Savannah Brown

Savannah Brown's first collection of poetry is a vulnerable account of adolescence from someone in the thick of it. Written between the ages of sixteen and eighteen, with examinations of anxiety, death, first loves, and first lusts, GRAFFITI extends a hand to those undergoing the trials and uncertainty of teenagehood, and assures them they're not alone.

Savannah Brown’s long-awaited second collection of poetry is at once philosophical and accessible, just as concerned with the biggest questions of being as the smallest personal desires, which might be one and the same. London (and occasionally the apocalypse) as a backdrop, Sweetdark explores the transience of existence, the pursuit of vulnerability, pleasure, chaos, and the dichotomy of a life wholly experienced, full of so much darkness and so much sweetness, sometimes in the same breath.

In this dazzling third collection, poet Savannah Brown holds a magnifying glass to modern intimacy with a lens that burns as often as it illuminates. Moths, ex-lovers, Jeff Bezos, and other supernatural creatures flit through the pages as Brown charts her own cartographies through London and the world wide web seething in everybody's pocket. These poems pinch and pull through the smallest moments, like someone trying to zoom in on a smartphone photo, or someone in the thrall of a bad, bad habit.