One of Zola's most famous realist novels, Therese Raquin is a clinically observed, sinister tale of adultery and murder among the lower classes in nineteenth-century Parisian society.
Set in the claustrophobic atmosphere of a dingy haberdasher's shop in the passage du Pont-Neuf in Paris, this powerful novel tells how the heroine and her lover, Laurent, kill her husband, Camille, but are subsequently haunted by visions of the dead man, and prevented from enjoying the fruits of their crime.
Zola's shocking tale dispassionately dissects the motivations of his characters--mere "human beasts", who kill in order to satisfy their lust--and stands as a key manifesto of the French Naturalist movement, of which the author was the founding father. Published in 1867, this is Zola's most important work before the Rougon-Macquart series and introduces many of the themes that can be traced through the later novel cycle.
The Ladies' Paradise (Les Rougon-Macquart #11)
Émile Zola
The Ladies Paradise (Au Bonheur des Dames) recounts the rise of the modern department store in late nineteenth-century Paris. The store is a symbol of capitalism, of the modern city, and of the bourgeois family: it is emblematic of changes in consumer culture, and the changes in sexual attitudes and class relations taking place at the end of the century. This new translation of the eleventh novel in Zola's Rougon-Macquart cycle captures the spirit of one of his greatest works.
Au Bonheur des dames (Les Rougon-Macquart, #11)
Émile Zola
Octave Mouret affole les femmes de désir. Son grand magasin parisien, Au Bonheur des Dames, est un paradis pour les sens. Les tissus s’amoncellent, éblouissants, délicats. Tout ce qu’une femme peut acheter en 1883, Octave Mouret le vend, avec des techniques révolutionnaires. Le succès est immense. Mais ce bazar est une catastrophe pour le quartier, les petits commerces meurent, les spéculations immobilières se multiplient. Et le personnel connaît une vie d’enfer. Denise échoue de Valognes dans cette fournaise, démunie mais tenace.
Zola fait de la jeune fille et de son puissant patron amoureux d’elle le symbole du modernisme et des crises qu’il suscite. Personne ne pourra plus entrer dans un grand magasin sans ressentir ce que Zola raconte avec génie : les fourmillements de la vie.