John Guy
John Guy is recognised as one of Britain's most exciting and scholarly historians, bringing the past to life with the written word and on the broadcast media with accomplished ease. He's a very modern face of history.His ability for first class story-telling and books that read as thrillingly as a detective story makes John Guy a Chandleresque writer of the history world. Guy hunts down facts with forensic skill, he doesn't just recite historical moments as they stand; he brings names and faces to life in all their human achievements and weaknesses. He looks for the killer clues so we can see how history unfolded. Like a detective on the trail of a crime, he teases out what makes his subjects tick. With his intimate knowledge of the archives, his speciality is uncovering completely fresh lines of enquiry. He's never content to repeat what we already know but rather, he goes that extra step to solve history's riddles. He takes you on a journey to the heart of the matter. Forget notions of musty academics, when Guy takes hold of history the case he states is always utterly compelling. Whether it's Thomas More or Mary Queen of Scots, Guy makes these people so real you suddenly realize you are hearing them speak to you. You enter into their world. You feel you can almost reach out and touch them.Born in Australia in 1949, John Guy grew up in England and by the age of 16 he knew he wanted to be a historian. In 2001 he made an accomplished debut as a presenter for the television programme Timewatch, on the life of Thomas More. Today he's turning history books on their head as he wins universal praise and the 2004 Whitbread Prize for biography for his thrilling account of the life of Mary Queen of Scots.As well as presenting five documentaries for BBC 2 television, including the Timewatch film The King's Servant and the four-part Renaissance Secrets (Series 2), he has contributed to Meet the Ancestors (BBC 2), and to Channel 4's Time Team and Royal Deaths and Diseases. Wolsey's Lost Palace of Hampton Court was a short-listed finalist for the 2002 Channel 4 television awards.John Guy also appears regularly on BBC Radio 2, Radio 3, Radio 4, BBC World Service and BBC Scotland. In print he currently writes or reviews for The Sunday Times, The Guardian, The Economist, the Times Literary Supplement, BBC History Magazine and History Today.His broadcast and journalism experience builds upon his impeccable CV as an academic and author.Having read History under the supervision of Professor Sir Geoffrey Elton, the pre-eminent Tudor scholar of the late-twentieth century, John Guy took a First and became a Research Fellow of Selwyn College in 1970. Awarded a Greene Cup by Clare College in 1970, he completed his PhD on Cardinal Wolsey in 1973 and won the Yorke Prize of the University of Cambridge in 1976.John Guy has lectured extensively on Early Modern British History and Renaissance Political Thought in both Britain and the United States. He has published 16 books and numerous academic articles.John Guy lives in North London. He is a Fellow of Clare College, University of Cambridge, where he teaches part-time so he can devote more time to his writing and broadcasting career.
Hunting the Falcon: Henry VIII, Anne Boleyn, and the Marriage That Shook Europe
John Guy
“A fierce, scholarly tour-de-force. . . . Hunting the Falcon brilliantly shows how time, circumstance and politics combined to accelerate Anne’s triumph and tragedy." — Tina Brown, New York Times Book Review
A groundbreaking, freshly-researched examination of one of the most dramatic and consequential marriages in Henry VIII’s long courtship, short union, and brutal execution of Anne Boleyn.
Hunting the Falcon is the story of how Henry VIII’s obsessive desire for Anne Boleyn changed him and his country forever. John Guy and Julia Fox, two of the most acclaimed and distinguished historians of this period, have joined forces to present Anne and Henry in startlingly new ways. By closely examining the most recent archival discoveries, and peeling back layers of historical myth and misinterpretation and distortion, Guy and Fox are able to set Anne and Henry’s tragic relationship against the major international events of the time, and integrate and reinterpret sources hidden in plain sight or simply misunderstood. Among other things, they dispel lingering and latently misogynistic assumptions about Anne which anachronistically presumed that a sixteenth-century woman, even a queen, could exert little to no influence on the politics and beliefs of a patriarchal society. They reveal how, in fact, Anne was a shrewd, if ruthless, politician in her own right, a woman who steered Henry and his policies, often against the advice he received from his male advisers—and whom Henry seriously contemplated making joint sovereign.
Hunting the Falcon sets the facts–and some completely new finds–into a far wider frame, providing an appreciation of this misunderstood and underestimated woman. It explores how Anne organized her “side” of the royal court on novel and (in male eyes) subversive lines compared to her queenly predecessors, adopting instead French protocol by which the sexes mingled freely in her private chambers. Men could share in the women’s often sexually charged courtly “pastimes” and had liberal access to Anne, and she to them—encounters from which she gained much of her political intelligence and extended her authority, and which also sowed the seeds of her own downfall.
An exhilarating feat of historical research and analysis, Hunting the Falcon is also a thrilling and tragic story of a marriage that has proved of enduring fascination over the centuries. But in the hands of John Guy and Julia Fox, even the most knowledgeable reader will encounter this story as if for the first time.
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