Brittany Cavallaro

The hotly anticipated and explosive third book in the New York Times bestselling Charlotte Holmes series. It’s been a year since the shocking death of August Moriarty, and Jamie and Charlotte haven’t spoken. Jamie is going through the motions at Sherringford, trying to finish his senior year without incident, with a nice girlfriend he can’t seem to fall for. Charlotte is on the run, from Lucien Moriarty and from her own mistakes. No one has seen her since that fateful night on the lawn in Sussex—and Charlotte wants it that way. She knows she isn’t safe to be around. She knows her Watson can’t forgive her. Holmes and Watson may not be looking to reconcile, but when strange things start happening, it’s clear that someone wants the team back together. Someone who has been quietly observing them both. Making plans. Biding their time. Someone who wants to see one of them suffer and the other one dead.

The last thing Jamie Watson wants is a rugby scholarship to Sherringford, a Connecticut prep school just an hour away from his estranged father. But that’s not the only complication: Sherringford is also home to Charlotte Holmes, the famous detective’s great-great-great-granddaughter, who has inherited not only Sherlock’s genius but also his volatile temperament. From everything Jamie has heard about Charlotte, it seems safer to admire her from afar. From the moment they meet, there’s a tense energy between them, and they seem more destined to be rivals than anything else. But when a Sherringford student dies under suspicious circumstances, ripped straight from the most terrifying of the Sherlock Holmes stories, Jamie can no longer afford to keep his distance. Jamie and Charlotte are being framed for murder, and only Charlotte can clear their names. But danger is mounting and nowhere is safe—and the only people they can trust are each other.

The fourth book in the New York Times bestselling Charlotte Holmes series! Charlotte Holmes and Jamie Watson think they’re finally in the clear. They’ve left Sherringford School—and the Moriartys—behind for a pre-college summer program at Oxford University. A chance to start from scratch and explore dating for the first time, while exploring a new city with all the freedom their program provides. But when they arrive, Charlotte is immediately drawn into a new case: a series of accidents have been befalling the members of the community theater troupe in Oxford, and now, on the eve of their production of Hamlet, they’re starting all over again. What once seemed like a comedy of errors is now a race to prevent the next tragedy—before Charlotte or Jamie is the next victim.

Best friends are forged by fire. For Winona Olsen and Lucille Pryce, that fire happened the night they met outside the police station—both deciding whether to turn their families in. Winona has been starving for life in the seemingly perfect home that she shares with her seemingly perfect father, celebrity weatherman Stormy Olsen. No one knows that he locks the pantry door to control her eating and leaves bruises where no one can see them. Lucille has been suffocating beneath the needs of her mother and her drug-dealing brother, wondering if there’s more out there for her than disappearing waitress tips and generations of barely getting by. One harrowing night, Winona and Lucille realize they can’t wait until graduation to start their new lives. They need out. Now. All they need is three grand, fast. And really, a stolen convertible to take them from Michigan to Las Vegas can’t hurt.

American Royals meets The Winner’s Curse in the first book of a dazzling duology from New York Times  bestselling author Brittany Cavallaro about revolution, love, and friendship in a reimagined American monarchy. The year is 1893, and war is brewing in the First American Kingdom. But Claire Emerson has a bigger problem. Claire’s father is a sought-after inventor, but he believes his genius is a gift granted to him by his daughter’s touch, so he keeps Claire under his control. As their province prepares for war, Claire plans to escape, even as her best friend, Beatrix, tries to convince her to stay and help with the growing resistance movement that wants to see a woman on the throne. When her father’s weapon fails to fire on the World’s Fair’s opening day, Claire is taken captive by Governor Remy Duchamp, St. Cloud’s young, untried ruler. Remy believes that Claire’s touch bestows graces he’s never had, and with political rivals planning his demise, Claire might be his only ally. The last thing that Claire has ever wanted is to be someone else’s muse, but she finally has a Will she quietly remake her world from the shadows—or bring it down in flames?

The poems in Brittany Cavallaro’s Girl-King are whispered from behind a series of masks, those of victim and aggressor, nineteenth-century madame and reluctant magician’s girl, of truck-stop Persephone and frustrated Tudor scholar. This “expanse of girls, expanding still” chase each other through history, disappearing in an Illinois cornfield only to re-emerge on the dissection table of a Scottish artist-anatomist. But these poems are not just interested in historical they peer, too, at the past’s marginalia, at its “blank pages” as well as its “scrawls and dashes.” Always, they return to “the dark, indelicate question” of power and sexuality, of who can rule the “city where no one is from.” These girls search for the connection between “alive and will stay that way,” between each dying star and the emptiness that can collapse everything.

Holmes et Watson comme vous ne les avez encore jamais vus !Un an a passé depuis la mort d'August Moriarty. Jamie Watson, qui s'est juré d'en finir avec les mystères, tente de terminer sa scolarité à Sherringford sans faire de vagues. Charlotte Holmes, toujours fidèle à elle-même, suit à la trace Lucien Moriarty. Jamie et elle ne se sont pas revus depuis cette nuit tragique dans le Sussex, or des événements étranges vont les pousser à faire équipe une nouvelle fois. Il est temps pour eux d'affronter leur pire ennemi, mais aussi leurs sentiments...

New York Times bestselling author Brittany Cavallaro delivers the thrilling conclusion to her YA duology set in an alternate history American monarchy in which a girl fighting for her own freedom sets out to change the government from within . . . or burn it all down. For the first time in her life, Claire Emerson isn’t under a man’s control. She’s escaped from her dangerous father and no longer forced to act as his muse, granting inspiration for his deadly inventions. And her fiancé, Governor Remy Duchamp, is too weak from an attempted assassination to rule. All eyes fall on Claire—and the power she could wield. But that power is precarious as she and Remy are leading St. Cloud in exile after the General’s attempted coup. And when King Washington descends on the small province, he brings with him his baseball team, Claire’s brother, and a proximity to power Claire has never dreamed of. With few allies to support her, she determines her best chance at survival is earning the King’s good graces. Claire’s schemes quickly get out of hand—reminding her that it isn’t about who holds the power. It’s about a system that grants such power to a select few, and the men who built it that way. Claire isn’t anyone’s muse, and if she can’t fix the system from within, she’s determined to be the spark of revolution in the First American Kingdom.

Jamie Watson, arrière-petit-fils du célèbre Dr Watson, ne voulait pas cette bourse pour Sherringford, un collège chic de la côte Est des États-Unis... et encore moins y croiser Charlotte Holmes. L'arrière-petite- fille de Sherlock a hérité du célèbre détective non seulement son génie mais aussi son tempérament explosif. Mieux vaut, dit-on, l'admirer de loin... Quand un étudiant meurt dans des circonstances dignes des plus terrifiantes histoires de Sherlock, Jamie et Charlotte sont les premiers accusés. Victimes d'un coup monté, ils n'ont d'autre choix que de faire équipe pour mener l'enquête...

HOLMES ET WATSON COMME VOUS NE LES AVEZ ENCORE JAMAIS VUS Les vacances de Noël de Jamie Watson ne s'annoncent pas de tout repos : invité dans le luxueux manoir des Holmes dans le Sussex, il se heurte à l'énigmatique comportement de Charlotte. Et quand l'oncle de celle-ci disparaît, le duo se doit de reprendre du service. Les arrière-petits-enfants des célèbres D. Watson et Sherlock Holmes s'envolent alors pour Berlin, sur les traces d'une mystérieuse filière des faussaires... Leur contact ? Auguste, le dernier descendant des Moriarty...

Watson and Holmes: A match made in disaster. Jamie Watson and Charlotte Holmes are looking for a winter-break reprieve after a fall semester that almost got them killed. But Charlotte isn’t the only Holmes with secrets, and the mood at her family’s Sussex estate is palpably tense. On top of everything else, Holmes and Watson could be becoming more than friends—but still, the darkness in Charlotte’s past is a wall between them. A distraction arises soon enough, because Charlotte’s beloved uncle Leander goes missing from the estate—after being oddly private about his latest assignment in a German art forgery ring. The game is afoot once again, and Charlotte is single-minded in her pursuit. Their first stop? Berlin. Their first contact? August Moriarty (formerly Charlotte’s obsession, currently believed by most to be dead), whose powerful family has been ripping off famous paintings for the last hundred years. But as they follow the gritty underground scene in Berlin to glittering art houses in Prague, Holmes and Watson begin to realize that this is a much more complicated case than a disappearance. Much more dangerous, too. What they learn might change everything they know about their families, themselves, and each other.

Poetry. Brittany Cavallaro and Rebecca Hazelton began with the proposition that the opposite of a dream song might be waking speech. Or a sleepless anthem. Or wakeful silence. Then they reversed that notion, and reversed it again. Through an intrepid, always devoted, often cheeky engagement with John Berryman's The Dream Songs, the 26 poems in NO GIRLS NO TELEPHONES strike out for an unmapped horizon where ruined fairy stories, dreams, and self-deception all collide in a perfect storm of "the possibility of Past and Perfect" and "the certainty of the Now and New." These poems are no mere act of homage. Suggestive of the brittle aspirations, illusions, and delusions that permeate our everyday lives, NO GIRLS NO TELEPHONES invites us into a world where, "naive on the rim / of a glass teacup," men and women exist at odds with one other and with a frighteningly indifferent, fiercely beautiful world.