Yusef Komunyakaa

Poetry that precisely conjures images of the war in Vietnam by an award-winning author.

New and selected poems from the great Pulitzer Prize–winning poet These songs run along dirt roads & highways, crisscross lonely seas & scale mountains, traverse skies & underworlds of neon honkytonk, Wherever blues dare to travel. Everyday Mojo Songs of Earth brings together selected poems from the past twenty years of Yusef Komunyakaa’s work, as well as new poems from the Pulitzer Prize winner. Komunyakaa’s masterful, concise verse conjures arresting images of peace and war, the natural power of the earth and of love, his childhood in the American South and his service in Vietnam, the ugly violence of racism in America, and the meaning of power and morality. The new poems in this collection add a new refrain to the jazz-inflected rhythms of one of our “most significant and individual voices” (David Wojahn, Poetry ). Komunyakaa writes of a young man fashioning a slingshot, workers who “honor the Earth by opening shine / inside the soil,” and the sounds of a saxophone filling a dim lounge in New Jersey. As April Bernard wrote in The New York Times Book Review , “He refuses to be trivial; and he even dares beauty.” "Probably my favorite living poet. No one else taught me more about how important it was to think about how words make people feel. It's not enough for people to know something is true. They have to feel it's true." ―Ta-Nehisi Coates, The New York Times Style Magazine

Descendants of Vietnam veterans and refugees confront the aftermath of war and, in verse and prose, deliver another kind of war story. Fifty years after the Vietnam War, this anthology by descendants of Vietnam veterans and refugees―American, Vietnamese, Vietnamese Diaspora, Hmong, Australian, and others―confronts war and its aftermath. What emerges is an affecting portrait of the effects of war and family―an intercultural, generational dialogue on silence, memory, landscape, imagination, Agent Orange, displacement, postwar trauma, and the severe realities that are carried home. Including such acclaimed voices as Viet Thanh Nguyen, Karen Russell, Terrance Hayes, Suzan-Lori Parks, Nick Flynn, and Ocean Vuong, Inheriting the War enriches the discourse of the Vietnam War and provides a collective conversation that attempts to transcend the recursion of history. “Each unique work in Inheriting the War embraces a collective that aims to engage through some daring and passionate truths calibrated by bravery.” ―Yusef Komunyakaa, from the foreword

An award-winning poet's testimony of the war in Vietnam.

Yusef Komunyakaa has become one of America's most compelling poets. Pleasure Dome gathers over twenty-five years of work, including early uncollected poems and a rich selection of new poems. Best known for Neon Vernacular, which won the Pulitzer Prize for Poetry in 1994, and for Dien Cai Dau, a collection of poems chronicling his experiences as a journalist in Vietnam, Yusef Komunyakaa has become one of America's most compelling poets. Pleasure Dome gathers the poems in these two distinguished books and five others―over two and a half decades of Komunyakaa's work. In addition, Pleasure Dome includes 25 early, uncollected poems and a rich selection of 18 new poems.

A daredevil poetic achievement nominated for the National Book Critics Circle Award . . . A god isn't worthA drop of water in the hell of his good Imagination, if we can't curse Sunsets & threaten to forsake himIn his storehouse of belladonna,Tiger hornets, & snakebites. --from "Meditations in a Swine Yard" No turn in any life cycle is taboo as Yusef Komunyakaa examines the primal rituals shared by insects, animals, human beings, and deities in Talking Dirty to the Gods. From "Hearsay" to "Heresy," these 132 poems, each consisting of four quatrains, are framed by innuendo and lively satire. Komunyakaa looks to nature and configures his own paradigm, in which an event as commonplace as the jewel wasp laying an egg in a cockroach becomes every bit as grand as Zeus's infidelity. The formally rigorous collection is itself a design for a systematic cosmos, a world compressed but abundant in surprise and delight.

A new and intimate collection from one of America's most important poets The latest collection from one of our preeminent poets, The Chameleon Couch is also one of Yusef Komunyakaa's most personal to date. As in his breakthrough work, Copacetic, Komunyakaa writes again of music as muse--from a blues club in the East Village to the shakuhachi of Basho. Beginning with "Canticle," this varied new collection often returns to the idea of poem as hymn, ethereal and haunting, as Komunyakaa reveals glimpses of memory, myth, and violence. With contemplations that spring up along walks or memories conjured by the rhythms of New York, Komunyakaa pays tribute more than ever before to those who came before him. The book moves seamlessly across cultural and historical boundaries, evoking Komunyakaa's capacity for cultural excavation, through artifact and place. The Chameleon Couch begins in and never fully leaves the present--an urban modernity framed, brilliantly, in pastoral-minded verse. The poems seek the cracks beneath the landscape, whether New York or Ghana or Poland, finding in each elements of wisdom or unexpected beauty. The collection is sensually, beautifully relaxed in rhetoric; in poems like "Cape Coast Castle," Komunyakaa reminds us of his gift for combining the personal with the universal, one moment addressing a lover, the next moving the focus outward, until both poet and reader are implicated in the book's startling world.

This powerful new collection of Yusef Komunyakaa's poetry delves into an age of war and conflict, both global and internal, racial and sexual. "Sweetheart, was I talking war in my sleep / again?" he asks, and the question is hardly "Sometimes I hold you like Achilles' / shield," and indeed all relationships, in this telling, are sites of violence and battle. His line is longer and looser than in Taboo and Talking Dirty to the Gods , and in long poems like "The Autobiography of My Alter Ego" he sounds almost breathless, an exhausted, desperate prophet. Warhorses is the stunning work of a Pulitzer Prize–winning poet who never ceases to challenge and delight his readers.