Shin Kyung-Sook

An instant bestseller in Korea and the follow up to the international bestseller, Please Look After Mom; centering on a woman's efforts to reconnect with her aging father, uncovering long-held family secrets. Two years after losing her daughter in a tragic accident, Hon finally returns to her home in the countryside to take care of her father. At first, her father only appears withdrawn and fragile, an aging man, awkward but kind around his own daughter. Then, after stumbling upon a chest of letters, Hon discovers the truth of her father's past and reconstructs her own family history. Consumed with her own grief, Hon had been blind to her father's vulnerability and her family's fragility. Unraveling secret after secret and thanks to conversations with loving family and friends, Hon grows closer to her father, who proves to be more complex than she ever gave him credit for. After living through one of the most tumultuous times in Korean history, her father's life was once vibrant and ambitious, but spiraled during the postwar years. Now, after years of emotional isolation, Hon learns the whole truth, from her father's affair and involvement in a cult, to the dynamic lives of her own siblings, to her family's financial hardships. What Hon uncovers about her father builds towards her understanding of the great scope of his sacrifice and heroism, and of her country as a whole. More than just the portrait of a single man, I Went to See My Father opens a window onto humankind, family, loss, and war. With this long-awaited follow-up to Please Look After Mom--flawlessly rendered by award-winning translator Anton Hur--Kyung-Sook Shin has crafted an ambitious, global, epic, and lasting novel.

We join San in 1970s rural South Korea, a young girl ostracised from her community. She meets a girl called Namae, and they become friends until one afternoon changes everything. Following a moment of physical intimacy in a minari field, Namae violently rejects San, setting her on a troubling path of quashed desire and isolation. We next meet San, aged twenty-two, as she starts a job in a flower shop. There, we are introduced to a colourful cast of characters, including the shop's mute owner, the other florist Su-ae, and the customers that include a sexually aggressive businessman and a photographer, who San develops an obsession for. Throughout, San's moment with Namae lingers in the back of her mind. A story of desire and violence about a young woman who everyone forgot, VIOLETS is a captivating and sensual read, full of tragedy and beauty.

An international sensation and a bestseller that has sold over 1.5 million copies author's Korea, Please Look After Mom is a stunning, deeply moving story of a family's search for their missing mother - and their discovery of the desires, heartaches and secrets they never realized she harbored within. When sixty-nine year old So-nyo is separated from her husband among the crowds of the Seoul subway station, and vanishes, their children are consumed with loud recriminations, and are awash in sorrow and guilt. As they argue over the "Missing" flyers they are posting throughout the city - how large of a reward to offer, the best way to phrase the text - they realize that none of them have a recent photograph of Mom. Soon a larger question emerges: do they really know the woman they called Mom? Told by the alternating voices of Mom's daughter, son, her husband and, in the shattering conclusion, by Mom herself, the novel pieces together, Rashomon-style, a life that appears ordinary but is anything but. This is a mystery of one mother that reveals itself to be the mystery of all our mothers: about her triumphs and disappointments and about who she is on her own terms, separate from who she is to her family. If you have ever been a daughter, a son, a husband or a mother, Please Look After Mom is a revelation - one that will bring tears to your eyes.

How friendship, European literature, and a charismatic professor defy war, oppression, and the absurd   Set in 1980s South Korea amid the tremors of political revolution, I’ll Be Right There follows Jung Yoon, a highly literate, twenty-something woman, as she recounts her tragic personal history as well as those of her three intimate college friends. When Yoon receives a distressing phone call from her ex-boyfriend after eight years of separation, memories of a tumultuous youth begin to resurface, forcing her to re-live the most intense period of her life. With profound intellectual and emotional insight, she revisits the death of her beloved mother, the strong bond with her now-dying former college professor, the excitement of her first love, and the friendships forged out of a shared sense of isolation and grief.   Yoon’s formative experiences, which highlight both the fragility and force of personal connection in an era of absolute uncertainty, become immediately palpable. Shin makes the foreign and esoteric utterly her use of European literature as an interpreter of emotion and experience bridges any gaps between East and West. Love, friendship, and solitude are the same everywhere, as this book makes poignantly clear.