She Returns to the Floating World is a book about transformation that examines two recurring motifs in Japanese folk tales and popular culture: "the woman who disappears" and the "older sister/savior." Many of the poems are persona poems spoken by characters from anim and manga, mythology, and fairy tales, like the story of the kitsune, or fox-woman, whose relationships are followed throughout the book. Gailey's abiding interest in female heroes and tales of transformation, love, and loss bristles to life with a cast of characters including wives who become foxes, sisters who become birds, and robots with souls.
Unexplained Fevers
Jeannine Hall Gailey
"Unexplained Fevers plucks the familiar fairy tale heroines and drops them into alternate landscapes. Unlocking them from the old stories is a way to 'rescue the other half of [their] souls.' And so Sleeping Beauty arrives at the emergency room, Red Riding Hood reaches the car dealership, and Rapunzel goes wandering in the desert - their journeys, re-imagined in this inventive collection of poems, produce other dangers, betrayals and nightmares, but also bring forth great surprise and wonder." —Rigoberto González, author of Black Blossoms
Unexplained Fevers, the third full-length poetry collection from Jeannine Hall Gailey, is due for release in Spring 2013 from New Binary Press.
The Robot Scientist's Daughter
Jeannine Hall Gailey
Dazzling in its descriptions of a natural world imperiled by the hidden dangers of our nuclear past, this book presents a girl in search of the secrets of survival. In The Robot Scientist's Daughter, Jeannine Hall Gailey creates for us a world of radioactive wasps, cesium in the sunflowers, and robotic daughters. She conjures the intricate menace of the nuclear family and nuclear history, juxtaposing surreal cyborgs and mad scientists from fifties horror flicks with languid scenes of rural childhood. Mining her experience growing up in Oak Ridge, Tennessee, the writer allows the stories of the creation of the first atomic bomb, the unintended consequences of scientific discovery, and building nests for birds in the crooks of maple trees to weave together a reality at once terrifying and beautiful. The Robot Scientist’s Daughter reveals the underside of the Manhattan Project from a personal angle, and charts a woman’s – and America’s - journey towards reinvention.
Field Guide to the End of the World
Jeannine Hall Gailey
Field Guide to the End of the World, winner of the 2015 Moon City Poetry Award, delivers a whimsical look at our culture’s obsession with apocalypse as well as a thoughtful reflection on our resources in the face of disasters both large and small, personal and public. Pop-culture characters—from Martha Stewart and Wile E. Coyote to zombie strippers and teen vampires—deliver humorous but insightful commentary on survival and resilience through poems that span imagined scenarios that are not entirely beyond the realm of possibility. The characters face their apocalypses in numerous ways, from strapping on rollerblades and swearing to taking notes as barns burn on the horizon. At the end of the world, the most valuable resource is human connection—someone holding our hands, reminding us “we are miraculous.”
Becoming the Villainess
Jeannine Hall Gailey
"In this splendidly entertaining debut, Jeannine Hall Gailey offers us a world both familiar and magical-filled with fairytale and mythology characters that are our own bedfellows-we wake up with Philomel and argue with Ophelia while half-listening to a Snow Queen, amidst Spy Girls, Amazons and Mongolian Cows. The wild and seductive energy in this collection never lets one put the book down. (In fact, any one who opens the collection in the bookstore and reads such poems as The Conversation and Job Requirements: A Supervillain's Advice will want to buy the book!) For her delivery is heart-breaking and refreshing, so the poems seduce us with the sadness, glory and entertainment of our very own days. Propelled by Jeannine Hall Gailey's alert, sensuous, and musical gifts, the mythology becomes all our own." -Ilya Kaminsky, author of the award-winning Dancing in Odessa