Robin Waterfield

"We Greeks are one in blood and one in language; we have temples to the gods and religious rites in common, and a common way of life." So the fifth-century historian Herodotus has some Athenians declare, in explanation of why they would never betray their fellow Greeks to the enemy, the "barbarian" Persians. And he might have added further common features, such as clothing, foodways, and political institutions. But if the Greeks knew that they were kin, why did many of them side with the Persians against fellow Greeks, and why, more generally, is ancient Greek history so often the history of internecine wars and other forms of competition with one another? This is the question acclaimed historian Robin Waterfield sets out to explore in this magisterial history of ancient Greece. With more information, more engagingly presented, than any similar work, this is the best single-volume account of ancient Greece in more than a generation. Waterfield gives a comprehensive narrative of seven hundred years of history, from the emergence of the Greeks around 750 BCE to the Roman conquest of the last of the Greco-Macedonian kingdoms in 30 BCE. Equal weight is given to all phases of Greek history-the Archaic, Classical, and Hellenistic periods. But history is not just facts; it is also a matter of how we interpret the evidence. Without compromising the readability of the book, Waterfield incorporates the most recent scholarship by classical historians and archaeologists and asks his readers to think critically about Greek history. A brilliant, up-to-date account of ancient Greece, suitable for history buffs and university students alike, Creators, Conquerors, and Citizens presents a compelling and comprehensive story of this remarkable civilization's disunity, underlying cultural solidarity, and eventual political unification.

Alexander the Great conquered an enormous empire--stretching from Greece to the Indian subcontinent--and his death triggered forty bloody years of world-changing warfare. These were years filled with high adventure, intrigue, passion, assassinations, dynastic marriages, treachery, shifting alliances, and mass slaughter on battlefield after battlefield. And while the men fought on the field, the women, such as Alexander's mother Olympias, schemed from their palaces and pavilions. The story of one of the great forgotten wars of history, Dividing the Spoils serves up a fast-paced narrative that captures this turbulent time as it revives the memory of the Successors of Alexander and their great war over his empire. The Successors, Robin Waterfield shows, were no mere plunderers. Indeed, Alexander left things in great disarray at the time of his death, with no guaranteed succession, no administration in place suitable for such a large realm, and huge untamed areas both bordering and within his empire. It was the Successors--battle-tested companions of Alexander such as Ptolemy, Perdiccas, Seleucus, and Antigonus the One-Eyed--who consolidated Alexander's gains. Their competing ambitions, however, eventually led to the break-up of the empire. To tell their story in full, Waterfield draws upon a wide range of historical materials, providing the first account that makes complete sense of this highly complex period. Astonishingly, this period of brutal, cynical warfare was also characterized by brilliant cultural achievements, especially in the fields of philosophy, literature, and art. A new world emerged from the dust and haze of battle, and, in addition to chronicling political and military events, Waterfield provides ample discussion of the amazing cultural flowering of the early Hellenistic Age.

Simplified adaptation with language-learning materials. [Penguin Readers Level 6] Paul Sheldon is Annie Wilkes' favourite writer. She loves all his books about Misery Chastain. When she finds Paul injured after a car crash and takes him home she learns that he has decided to end the series by killing off Misery. Soon Paul's biggest fan turns into his biggest enemy and his nightmare begins! By the master of horror, Stephen King, this will keep you on the edge of your seat!

The first ever biography of the founder of Western philosophy Considered by many to be the most important philosopher ever, Plato was born into a well-to-do family in wartime Athens at the end of the fifth century BCE. In his teens, he honed his intellect by attending lectures from the many thinkers who passed through Athens and toyed with the idea of writing poetry. He finally decided to go into politics, but became disillusioned, especially after the Athenians condemned his teacher, Socrates, to death. Instead, Plato turned to writing and teaching. He began teaching in his twenties and later founded the Academy, the world's first higher-educational research and teaching establishment. Eventually, he returned to practical politics and spent a considerable amount of time and energy trying to create a constitution for Syracuse in Sicily that would reflect and perpetuate some of his political ideals. The attempts failed, and Plato's disappointment can be traced in some of his later political works. In his lifetime and after, Plato was considered almost divine. Though a measure of his importance, this led to the invention of many tall tales about him-both by those who adored him and his detractors. In this first ever full-length portrait of Plato, Robin Waterfield steers a judicious course among these stories, debunking some while accepting the kernels of truth in others. He explains why Plato chose to write dialogues rather than treatises and gives an overview of the subject matter of all of Plato's books. Clearly and engagingly written throughout, Plato of Athens is the perfect introduction to the man and his work.

"Is there anyone on earth who is so narrow-minded or uninquisitive that he could fail to want to know how and thanks to what kind of political system almost the entire known world was conquered and brought under a single empire in less than fifty-three years?" --Polybius, Histories The 53-year period Polybius had in mind stretched from the start of the Second Punic War in 219 BCE until 167, when Rome overthrew the Macedonian monarchy and divided the country into four independent republics. This was the crucial half-century of Rome's spectacular rise to imperial status, but Roman interest in its eastern neighbors began a little earlier, with the First Illyrian War of 229, and climaxed later with the infamous destruction of Corinth in 146. Taken at the Flood chronicles this momentous move by Rome into the Greek east. Until now, this period of history has been overshadowed by the threat of Carthage in the west, but events in the east were no less important in themselves, and Robin Waterfield's account reveals the peculiar nature of Rome's eastern policy. For over seventy years, the Romans avoided annexation so that they could commit their military and financial resources to the fight against Carthage and elsewhere. Though ultimately a failure, this policy of indirect rule, punctuated by periodic brutal military interventions and intense diplomacy, worked well for several decades, until the Senate finally settled on more direct forms of control. Waterfield's fast-paced narrative focuses mainly on military and diplomatic maneuvers, but throughout he interweaves other topics and themes, such as the influence of Greek culture on Rome, the Roman aristocratic ethos, and the clash between the two best fighting machines the ancient world ever produced: the Macedonian phalanx and Roman legion. The result is an absorbing account of a critical chapter in Rome's mastery of the Mediterranean.

In 1960s America, four young boys go on a journey to search for the body of a boy killed by a train. As they travel, they discover how cruel the world can be, but also how wondrous.

Adaptation for younger readers. Mitch McDeere is a young, intelligent and ambitious lawyer. When he gets a job with a top tax law firm in Memphis, he is delighted. But he quickly becomes suspicious after mysterious deaths, obsessive office security, and the Chicago mob figure into its operations. The situation only escalates when Mitch discovers that the firm is listening in on his phone calls and that the FBI want to speak to him. Money and power has a price — and it could be Mitch's life. Adaptation Notes This adaptation is a simplified text designed in association with world famous educational publishers, to provide a step-by-step approach to the joys of reading for pleasure. The series include original stories, contemporary titles based on today's best-selling media hits, and easily accessible versions of the literary classics from around the world. Each book has an introduction and extensive activity material. They are published at different levels for readers of all skill levels. Series Editors: Andy Hopkins and Jocelyn Potter Book Details: - Difficulty: Level 5 - Upper Intermediate (2300 words) - Category: Contemporary - Dialect: British English

Aristotle said that philosophy begins with wonder, and the first Western philosophers developed theories of the world which express simultaneously their sense of wonder and their intuition that the world should be comprehensible. But their enterprise was by no means limited to this proto-scientific task. Through, for instance, Heraclitus' enigmatic sayings, the poetry of Parmenides and Empedocles, and Zeno's paradoxes, the Western world was introduced to metaphysics, rationalist theology, ethics, and logic, by thinkers who often seem to be mystics or shamans as much as philosophers or scientists in the modern mould. And out of the Sophists' reflections on human beings and their place in the world arose and interest in language, and in political, moral, and social philosophy.This volume contains a translation of all the most important fragments of the Presocratics and Sophists, and of the most informative testimonia from ancient sources, supplemented by lucid commentary.

The Greek Myths contains some of the most thrilling, romantic, and unforgettable stories in all human history. From Achilles rampant on the fields of Troy, to the gods at sport on Mount Olympus; from Icarus flying too close to the sun, to the superhuman feats of Heracles, Theseus, and the wily Odysseus, these timeless tales exert an eternal fascination and inspiration that have endured for millennia and influenced cultures from ancient to modern.Beginning at the dawn of human civilization, when the Titan Prometheus stole fire from Zeus and offered mankind hope, the reader is immediately immersed in the majestic, magical, and mythical world of the Greek gods and heroes. As the tales unfold, renowned classicist Robin Waterfield, joined by his wife, writer Kathryn Waterfield, creates a sweeping panorama of the romance, intrigues, heroism, humour, sensuality, and brutality of the Greek myths and legends.The terrible curse that plagued the royal houses of Mycenae and Thebes, Jason and the golden fleece, Perseus and the dread Gorgon, the wooden horse and the sack of Troy - these amazing stories have influenced art and literature from the Iron Age to the present day. And far from being just a treasure trove of amazing tales, The Greek Myths is a catalogue of Greek myth in art through the ages, and a notable work of literature in its own right.

A revisionist account of the most famous trial and execution in Western civilization—one with great resonance for American society today. Socrates’ trial and death together form an iconic moment in Western civilization. In 399 BCE, the great philosopher stood before an Athenian jury on serious impiety and “subverting the young men of the city.” The picture we have of it—created by his immediate followers, Plato and Xenophon, and perpetuated in countless works of literature and art ever since—is of a noble man putting his lips to the poisonous cup of hemlock, sentenced to death in a fit of folly by an ancient Athenian democracy already fighting for its own life. But an icon, an image, is not reality, and time has transmuted so many of the facts into historical fable.Aware of these myths, Robin Waterfield has examined the actual Greek sources and presents here a new Socrates, in which he separates the legend from the man himself. As Waterfield recounts the story, the charges of impiety and corrupting the youth of Athens were already enough for a death sentence, but the prosecutors accused him of more. They asserted that Socrates was not just an atheist and the guru of a weird sect but also an elitist who surrounded himself with politically undesirable characters and had mentored those responsible for defeat in the Peloponnesian War. Their claims were not without substance, for Plato and Xenophon, among Socrates’ closest companions, had idolized him as students, while Alcibiades, the hawkish and notoriously self-serving general, had brought Athens to the brink of military disaster. In fact, as Waterfield perceptively shows through an engrossing historical narrative, there was a great deal of truth, from an Athenian perspective, in these charges.The trial was, in part, a response to troubled times—Athens was reeling from a catastrophic war and undergoing turbulent social changes—and Socrates’ companions were unfortunately direct representatives of these troubles. Their words and actions, judiciously sifted and placed in proper context, not only serve to portray Socrates as a flesh-and-blood historical figure but also provide a good lens through which to explore both the trial and the general history of the period.Ultimately, the study of these events and principal figures allows us to finally strip away the veneer that has for so long denied us glimpses of the real Socrates. Why Socrates Died is an illuminating, authoritative account of not only one of the defining periods of Western civilization but also of one of its most defining figures.

A revisionist account of the most famous trial and execution in Western civilization—one with great resonance for American society today.Socrates’ trial and death together form an iconic moment in Western civilization. In 399 BCE, the great philosopher stood before an Athenian jury on serious impiety and “subverting the young men of the city.” The picture we have of it—created by his immediate followers, Plato and Xenophon, and perpetuated in countless works of literature and art ever since—is of a noble man putting his lips to the poisonous cup of hemlock, sentenced to death in a fit of folly by an ancient Athenian democracy already fighting for its own life. But an icon, an image, is not reality, and time has transmuted so many of the facts into historical fable.Aware of these myths, Robin Waterfield has examined the actual Greek sources and presents here a new Socrates, in which he separates the legend from the man himself. As Waterfield recounts the story, the charges of impiety and corrupting the youth of Athens were already enough for a death sentence, but the prosecutors accused him of more. They asserted that Socrates was not just an atheist and the guru of a weird sect but also an elitist who surrounded himself with politically undesirable characters and had mentored those responsible for defeat in the Peloponnesian War. Their claims were not without substance, for Plato and Xenophon, among Socrates’ closest companions, had idolized him as students, while Alcibiades, the hawkish and notoriously self-serving general, had brought Athens to the brink of military disaster. In fact, as Waterfield perceptively shows through an engrossing historical narrative, there was a great deal of truth, from an Athenian perspective, in these charges.The trial was, in part, a response to troubled times—Athens was reeling from a catastrophic war and undergoing turbulent social changes—and Socrates’ companions were unfortunately direct representatives of these troubles. Their words and actions, judiciously sifted and placed in proper context, not only serve to portray Socrates as a flesh-and-blood historical figure but also provide a good lens through which to explore both the trial and the general history of the period.Ultimately, the study of these events and principal figures allows us to finally strip away the veneer that has for so long denied us glimpses of the real Socrates. Why Socrates Died is an illuminating, authoritative account of not only one of the defining periods of Western civilization but also of one of its most defining figures.