Ivan Turgenev

Bazarov—a gifted, impatient, and caustic young man—has journeyed from school to the home of his friend Arkady Kirsanov. But soon Bazarov’s outspoken rejection of authority and social conventions touches off quarrels, misunderstandings, and romantic entanglements that will utterly transform the Kirsanov household and reflect the changes taking place across all of nineteenth-century Russia. Fathers and Sons enraged the old and the young, reactionaries, romantics, and radicals alike when it was first published. At the same time, Turgenev won the acclaim of Flaubert, Maupassant, and Henry James for his craftsmanship as a writer and his psychological insight. Fathers and Sons is now considered one of the greatest novels of the nineteenth century. A timeless depiction of generational conflict during social upheaval, it vividly portrays the clash between the older Russian aristocracy and the youthful radicalism that foreshadowed the revolution to come—and offers modern-day readers much to reflect upon as they look around at their own tumultuous, ever changing world. Introduction by Jane Costlow

RUDIN (1856) by Ivan Sergeevich Turgenev (1818-1883) tells the story of a character typical to Turgenev -- a "superfluous" man, weak of will, brimming with indecisive frustration -- and yet tormented by ideals. Rudin is made impotent by the dissonance of honoring the older generations while at the same time embracing the new bold epoch of pre-revolutionary Russia. The theme of melancholic powerless men coupled with vital idealistic women is prevalent in Turgenev's work, and it would be hard to find a clearer study of the type than RUDIN.

First Love is a novella by Ivan Turgenev, first published in 1860. It is one of his most popular pieces of short fiction. Like many of Turgenev's works, this one is highly autobiographical. Indeed, the author claimed it was the most autobiographical of all his works. Here Turgenev is retelling an incident from his own life, his infatuation with a young neighbour in the country, Catherine Shakovskoy (the Zinaida of the novella), an infatuation that lasted until his discovery that Catherine was in fact his own father's mistress.

"Asya" - is a novella by Ivan Turgenev which was first published in 1858. The story is told from the viewpoint of an anonymous narrator (Mr. NN), who recalls his youth and in particular his stay in the small town west to the Rhine. Critics considered the hero to be a classic type of the "superfluous man" - indecisive and uncertain of their place in life.

Рассказ «Муму» был написан И.С.Тургеневым (1818-1883) весной 1852 г. В его основу были положены реальные события. Похожий случай произошел с крепостным матери Тургенева Варвары Петровны, немым Андреем. Правда, Андрей, в отличие от Герасима, не ушел в деревню, а продолжал служить своей барыне до конца ее дней.

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The novel is accompanied by a rich selection of Turgenev's letters that illustrate his involvement in the critical controversy that surrounded the publication of Fathers and Children. Four of the most significant critiques of the day--by Dmitry Pisarev, Nikolai Strakhov, Apollon Grigorev, and Alexander Herzen--further enhance the reader's understanding of this critical firestorm. Twenty-three critical essays--seven of which are new to the Second Edition--are organized around several themes: the issue of translation; politics, including Turgenev's liberalism, his view of revolution, and his attitude toward nihilism; and various literary aspects, including Turgenev's use of imagery, generational conflict, the role of women, and the growing impact of science on society. A Chronology of Tolstoy's life and work and an updated Selected Bibliography are also included.

Turgenev's first major prose work is a series of twenty-five Sketches: the observations and anecdotes of the author during his travels through Russia satisfying his passion for hunting. His album is filled with moving insights into the lives of those he acquaints with, peasants and landowners, doctors and bailiffs, neglected wives and bereft mothers each providing a glimpse of love, tragedy, courage and loss, and anticipating Turgenev's great later works such as First Love and Fathers and Sons. His depiction of the cruelty and arrogance of the ruling classes was considered subversive and led to his arrest and confinement to his estate, but these sketches opened the minds of contemporary readers to the plight of the peasantry and were even said to have led Tsar Alexander II to abolish serfdom.

When the down-at-heel Princess Zasyekin moves next door to the country estate of Vladimir Petrovich's parents, he instantly and overwhelmingly falls in love with his new neighbour's daughter, Zinaida. But the capricious young woman already has many admirers and as she plays her suitors against each other, Vladimir's unrequited youthful passion soon turns to torment and despair - although he remains unaware of his true rival for Zinaida's affections. Set in the world of nineteenth-century Russia's fading aristocracy, Turgenev's story depicts a boy's growth of knowledge and mastery over his own heart as he awakens to the complex nature of adult love.

Home of the Gentry is a novel by Ivan Turgenev published in the January 1859 issue of "Sovremennik". I t was enthusiastically received by the Russian society and remained his least controversial and most widely-read novel until the end of the 19th century. It was turned into a movie by Andrey Konchalovsky in 1969. The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.

"No, no, I've got your word for it, I've got to die ... you promised me ... you told me ..." Turgenev's accounts of hunting in rural Russia, and the extraordinary characters he meets there. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Ivan Turgenev (1818-1883). Turgenev's works available in Penguin Classics are Fathers and Sons, First Love, Home of the Gentry, On the Eve, Rudin, Sketches from a Hunter's Album, Spring Torrents and Three Sketches from a Hunter's Album.

On one level the novel is about the homecoming of Lavretsky, who, broken and disillusioned by a failed marriage, returns to his estate and finds love again - only to lose it. The sense of loss and of unfulfilled promise, beautifully captured by Turgenev, reflects his underlying theme that humanity is not destined to experience happiness except as something ephemeral and inevitably doomed. On another level Turgenev is presenting the homecoming of a whole generation of young Russians who have fallen under the spell of European ideas that have uprooted them from Russia, their 'home', but have proved ultimately superfluous. In tragic bewilderment, they attempt to find reconciliation with their land.

În vara anului 1859, tânărul Arkadi Nikolaevici Kirsanov revine la moșia tatălui său împreună cu noul lui prieten, Evgheni Vasilievici Bazarov, un tânăr medic cu maniere neglijente. Bazarov este însă „omul nou“, „eroul timpului nostru“, trecut prin școala aspră a muncii și a sacrificiului. Părinți și copii, considerat de critică cel mai reușit roman al lui Turgheniev, a provocat la apariție aprinse discuții contradictorii, legate de conflictul dintre generația părinților, care se inspiră din idealurile umaniste tradiționale, și cea rebelă a fiilor, materialistă, dezamăgită și lipsită de iluzii. În afară de frumuseţea artistică, romanul lui Turgheniev e remarcabil şi prin faptul că stimulează mintea, dă de gândit […] deoarece de la început până la sfârşit e pătruns de o sinceritate absolută, emoţionantă. Tot ce este scris în el a fost simţit până în cele mai mici amănunte; şi simţirea aceasta nu-şi găseşte expresia în digresiunile lirice, ci iese la iveală fără voia autorului, fără ca el să fie conştient de asta, şi animă naraţiunea obiectivă. D.I. Pisarev

From the most romantic of the Russian greats, an enthralling selection of short stories and novellasIvan Turgenev was able to contain the narrative sweep of a novel in a single short story. His tales evoke the joy and painful tubulence of first love, the grandiose flights of youthful imagination, and the wistful reflections of maturity. Tugenev brought his characters vividly to life, rendering their complex interior lives, whether nobleman or serf, in writing charged with a profound social conscience.This collection, in a lyrical new translation by Nicolas Pasternak Slater and Maya Slater, places Turgenev's great novella First Love alongside a selection of his classic stories. From the evocative rural scenes of 'Bezhin Meadown' and 'The Rattling!' to the pathos and profundity of 'The District Doctor' and 'Biryuk', these are miniature epics brimming with humanity.Ivan Turgenev was born to an aristocratic family in 1818. He wrote plays, poetry, short stories and novels. A liberal who found himself frequently at odds with tsarist rule, he lived for much of his life in Western Europe, where he became friends with writers such as Gustave Flaubert and Henry James. His most famous novel Fathers and Sons was poorly received by many Russian critics. It is now regarded as one of the greatest novels of the nineteenth century.

Poco antes de morir, Chulkaturin decide iniciar un diario con el que se despedirá de este mundo. No sabe qué puede contar, pues se considera, simplemente, un hombre superfluo, prescindible por completo. Su infancia fue normal y no ha hecho nada reseñable en toda su vida. Tampoco se ha preocupado por sus relaciones con los demás. Ni siquiera cuando conoció a Yelizaveta... El concepto de hombre superfluo, como hombre inteligente, sensible e idealista pero nihilista e indeciso, se hizo popular gracias a la publicación de esta obra de Iván Turguénev en 1850. Este es un personaje tipo en la literatura rusa del siglo XIX y su recurrente presencia en poemas, novelas y teatro acabó convirtiéndolo en un arquetipo nacional.

Returning to Russia from a tour in Italy, twenty-three-year-old Dimitry Sanin breaks his journey in Frankfurt, where he encounters the beautiful Gemma Roselli, who works in her parents' patisserie, and falls deeply and deliriously in love for the first time. Convinced that nothing can come in the way of everlasting happiness with his fiancee, Dimitry impetuously decides to begin a new life and sell his Russian estates. But when he meets the potential buyer, the intriguing Madame Polozov, his youthful vulnerability makes him prey for a darker, destructive infatuation. A novel of haunting beauty, "Spring Torrents" (1870-1) is a fascinating, partly autobiographical account of one of Turgenev's favourite themes - a man's inability to love without losing his innocence and becoming enslaved to obsessive passions.