Wright Thompson

'Haunting . . . The writing is often breathtaking, brutality amplified through perfectly crafted prose.' The Times 'Extraordinary . . . Serious history and skillful journalism, but with the nuance and wallop of a finely wrought novel.' Washington Post 'With a passion for truth and justice, and a fierce determination to dig for the secrets, Wright Thompson has produced an incredible history of a crime that changed America.' John Grisham How forces from around the world converged on the Mississippi Delta to bring about the most consequential murder in US history. Emmett Till’s murder is one of the most infamous in American history; a moment that, more than any other, awakened the world to the racism of the Deep South. Yet despite growing up just a few miles from where it happened, Wright Thompson knew nothing of it until he left Mississippi. This is no accident: the cover-up began at once, and it is ongoing. Over the course of five years’ research, Thompson has learnt that almost every part of the standard account of Till’s killing is wrong. In August 1955, after the two men charged with the murder were acquitted by an all-white jury, they gave a false confession to a journalist: one that was misleading about where the murder took place and who was involved. We now know that at least eight people were present, and many more complicit. And we now know precisely where it took place: inside a barn on a 36-square-mile grid called Township 22 North, Range 4 West. This book tells the story of that barn. It is the story of what really happened on the night of August 28, 1955, and of the individuals who have spent decades bringing the truth to light. And it is the story of the centuries-old forces that made that night inevitable: forces that, over the course of 200 years, transformed Township 22 North, Range 4 West from Choctaw land, to a slave plantation, to a sharecropper’s farm, to the site of the most significant murder in US history. The result is a revelatory work of investigative reportage and a panoramic new history of white supremacy in America. It maps the road that the US – and the world – must travel to heal its oldest, deepest wound.

A shocking and revelatory account of the murder of Emmett Till that lays bare how forces from around the world converged on the Mississippi Delta in the long lead-up to the crime, and how the truth was erased for so long. Wright Thompson’s family farm in Mississippi is 23 miles from the site of one of the most notorious and consequential killings in American history, yet he had to leave the state for college before he learned the first thing about it. To this day, fundamental truths about the crime are widely unknown, including where it took place and how many people were involved. This is no the cover-up began at once, and it is ongoing. In August 1955, two men, Roy Bryant and J.W. Milam, were charged with the torture and murder of the 14-year-old Emmett Till in Money, Mississippi. After their inevitable acquittal in a mockery of justice, they gave a false confession to a journalist, which was misleading about where the long night of hell took place and who was involved. In fact, Wright Thompson reveals, at least nine people can be placed at the scene, which was inside the barn of one of the killers, on a plot of land within the six-square-mile grid whose official name is Township 22 North, Range 4 West, Section 2, West Half, fabled in the Delta of myth as the birthplace of the blues on nearby Dockery Plantation. Even in the context of the brutal caste regime of the time, the four-hour torture and murder of a boy barely in his teens for whistling at a young white woman was acutely depraved; Till’s mother Mamie Till-Mobley’s decision to keep the casket open seared the crime indelibly into American consciousness. Wright Thompson has a deep understanding of this story—the world of the families of both Emmett Till and his killers, and all the forces that aligned to place them together on that spot on the map. As he shows, the full horror of the crime was its inevitability, and how much about it we still need to understand. Ultimately this is a story about property, and money, and power. It implicates all of us. In The Barn, Thompson befriends the few people who have been engaged in the hard, fearful business of bringing the truth to light, people like Wheeler Parker, Emmett Till’s friend, who came down from Chicago with him that summer, and is the last person alive to know him well. Wheeler Parker’s journey to put the killing floor of the barn on the map of Township 22 North, Range 4 West, Section 2, West Half, and the Delta, and America, is a journey we all need to go on if this country is to heal from its oldest, deepest wound.

The New York Times bestseller! “A warm and loving reflection that, like good bourbon, will stand the test of time.” —Eric Asimov, The New York Times The story of how Julian Van Winkle III, the caretaker of the most coveted cult Kentucky Bourbon whiskey in the world, fought to protect his family's heritage and preserve the taste of his forebears, in a world where authenticity, like his product, is in very short supply. Following his father’s death decades ago, Julian Van Winkle stepped in to try to save the bourbon business his grandfather had founded on the mission “We make fine bourbon—at a profit if we can, at a loss if we must, but always fine bourbon.” With the company in its wilderness years, Julian committed to safeguarding his namesake’s legacy or going down with the ship. Then he discovered that hundreds of barrels from the family distillery had survived their sale to a multinational conglomerate. The whiskey that Julian produced after recovering those barrels would immediately be hailed as the greatest in the world—and soon would be the hardest to find. Once they had been used up, a fresh challenge preserving the taste of Pappy in a new age. Wright Thompson was invited to ride along as Julian undertook the task. From the Van Winkle family, Wright learned not only about great bourbon but about complicated legacies and the rewards of honoring your people and your craft—lessons that he couldn’t help but apply to his own work and life. May we all be lucky enough to find some of ourselves, as Wright Thompson did, in Pappyland .