R.K. Narayan

Formerly India's most corrupt tourist guide, Raju—just released from prison—seeks refuge in an abandoned temple. Mistaken for a holy man, he plays the part and succeeds so well that God himself intervenes to put Raju's newfound sanctity to the test. Narayan's most celebrated novel, The Guide won him the National Prize of the Indian Literary Academy, his country's highest literary honor.

The Ramayana is, quite simply, the greatest of Indian epics - and one of the world's supreme masterpieces of storytelling 'Almost every individual living in India,' writes R. K. Narayan in the Introduction to this new interpretation, 'is aware of the story of The Ramayana. Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime . . . The Ramayana pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.

In his usual winning, humorous style, R. K. Narayan shares his life story, beginning in his grandmother's garden in Madras with his ferocious pet peacock. As a young boy with no interest in school, he trains grasshoppers, scouts, and generally takes part in life's excitements. Against the advice of all, especially his commanding headmaster father, the dreaming Narayan takes to writing fiction, and one of his pieces is accepted by Punch magazine (his "first prestige publication"). Soon his life includes bumbling British diplomats, curious movie moguls, evasive Indian officials, eccentric journalists, and "the blind urge" to fall in love. R. K. Narayan's larger-than-life perception of the human comedy is at once acute and forgiving, and always true to it.

Book by Narayan, R. K

Nataraj, owner of a small, friendly printing press in the enchanted city of Malgudi, has never been very successful at making enemies. Until, that is, he meets Vasu. Almost accidentally, Vasu, a pugnacious taxidermist, moves into Nataraj's attic, bringing an alarming stuffed jungle of hyenas, pythons, and tigers, and an assortment of dancing girls who clump up and down the printer's stairs. Vasu is definitely not a man to tangle with. But when, in search of bigger game, he threatens the beloved temple elephant, Nataraj rises to the occasion--and R. K. Narayan invests his story with all his warm, wicked, and delightful sense of comedy.

Chandran is a good-natured, popular, rather dreamy student who works hard to pass his exams. Newly graduated, he is unsure how he wants to spend his future. And then, one evening, walking by the river, he sees Malathi, a beautiful young girl dressed in a radiant green sari But the course of love does not run smoothly. Not all is well in Chandran's horoscope and while some customs can be forgotten, others must be strictly observed: customs that temporarily cause Chandran to turn his back on the legendary Malgudi altogether.

In The Financial Expert , R. K. Narayan once again transports readers to the southern Indian town of Malgudi. This story centers around the life and pursuits of Margayya, a man of many hopes but few resources, who spends his time under the banyan tree offering expert financial advice to those willing to pay for his knowledge. Margayya's rags-to-riches story brings forth the rich imagery of Indian life with the absorbing details and vivid storytelling that are Narayan's trademarks. "The novels of R. K. Narayan are the best I have read in any language for a long time."—Amit Roy, Daily Telegraph "The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian the fresh realization of the common humanity of all peoples."—Margaret Parton, New York Herald Tribune Book Review "The hardest of all things for a novelist to communicate is the extraordinary ordinariness of most human happiness. . . . Jane Austen, Soseki, a few bring it off. Narayan is one of them."—Francis King, Spectator

"There are writers—Tolstoy and Henry James to name two—whom we hold in awe, writers—Turgenev and Chekhov—for whom we feel a personal affection, other writers whom we respect—Conrad for example—but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian."—Graham Greene Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief. "The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune

"There are writers—Tolstoy and Henry James to name two—whom we hold in awe, writers—Turgenev and Chekhov—for whom we feel a personal affection, other writers whom we respect—Conrad for example—but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian."—Graham Greene Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief. "The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune "Narayan's limits are meticulously imposed and observed but his humor and compassion come from a deep universal well, with the result that he has transformed his imaginary township of Malgudi into a bubbling parish of the world."—Christopher Wordsworth, Observer

Sriram is twenty. As a mark of his coming of age his grandmother allows his the pass-book to his savigns in the local bank, but Sriram is growing up in other ways, too, and an enchanting and unpredictable girl leads him into the entourage of Mahatma Gandhi. These are the opening events in R K Narayan's novel. It is the finest thing he has yet achieved, and his story of the triumphs and tragedies of a raw young zealot in the service of Gandhi is distinguished for its warmth, its humour, its lack of sentimentality and the stamp of absolute truth. Sriram's evolution into manhood is, for him, strange and bewildering process. Bharati, the girl he worship, is witty, infuriating, capable and, wonder of wonders, condescending to the moonstruck Sriram. Her first loyalty though, is to the Mahatma, a saint blessed with disconcerting common sense, a man whose tragedy is tat he is so much greater than his followers. Most of them accept his ideas enthusiastically, and without realizing it, pervert them to suit their coarser personalities. Sriram is inspired by Gandhi, but he is too easily influenced by glamorous patriots of the type of Jagadish, a terrorist. It is a tale of remarkable insight into the upsrge of Indian nationalism as witnessed through the eyes and hearts of Sriram and Bharati, and told with the all genius and compassion we have come to expect from R K Narayan.

Four gems, with new introductions, mark acclaimed Indian writer R. K. Narayan’s centennial Introducing this collection of stories, R. K. Narayan describes how in India “the writer has only to look out of the window to pick up a character and thereby a story.” Composed of powerful, magical portraits of all kinds of people, and comprising stories written over almost forty years, Malgudi Days presents Narayan’s imaginary city in full color, revealing the essence of India and of human experience. This edition includes an introduction by Pulitzer Prize- winning author Jhumpa Lahiri. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This novel completes the informal trilogy which began with "Swami and Friends" and "The Bachelor of Arts," The protagonist, Krishna, is an English teacher at the same college he had attended as a student. Although Krishna has recently married, his wife Susila and their daughter live with his parents-in-law some miles away. The story opens with his immediate family deciding to join him in Malgudi. Krishna is initially frightened by his new state of affairs, but he soon finds that his love for both his wife and child grows deeper than he could have imagined. "Mr. Narayan has repeatedly been compared with Chekhov. Ordinarily such comparisons are gratuitous and strained, but in this case there are such clear and insistent echoes that any careful reader will be aware of them. There is that sense of rightness which transcends mere structure. There is the inexplicable blending of tragedy and humor. Most of all, there is a brooding awareness of fate which makes the story seem not authored, but merely translated."--J.F. Muehl, "Saturday Review" "[Narayan] does not deal in exemplary fates, and the Western novel's machinery of retribution is far too grandiose for him. . . . In Narayan's world, scores are not settled but dissolved, recycled, restated. 'Both of us will shed our forms soon and perhaps we could meet again, who knows? So goodbye for the present.' These are the concluding words for the novel "A Tiger for Malgudi," but they constitute a universal epilogue one could append to most of Narayan's fiction."--Russell Davies, "Times Literary Supplement"

"There are writers—Tolstoy and Henry James to name two—whom we hold in awe, writers—Turgenev and Chekhov—for whom we feel a personal affection, other writers whom we respect—Conrad for example—but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian."—Graham Greene Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief. "The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune "The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life."—Amit Roy, Daily Telegraph

تحكي رواية "بائع الحلوى" للروائي الهندي الشهير آر. كي. نارايان حكاية رجل يدعى جاجان يقوم على تربية ابنه مالي، ويدير محله الصغير للحلويات. يكرس بطل الرواية حياتة لرعاية ابنه الوحيد بعد وفاة زوجته، فيوفر له كل ما يلزمه من طعام وشراب، واهتمام أبوي لا حد له. ويحرص نارايان من خلال تفاصيل صغيرة وأحداث عديدة أن ينقل لنا فكرة واضحة عن عادات وتقاليد وقيم ومبادئ يتمسك بها المجتمع الهندي الملتزم. إنه يصف لنا طفولة جاجان وصباه وكيفية اختياره لزوجته، ومن ثم إقامة أفراخ واحتفالات كبيرة وفقاً للتقاليد الهدية العريقة. لقد أبدع نارايان في صياغة روايته، وهي تنضح بأفكار فلسفية عميقة، ومبادئ وقيم سلوكية تطبق معظمها في بلادنا، بوصفنا من الشعوب الشرقية الأصلية. الرواية شيقة وجديرة بالقراءة