Willa Cather

Alexander’s Bridge, Willa Cather’s first novel, is a taut psychological drama about the fragility of human connections. Published in 1912, just a year before O Pioneers! made Cather’s name, it features high society on an international stage rather than the immigrant prairie characters she later became known for. The successful and glamorous life of Bartley Alexander, a world-renowned engineer and bridge builder, begins to unravel when he encounters a former lover in London. As he shuttles among his wife in Boston, his old flame in London, and a massive bridge he is building in Canada, Alexander finds himself increasingly tormented. But the threatened collapse of his marriage presages a more fatal catastrophe, one he will risk his life to try to prevent.

A portrait of a woman who reflects the conventions of her age even as she defies them and whose transformations embody the decline and coarsening of the American frontier.BONUS: The edition includes an excerpt from The Selected Letters of Willa Cather.

Coming, Aphrodite! is a novel written by Willa Cather, first published in 1920. The story is set in New York City during the early 1900s and follows the life of a young artist named Don Hedger. Don is a talented painter who is struggling to make a name for himself in the competitive art scene of the city. He is also in love with a beautiful, free-spirited woman named Eden Bower, who he believes is the embodiment of the goddess Aphrodite.As Don's career begins to take off, he becomes increasingly entangled in the bohemian lifestyle of the city, which includes parties, drinking, and casual sex. Despite his growing success, he remains obsessed with Eden, who is constantly pushing him away and pursuing her own hedonistic desires.The novel explores themes of love, art, and the pursuit of pleasure, as well as the tension between artistic expression and commercial success. It also touches on issues of gender and sexuality, as Eden is portrayed as a strong, independent woman who refuses to be tied down by societal norms.Overall, Coming, Aphrodite! is a vivid and evocative portrait of the New York art scene during the early 20th century, and a compelling exploration of the human desire for beauty and pleasure.Eden Bower was, at twenty, very much the same person that we all know her to be at forty, except that she knew a great deal less. But one thing she that she was to be Eden Bower. She was like some one standing before a great show window full of beautiful and costly things, deciding which she will order. She understands that they will not all be delivered immediately, but one by one they will arrive at her door.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Willa Cather's best known novel is an epic--almost mythic--story of a single human life lived simply in the silence of the southwestern desert. In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows--gently, all the while contending with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Out of these events, Cather gives us an indelible vision of life unfolding in a place where time itself seems suspended.

In this haunting 1935 novel, the Pulitzer Prize–winning author of My Ántonia performs crystalline variations on the themes that preoccupy her greatest the impermanence of innocence, the opposition between prairie and city, provincial American values and world culture, and the grandeur, elation, and heartache that await a gifted young woman who leaves her small Nebraska town to pursue a life in art. At the age of eighteen, Lucy Gayheart heads for Chicago to study music. She is beautiful and impressionable and ardent, and these qualities attract the attention of Clement Sebastian, an aging but charismatic singer who exercises all the tragic, sinister fascination of a man who has renounced life only to turn back to seize it one last time. Out of their doomed love affair—and Lucy's fatal estrangement from her origins—Willa Cather creates a novel that is as achingly lovely as a Schubert sonata.

Against Nebraska's panoramic landscape, My Antonia (1918) re-creates the life of an immigrant girl who becomes, in the memories of narrator Jim Burden, the ideal of strong and resourceful womanhood, and a figure of salvation.

Through Jim Burden's endearing, smitten voice, we revisit the remarkable vicissitudes of immigrant life in the Nebraska heartland, with all its insistent bonds. Guiding the way are some of literature's most beguiling characters: the Russian brothers plagued by memories of a fateful sleigh ride, Antonia's desperately homesick father and self-indulgent mother, and the coy Lena Lingard. Holding the pastoral society's heart, of course, is the bewitching, free-spirited Antonia.

In this symphonically powerful novel, Willa Cather created one of the most winning heroines in American fiction, a woman whose robust high spirits and calm, undemonstrative strength are emblematic of the virtues Cather most admired in her country. Antonia Shimerda is the daughter of Bohemian immigrants struggling with the oceanic loneliness of life on the Nebraska prairie. Through the eyes of Jim Burden, her tutor and disappointed admirer, we follow Antonia from farm to town and through hardships both natural and human, surviving everything from poverty to a failed romance--and not only surviving, but triumphing. In the end, Antonia is exactly what Burden says she a woman who "had that something which fires the imagination, [a woman who] could stop . . . one's breath for a moment by a look or a gesture that somehow revealed the meaning in common things."

Claude Wheeler, the sensitive, aspiring protagonist of this beautifully modulated novel, resembles the restless young son of a peculiarly American fairy tale. His fortune is ready-made for him, but he refuses to settle for it. Alienated from his crass father and pious mother, all but rejected by a wife who reserves her ardor for missionary work, and dissatisfied with farming, Claude is an idealist without an ideal to cling to. It is only when his country enters the First World War that Claude finds what he has been searching for all his life. In One of Ours Willa Cather explores the destiny of a grandchild of the pioneers, a young Nebraskan whose yearning impels him toward a frontier bloodier and more distant than the one that vanished before his birth. In doing so, she creates a canny and extraordinarily vital portrait of an American psyche at once skeptical and romantic, restless and heroic.

O Pioneers! (1913) was Willa Cather's first great novel, and to many it remains her unchallenged masterpiece. No other work of fiction so faithfully conveys both the sharp physical realities and the mythic sweep of the transformation of the American frontier—and the transformation of the people who settled it. Cather's heroine is Alexandra Bergson, who arrives on the wind-blasted prairie of Hanover, Nebraska, as a girl and grows up to make it a prosperous farm. But this archetypal success story is darkened by loss, and Alexandra's devotion to the land may come at the cost of love itself. At once a sophisticated pastoral and a prototype for later feminist novels, O Pioneers! is a work in which triumph is inextricably enmeshed with tragedy, a story of people who do not claim a land so much as they submit to it and, in the process, become greater than they were.

Sapphira Dodderidge, a Virginia lady of the 19th century, marries beneath her and becomes irrationally jealous of Nancy, a beautiful slave. One of Cather's later works.

On the eve of his move to a new, more desirable residence, Professor Godfrey St. Peter finds himself in the shabby study of his former home. Surrounded by the comforting, familiar sights of his past, he surveys his life and the people he has loved — his wife Lillian, his daughters, and Tom Outland, his most outstanding student and once, his son-in-law to be. Enigmatic and courageous—and a tragic victim of the Great War — Tom has remained a source of inspiration to the professor. But he has also left behind him a troubling legacy which has brought betrayal and fracture to the women he loves most.

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As well as adding another story to the original forty-four, the revised edition updates and expands the chronology and the bibliographies in the light of recent research. It corrects factual and formal errors in the introduction and notes, and emends misprints in the text.