Zoje Stage

Meet Hanna. She’s the sweet-but-silent angel in the adoring eyes of her Daddy. He’s the only person who understands her, and all Hanna wants is to live happily ever after with him. But Mommy stands in her way, and she’ll try any trick she can think of to get rid of her. Ideally for good. Meet Suzette. She loves her daughter, really, but after years of expulsions and strained home schooling, her precarious health and sanity are weakening day by day. As Hanna’s tricks become increasingly sophisticated, and Suzette's husband remains blind to the failing family dynamics, Suzette starts to fear that there’s something seriously wrong, and that maybe home isn’t the best place for their baby girl after all.

Seven-year-old Hanna has never spoken a word.She is a sweet but silent angel in the eyes of her adoring father, but with Mummy, things are different. Suzette loves her daughter but difficulties with babysitters and teachers over the years have put a strain on their relationship and her sanity. Then Hanna speaks for the first time, to Suzette alone, and what she says is chilling. Suzette wants to write it off as a scary joke, but she’s becoming increasingly frightened by Hanna's little games. Could she be in danger from her own child? And when it's her word against her daughter's, can she make her husband believe her?Bad Apple is a blazing debut novel about a perfect-looking family – where sweetness can be deceptive.

Zoje Stage delivers another knockout with a blood-chilling follow-up to international sensation Baby Teeth, taking readers back into the unsteady world of a young sociopath who’s all grown up. Hanna is no stranger to dark thoughts: as a young child, she tried to murder her own mother. But that was more than sixteen years ago. And extensive therapy—and writing letters to her younger brother—has since curbed those nasty tendencies. Now twenty-four, Hanna is living an outwardly normal life of domestic content. Married to real estate agent Jacob, she’s also stepmother to his teenage daughter Joelle. They live in a beautiful home, and Hanna loves her career as a phlebotomist—a job perfectly suited to her occasional need to hurt people. But when Joelle begins to change in ways that don’t suit Hanna’s purposes, her carefully planned existence threatens to come apart. With life slipping out of her control, Hanna reverts to old habits, determined to manipulate the events and people around her. And the only thing worse than a baby sociopath is a fully grown one. With its dark humor and chillingly seductive protagonist, Dear Hanna is a stand-alone sequel sure to thrill returning and new readers alike.

În același stil cu Trebuie să vorbim despre Kevin și Cina, Dinți de lapte este un debut „sângeros” despre o mamă disperată să găsească ajutor pentru fiica ei mută, al cărei comportament tulburător devine tot mai periculos. FACEȚI CUNOȘTINȚĂ CU HANNA! E un înger drăgălaș, deși mut, în ochii adoratori ai tăticului ei. Acesta este singura persoană care o înțelege, și tot ce-și dorește Hanna este să trăiască fericită, pentru totdeauna, alături de el. Însă mami îi stă în cale, iar fetița va încerca orice truc imaginabil ca să scape de ea. De tot, dacă se poate. FACEȚI CUNOȘTINȚĂ CU SUZETTE! Își iubește sincer fata, însă, după ani de respingeri, școală la domiciliu pentru fiica ei și clipe încărcate de tensiune, sănătatea ei fizică și psihică slăbesc pe zi ce trece. Pe măsură ce șiretlicurile Hannei devin tot mai sofisticate, iar soțul lui Suzette rămâne orb la atmosfera tot mai încordată din sânul familiei, Suzette începe să se teamă că ceva cu adevărat rău se petrece și că, poate, casa nu reprezintă totuși cel mai potrivit loc pentru fetița lor. Dinți de lapte este o poveste despre o familie aparent perfectă și o fetiță mută care nu-și dorește nimic altceva decât să-și ucidă mama.

It was supposed to be the perfect week away... Imogen and Beck, two sisters who couldn't be more different, have been friends with Tilda since high school. Once inseparable, over two decades the women have grown apart. But after Imogen survives a traumatic attack, Beck suggests they all reunite to hike deep into the Grand Canyon’s backcountry. A week away, secluded in nature... surely it’s just what they need. But as the terrain grows tougher, tensions from their shared past bubble up. And when supplies begin to disappear, it becomes clear secrets aren’t the only thing they’re being stalked by. As friendship and survival collide with an unspeakable evil, Getaway becomes another riveting thriller from a growing master of suspense and “a literary horror writer on the rise” (BookPage).

A claustrophobic psychological thriller about one woman’s nightmarish spiral while quarantined with her mother. Grace isn’t exactly thrilled when her newly widowed mother, Jackie, asks to move in with her. They’ve never had a great relationship, and Grace likes her space—especially now that she’s stuck at home during a pandemic. Then again, she needs help with the mortgage after losing her job. And maybe it’ll be a chance for them to bond—or at least give each other a hand. But living with Mother isn’t for everyone. Good intentions turn bad soon after Jackie moves in. Old wounds fester; new ones open. Grace starts having nightmares about her disabled twin sister, who died when they were kids. And Jackie discovers that Grace secretly catfishes people online—a hobby Jackie thinks is unforgivable. When Jackie makes an earth-shattering accusation against her, Grace sees it as an act of revenge, and it sends her spiraling into a sleep-deprived madness. As the walls close in, the ghosts of Grace’s past collide with a new but familiar threat: Mom.

When precocious eleven-year-old Lilly undergoes an inexplicable and startling growth spurt, her father and doctors decide to take drastic action to curb what they see as a dangerous development. Faced with condescending treatment and cruelty, Lilly escapes and embarks on a journey to discover her true self. Zoje Stage's new novella is a parable for how patriarchy treats the female body (and, by extension, the female mind and soul) and the objectification of girls.

If Shirley Jackson wrote The Shining, it might look like this deliciously unsettling horror novel from the acclaimed author of Baby Teeth. A mother must protect her family from the unnatural forces threatening their new and improved life in a rural farmhouse. The Bennett family - artist parents and two precocious children - are leaving their familiar urban surroundings for a new home in far upstate New York. They're an hour from the nearest city, a mile from the nearest house, and everyone has their own room for the very first time. Shaw, the father, even gets his own painting studio, now that he and his wife Orla, a retired dancer, have agreed that it's his turn to pursue his passion. But none of the Bennetts expect what lies waiting in the lovely woods, where secrets run dark and deep. Orla must finally find a way to communicate with - not just resist - this unknown entity that is coming to her family, calling to them from the land, in the earth, beneath the trees... and in their minds.