Chris Ware

The first and much-anticipated monograph by multi-award-winning cartoonist and graphic novelist Chris Ware, chronicling his influential quarter-century career. While illustrator Chris Ware's singular body of work is often categorized as comics, his trailblazing work defies genre. Whether he is writing graphic novels, making paintings, or building sculptures, Ware explores universal themes of social isolation, emotional torment, and depression with his trademark self-effacing voice. The end result is wry, highly empathetic, and identifiable to all walks of life. Ware, like Charles Schulz, Art Spiegelman, and R. Crumb, has elevated cartooning to an iconic art form. This volume is a personal, massive, never-before-seen look at how the artist's life and work combine, beginning with his newspaper family and the influence of their work; his art-school days in Austin and Chicago; to his career from the early 1990s to the present day. It also delves into how, as a storyteller and builder, his near-compulsion to build in three dimensions feeds into the thinking of his innovative narrative art. The book contains a comprehensive collection of his work, including many previously unpublished examples, and is an intimate window into a comics master sure to appeal to fans of art and storytelling.

After years of sporadic work on other books and projects and following the almost complete loss of his virility, it's here: a new graphic novel by Chris Ware. Building Stories imagines the inhabitants of a three-story Chicago apartment building: a 30-something woman who has yet to find someone with whom to spend the rest of her life; a couple, possibly married, who wonder if they can bear each other's company another minute; and the building's landlady, an elderly woman who has lived alone for decades. Taking advantage of the absolute latest advances in wood pulp technology, Building Stories is a book with no deliberate beginning nor end, the scope, ambition, artistry and emotional prevarication beyond anything yet seen from this artist or in this medium, probably for good reason.

‘The week after I finished the last page of Jimmy Corrigan I immediately started a new long story based on characters who had originated as parodies, but whom now I wanted to humanize... amidst a setting of memories of my Omaha childhood and Nebraska upbringing.’ --Chris Ware, Monograph Now, twenty years later, Ware is publishing Rusty Brown in book form. It is, he says, ‘a fully interactive, full-colour articulation of the time-space interrelationships of six complete consciousnesses on a single Midwestern American day and the tiny piece of human grit about which they involuntarily orbit.’ The six characters are Rusty Brown himself, a shy schoolkid obsessed with superheroes, his father ‘Woody’ Brown, an eccentric teacher at Rusty’s school, Chalky White, another schoolboy, Alison White, Chalky’s sister, Jason Lint, an older boy who bullies Rusty and Chalky and fancies Alison, and the boys’ teacher, Joanne Cole. Ware tells each of their stories in minute detail (or as he puts it, ‘From childhood to old age, no frozen plotline is left unthawed’), producing another masterwork of the comics form that is at once achingly beautiful, heartbreakingly sad and painfully funny.

1893 This is the tragic autobiography of an office dogsbody in Chicago. One day he meets the father who abandoned him as a child. The first graphic novel to win a major British literary award took the Guardian First Book Award 2001.

Jordan Wellington Lint, fifty-one, is chief executive officer of Lint Financial Products, a company he began serving in 1985 as assistant and adviser before working his way up its corporate ladder to record-setting innovation in the fields of finance and high-yield investment. In his seven years as the head of Lint, Jordan has grown the company from a business lender and real estate speculator to a leading provider of network financial infrastructure services, all the while positioning Lint as a model of corporate integrity and high-yield, low-risk product. Lint’s vision has made him one of the most influential and widely sought-after leaders in the complex Omaha securities industry, and his fresh approach to an understanding of local problems, leadership, and determination have enabled Lint to outdistance and outpace its competitors.Lint graduated from UNL in 1981 with a B.A. in business and briefly studied music and recording in Los Angeles before returning to his hometown of Omaha, Nebraska, where he has continued his life journey ever since. In his ongoing role as chief executive officer and his dual roles as public servant and father, Lint continues to put his creative leadership and vision to work in a variety of challenging settings. He is married and the father of two boys. The ACME Novelty Library #20 comprises a contributing chapter to cartoonist ChrisWare’s gradual accretion of the ongoing graphic novel experiment "Rusty Brown".

Undaunted by lukewarm Internet and blogospheric opinion ("flat," "slow," and "always dreary") of his meretricious return last year to the tradition of the American comic book with the sixteenth issue of his ACME Novelty Library, cartoonist and professional sentimentalist Chris Ware returns with the seventeenth issue of this same title, and it is almost certain not to change general public opinion. Continuing with the second half of the introduction to his shamelessly meandering graphic novel Rusty Brown (which began last issue at a private school in the 1970s Midwest), the six-sided crystal suggested by the exegesis of the first installment is slowly turned and examined in midmorning winter sunlight sometime between the bell of first period and the conclusion of lunch for the first through the fourth grades. Also included are more thorough examinations of many of the main characters' cloudy motivations, personal habits, and favorite restaurants, to say nothing of the small dust mote around which they have coalesced and the complications in its life due to the acquisition of superpowers sometime the night before. Like the irritating distant family member you only have to see once a year, the ACME Novelty Library #17 will, as was its predecessor, be published by the author in a single, limited edition only, never to be reprinted until the entire library is collected as a single volume, though it may be promptly remaindered and/or discarded.

The creator of Jimmy Corrigan begins a new story.This newest edition of The ACME Novelty Library features the first serial installment of "Rusty Brown," Ware's first major lengthy "narrative indulgence" since his Jimmy Corrigan graphic novel. The ACME Novelty Library is Chris Ware's ongoing comic book/art object series, which he has been creating for Fantagraphics since 1993. It is also where Corrigan was serialized to great acclaim and success before going supernova when collected by Pantheon in 2000, selling over 70,000 copies in four hardcover printings. "Rusty Brown" will be serialized in ACME over the course of several issues (and Pantheon will similarly collect the story in hardcover sometime upon completion, several years from now). The first installment begins with young Rusty, an outcast in his suburban Chicago elementary school, befriended solely by his Supergirl action figure until he meets new kid on the block and fellow comic nerd, Chalky White. Rusty's story is an uncomfortably vivid and uncompromising look into the life of a social outcast. Ultimately, Rusty Brown will run longer than Jimmy Corrigan, tracing Brown's life through adulthood, along with every excruciating moment of failure it brings. The ACME Novelty Library series has been the most acclaimed comic book series of the last ten years, as well as one of the bestselling contemporary comics on the racks. This is only the second issue, however, that has been available to the general book trade, enabling booksellers to satisfy demand for Ware's work post-Jimmy Corrigan while Ware builds toward the next collection. The format also allows Ware to indulge us with many surprises as well, from Ware's faux-advertising sections and elaborate three-dimensional cut-out designs. Author Biography: Chris Ware published his first comic strip in The Daily Texan, the student newspaper serving The University of Texas at Austin. He relocated to Chicago to attend the Art Institute in the late 1980s; he continues to reside there with his wife, Marnie. In his spare time, he creates The Ragtime Ephemeralist, a journal devoted to vintage ragtime music.

In keeping with his athletic goal of issuing a volume of his occasionally lauded ACME series once every new autumn, volume 18 finds cartoonist Chris Ware abandoning the engaging serialization of his "Rusty Brown" and instead focusing upon his ongoing and more experimentally grim narrative "Building Stories."Collecting pages unseen except in obscure alternative weekly periodicals and sophisticated expensive coffee-table magazines, "ACME Novelty Library #18" reintroduces the characters that "New York Times" readers found "dry" and "deeply depressing" when one chapter of the work (not included here) was presented in its pages during 2005 and 2006. Set in a Chicago apartment building more or less in the year 2000, the stories move from the straightforward to the mnemonically complex, invading characters' memories and personal ambitions with a text point size likely unreadable to human beings over the age of forty-five. Reformatted to accommodate this different material, readers will be pleased by the volume's vertical shape and tasteful design, which, unlike Ware's earlier volumes, should discreetly blend into any stack or shelf of real books.

The penultimate teen issue of the ACME Novelty Library appears this autumn with a new chapter from the electrifying experimental narrative “Rusty Brown,” which examines the life, work, and teaching techniques of one of its central real-life protagonists, W. K. Brown. A previously marginal figure in the world of speculative fiction, Brown’s widely anthologized first story, “The Seeing Eye Dogs of Mars,” garnered him instant acclaim and the coveted White Dwarf Award for Best New Writer when it first appeared in the pages of Nebulous in the late 1950s, but his star was quickly eclipsed by the rise of such talents as Anton Jones, J. Sterling Imbroglio, and others of the so-called psychovisionary movement. (Modern scholarship concedes, however, that they now owe a not inconsequential aesthetic debt to Brown.) New surprises and discoveries concerning the now legendarily reclusive and increasingly influential writer mark this nineteenth number of the ACME Novelty Library, itself a regular award-winning periodical, lauded for its clear lettering and agreeable coloring, which, as any cultured reader knows, are cornerstones of any genuinely serious literary effort. Full color, seventy-eight pages, with hardbound covers, full indicia, and glue, the ACME Novelty Library offers its readers a satisfying, if not thrilling, rocket ride into the world of unkempt imagination and pulse-pounding excitement.