Camille Laurens

From the acclaimed author of Little Dancer Aged Fourteen, a deeply personal and insightful account of being a girl, woman, and mother in a world that sees the feminine as less than. Born in 1959 to a middle-class family, Laurence Barraqué grows up with her sister in the northern city of Rouen. Her father is a doctor, her mother a housewife. She understands from an early age, by way of language and her parents’ example, that a girl’s place in life is inferior to a boy’s: Asked for the 1964 census whether he has any children, her father promptly responds, “No. I have two daughters.” When Laurence eventually becomes a mother herself in the 90s, she grapples with the question of what it means to be a girl, to have a girl, and what lessons she should try to pass down or undo. Masterful in her analysis of the subtle and obvious ways women are undermined by a sexist society, Camille Laurens lays out her experiences of the past forty years in this poignant, powerful book. Girl is at once intimate and sweeping in its depiction of the great challenges we face, such as equalizing the education system and transmitting feminist values to the younger generations.

This absorbing, heartfelt work uncovers the story of the real dancer behind Degas's now-iconic sculpture, and the struggles of late nineteenth-century Parisian life. She is famous throughout the world, but how many know her name? You can admire her figure in Washington, Paris, London, New York, Dresden, or Copenhagen, but where is her grave? We know only her age, fourteen, and the work that she did--because it was already grueling work, at an age when children today are sent to school. In the 1880s, she danced as a "little rat" at the Paris Opera, and what is often a dream for young girls now wasn't a dream for her. She was fired after several years of intense labor; the director had had enough of her repeated absences. She had been working another job, even two, because the few pennies the Opera paid weren't enough to keep her and her family fed. She was a model, posing for painters or sculptors--among them Edgar Degas. Drawing on a wealth of historical material as well as her own love of ballet and personal experiences of loss, Camille Laurens presents a compelling, compassionate portrait of Marie van Goethem and the world she inhabited that shows the importance of those who have traditionally been overlooked in the study of art.