tezuka’s vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of Siddhartha’s life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha’s ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka’s Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one’s life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers’ attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

The Eisner and Harvey WinnerThe third volume of this epic graphic novel send Siddhartha further into a world mired in pain and suffering. The journey to peace and enlightenment looms far but bright.Prince Siddhartha quickly learns that the monk's path is covered in thorns and self-abuses much more profound than shaving your head. His new companions Dhepa and Assaji accompany him to plague-ridden town, ruled by the ravashing Visakha. On a different path filled with as many vararies is Devadatta, an orphan who learns only that bad almost always gets worse.To strange cities, and dire prophecies...

The Eisner and Harvey WinnerIn this fourth volume of the award-winning graphic novel biography, Buddha slowly discovers that his destiny lies in a path not readily available to him. With fellow ascetics Dhepa who has complete faith in the purifying quality of painful physical ordeals, and Assaji, who can predict everyone's death to the hour, Buddha travels through the kingdom of Magadha into the Forest of Uruvela, where The Middle Path and Enlightenment wait beyond a series of death-defying trials.Awake under the Pippala tree...

In the fifth installment of manga-godfather Osamu Tezuka's Buddha , engagement with death imparts the lesson of life's sancity. In a Machiavellian rise to power, Devadatta, a rogue aristrocrat, incites war between two kingdoms that will leave thousands dead. King Bimisara of Magadha, fearing death his son's own hand, withdraws fatherly love. The true measure of the Buddha's divinity will turn out to be a test of diplomacy - the power of words.

In the sixth volume of manga visionary Osamu Tezuka's Buddha , the devil Mara possesses the bandit Ananda, half-brother of Devadatta, in an effort to eliminate the Buddha. A ruthless killer who is impervious to physical harm, Ananda will retain the devil's favor only if he spurns his love interest. When Ananda and his bandit buddy attack the Fire Shrine of the Brahmin brothers Kassapa, it is none other than the Awakened One who happens by. Buddha must confront his eternal enemy, Mara, before he can open the eyes of arrogant priests and hardened criminals.

Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

In a time of constant warfare, a samurai lord barters away his newborn son's organs in exchange for victory on the battlefield. Yet the abandoned infant survives, saved by a skilled medicine man who trains him into a formidable warrior. Equipped with lethal prosthesis, Hyakkimaru will have to hunt down the multitude of demons to reclaim his body, one piece at a time. Joined by mouthy orphan sidekick Dororo, Hyakkimaru's adventures bring him face to face with the greater world: both its miracles and its monsters. Part yokai tale, part travel story, Osamu Tezuka's classic adventure Dororo offers a thoughtful allergory for becoming what one is -- for nobody, is born whole.

Dororo is Tezuka's classic thriller manga featuring a youth who has been robbed of 48 body parts by devils, and his epic struggle against a host of demons to get them back. Daigo Kagemitsu, who works for a samurai general in Japan's Warring States period, promises to offer body parts of his unborn baby to 48 devils in exchange for complete domination of the country. Knowing the child to be deficient, Kagemitsu orders the newborn thrown into the river. The baby survives. Callling himself Hyakkimaru, ge searches the world for the 48 demons. Each time he eliminates one, he retrieves one of his missing parts. Hyakkimaru meets a boy thief named Dororo, and together they travel the countryside, confronting mosters and ghosts again and again. This the first in a 3 - volume series. Tezuka's manga and animated films had a tremendous impact on the shaping of the psychology of Japan's postwar youth. His work changed the concept of Japanese comics, transforming it into an art form and incorporating a variety of new styles in creating "story comics."

Au gré de ses envies, elle prenait et jetait de nouvelles peaux. Elle était comme un papillon en perpétuelle chrysalide. Je voyais les membres de la troupe se faire aspirer par cette tourmente, mais je restais silencieux. Je l’aimais. Lorsqu’elle se rapprocha de moi, j’en fus pétrifié. Elle voulait diriger une pièce où elle jouerait également. Elle espérait assimiler toutes mes connaissances de metteur en scène. Je ne pus me soustraire à son charme…

Better to have loved and lost... The gods with their poetic justice, can be unrelenting. Just ask the young cynic Shogo, who sinned against love. Electroshock therapy was only meant to bring him face to face with his own violent misdeeds, but instead landed him in the court of a stern goddess. If the encounter was a hallucination, then it's a hallucination that starts to encroach on reality in this unforgettable tale penned by manga-god Osamu Tezuka and inspired by Greek myths of divine unforgiving. Sharing with his longer work Phoenix the themes of recurrence and retribution as well as the spirit of high invention, Apollo's Song explores the meaning of love and the consequences of its absence. Shogo's mother is a bar hostess, his father could be any one of a dozen of her regular patrons. Growing up, he learns nothing of genuine love and tenderness, and when he witnesses his mother in the nearest approximation of which she's capable--lustful embrace--he receives a merciless beating soon afterwards. Shogo comes to hate the very notion of love. But goddesses, who are neither the Buddha nor Christ, do not excuse misfortunes of upbringing. Apollo's Song reaches Olympian heights of tragedy as the story proceeds from a boxcar bound for a Nazi concentration camp to a dystopian future where human beings are persecuted by an ascendant race of their own clones. Will Shogo ever attain redemption, or, like the human race itself, will he have to relearn the lessons of love forever? Is it better to have loved and lost if the heartbreak must recur eternally? Love, propagation, nature, war, death--Tezuka holds his trademark cornucopia of concerns together with striking characterizations, an unfailing sense of pacing, and of course, stunning imagery. Though marked by a salty pessimism, this unique masterpiece from Tezuka's transitional period is also unabashedly romantic--and, at times, profoundly erotic. Combining a classic tale of thwarted love with cognitive ambiguities reminiscent of the work of Philip K. Dick, Apollo's Song is guaranteed to plumb new depths of the human heart with each rereading.

It is 1936 in Berlin, Nazi Germany. A Japanese reporter named Sohei Tohge is covering the Berlin Olympic Games for the Japanese press. As he sits in the Japanese press box watching the many track and field events of the day, he receives a call from his younger brother Isao, who has been studying in Germany as an international student. The two make plans to meet as Isao mentions he has something of importance to share with his sibling. While Sohei initially thinks his little brother may have found a young frau, Isao's tone is clearly that of one who is troubled by topics much heavier than romance. When Sohei arrives at Berlin University, he finds his brother's room has been through some sort of violent ordeal. A mysterious message was left on a note pad and a window was left wide open. And tangled in the branches of a tree directly below Isao's window rested his dead body. Isao was murdered. Sohei would immediately launch an investigation to the murder, but almost instantly all traces of information regarding his younger brother's study in Germany has vanished. The police were of no help. Isao's room was also cleared and rented out to another person. Even his building manager feined ignorance. It was as if he had never existed. Investigating the matter, it is later learned that this murder is connected to a document he mailed to Japan with information regarding Adolf Hitler. As events progress, the lives of three Adolfs, each from distinct origins, intertwine and become more and more tangled as Sohei Toge searches for his brother's murderer.

Su ordine del Duca Red, leader di un’organizzazione segreta che vuole conquistare la Terra, lo scienziato Lawton crea un’essere umano artificiale: Mitchy. Dietro l’aspetto di un normale adolescente, ma bello come una statua antica, Mitchy nasconde spaventosi poteri; troppo grandi per essere messi al servizio di un piano criminale. Così Lawton inscena la morte della sua creatura, per crescerla poi come un figlio, all’oscuro della sua origine e nascosta agli occhi del mondo. Ma l’ambizioso Duca continua a tessere la sua trama, la verità non può restare celata per sempre e, una volta rivelata, muterà per sempre la storia del Pianeta. Metropolis, il più celebre libro della trilogia futuribile di Osamu Tezuka, è un precoce, radicale affresco del conflitto tra natura umana e società tecnologica, che anticipa i temi classici dell’autore e getta le fondamenta dell’immaginario fantascientifico del manga. Da questo libro, che coglie soltanto una leggera suggestione dall’omonimo film di Fritz Lang, è stato tratto un lungometraggio diretto da Rintaro nel 2001.

Dans le cadre du 90e anniversaire d'Osamu Tezuka, Delcourt/ Tonkam ressort, dans une prestigieuse intégrale, MW, oeuvre emblématique du célèbre mangaka !Depuis qu'ils ont été les témoins malheureux de l'éradication de la population d'une île près d'Okinawa, Yuki Michio et Garai entretiennent une bien étrange relation. Devenu prêtre, Garai reçoit en confession Michio, employé de banque modèle, qui lui avoue les actes criminels les plus atroces qu'il a commis. Car sous l'effet du gaz MW, auquel il a été soumis enfant, il se transforme en « serial killer » ...

It may or may not be contagious. There seems to be no cure for it. Yet, Monmow Disease, a life-threatening condition that transforms a person into a dog-like beast, is not the only villain in this shocking triumph of a medical thriller by manga-god Osamu Tezuka. Said to have been the personal favorite of the artist, who held a degree in medicine, and surprisingly attentive to Christian themes and imagery, Ode to Kirihito demolishes naive notions about human nature and health and likely preconceptions about the comics master himself. From pregnant vistas of the Japanese countryside to closed rooms full of sin and redemption, Tezuka astounds for more than eight hundred continuous pages, his art in turn easefully concise and flamboyantly experimental, his inquiry into our most repugnant instincts and prospects for overcoming them unflinchingly serious. Incorporating elements of the often lurid and adult-oriented “gekiga” style for the first time, Tezuka entered into his fruitful late period with this work. A promising young doctor, Kirihito Osanai visits a remote Japanese mountain village to investigate the source of the latest medical mystery. While he ends up traveling the world to discover what it takes to be cured of such a disease, a conspiracy back home attempts to explain away his absence. Hinging upon his fate are those of his loved an unstable childhood friend and colleague trapped between factions of the medical establishment that nurtured him; a fiancée emotionally transformed by Kirihito’s mysterious disappearance; and a stranger who becomes his guardian angel, a sensual circus-act performer with volatile psychological secrets. From plutocratic Taipei and racially divided South Africa to backwater Arabia and modern Osaka, ambition and desire beckon “normal men” to behave uglier than any beast. Riveting our attention on deformity and its acceptance like The Elephant Man by David Lynch, Ode to Kirihito examines the true worth of human beings through and beyond appearances.

One Hundred Tales is a story about being careful what you wish for. Ichirui Hanri is an ordinary accountant servicing his master. Though innocent, he is ordered to commit hara-kiri after being entangled in some trouble in his master's house. Just then, a witch named Sudama appears. She signs a contract with Hanri to obtain his soul in exchange for fulfilling three of his wishes. Hanri gets what he wants...but the price he pays is too high. An enchanting supernatural fable from Osamu Tezuka, known worldwide as the “Godfather of Manga” and the most influential person of the past century in the development of Japanese manga and anime.

The acclaimed Phoenix series is regarded as Tezuka's masterpiece. Osamu Tezuka painstakingly created his epic 12-volume series over several decades, stretching the limits of manga to address fundamental questions about existence. All 12 episodes of Phoenix are linked by the presence of the mythical bird, an immortal guardian of the universal life force. Beginning in AD 270, ‘Phoenix: Dawn’ follows the ambitions of Queen Himiko, capturing with precise period detail the early phase of Japanese civilization.

First published in the 1960s, Phoenix remains relevant today. Civilization has gone underground after several nuclear wars. Masato, a resident of the underground capital of Tokyo, is discovered owning an outlawed alien animal with hallucinogenic properties. Fleeing for his life, he learns the secret of the Phoenix as the world veers toward Armageddon.

HAVE AT YOU! Filled with narrow escapes, treacherous courtiers, dashing pirates, meddlesome witches, magical transformations, and cinema-worthy displays of derring-do, this early shojo (girls’ comics) masterpiece by the “Godfather of Manga” is a fast-paced tale of a heroic princess who can best any man at fencing, yet is delicate and graceful enough to catch the eye of Prince Charming. Its winning art style and canny infusion of gender politics into classic fantasy storytelling have continued to intrigue and delight readers of all ages. A mischief-making angel’s prank goes too far when the newborn princess of Silverland ends up with two hearts—one male and one female. Since the laws of the realm only allow a male heir to ascend the throne, Princess Sapphire is raised as a prince. Will the avaricious Duke Duralumin discover her secret and snatch the crown for his own son? Available for the first time stateside as a single-volume omnibus!

Set in a medieval fairy-tale backdrop, Princess Knight is the tale of a young princess named Sapphire who must pretend to be a male prince so she can inherit the throne. Women have long been prevented from taking the throne, but Sapphire is not discouraged and instead she fully accepts the role, becoming a dashing hero(ine) that the populous is proud of.The playful cartooning style of Princess Knight is comparable to that of Disney, à la Snow White and the Seven Dwarfs. Considered by many as one of the first major shojo works, inspiring comics for girls such as Revoluntionary Girl Utena, Cardcaptor Sakura and Sailor Moon for generations to follow. A rare shojo property from the godfather of manga, Princess Knight has been long considered one of Tezuka's most popular works worldwide.

Toshiko Tomura is a genius; the darling of the intelligentsia. A modern-day Michelangelo, this twenty year-old is already an established international stage actress, an up-and-coming architect, and the next recipient of the prestigious Akutagawa Prize as Japan's best new writer. Her actions make headlines in the papers, and inspire radio and television programming. And like many great talents, her troubled past is what motivates her to greatness. She has the amazing ability to emulate the talents of others. Toshiko is also the mastermind behind a series of murders. The ultimate mimic, she has plagiarized, blackmailed, stolen and replicated the works of scores of talents. And now as her star is rising within the world of the elites and powerful she has amassed a long list of enemies frustrated by the fact that she has built critical and financial acclaim for nothing more than copying others' work. Neglected as a child, she is challenging the concepts of gender inequality while unleashing her loneliness upon the world as she climbs the social ladder one body at a time. One of Osamu Tezuka's most wicked tales, The Book of Human Insects renders the 70's as a brutal and often polarizing bug-eat-bug world, where only those willing to sell their soul to the masses and become something less than human are capable of achieving their wildest dreams

交通事故で死んでしまった子猫・アトムは、宇宙人の科学によって“鉄腕アトム”と同じ七つの力を持つスーパーキャットとしてよみがえった！　作者自身による『鉄腕アトム』の意欲的パロディ！　ほかに一角獣の子ども・ユニコのキュートな活躍を描く『ユニコ 小学一年生版』を併録。＜収録作品＞アトムキャット／ユニコ 小学一年生版＜手塚治虫漫画全集収録巻数＞『アトムキャット』　MT309『アトムキャット』収録『ユニコ 小学一年生版』　MT310『ユニコ 小学一年生版』収録＜初出掲載＞『アトムキャット』　ニコニココミック　1986年7月号～1987年2月号『ユニコ 小学一年生版』　小学一年生　1980年4月号～1984年1月号