Shin Kyung-Sook

An instant bestseller in Korea and the follow up to the international bestseller, Please Look After Mom; centering on a woman's efforts to reconnect with her aging father, uncovering long-held family secrets. Two years after losing her daughter in a tragic accident, Hon finally returns to her home in the countryside to take care of her father. At first, her father only appears withdrawn and fragile, an aging man, awkward but kind around his own daughter. Then, after stumbling upon a chest of letters, Hon discovers the truth of her father's past and reconstructs her own family history. Consumed with her own grief, Hon had been blind to her father's vulnerability and her family's fragility. Unraveling secret after secret and thanks to conversations with loving family and friends, Hon grows closer to her father, who proves to be more complex than she ever gave him credit for. After living through one of the most tumultuous times in Korean history, her father's life was once vibrant and ambitious, but spiraled during the postwar years. Now, after years of emotional isolation, Hon learns the whole truth, from her father's affair and involvement in a cult, to the dynamic lives of her own siblings, to her family's financial hardships. What Hon uncovers about her father builds towards her understanding of the great scope of his sacrifice and heroism, and of her country as a whole. More than just the portrait of a single man, I Went to See My Father opens a window onto humankind, family, loss, and war. With this long-awaited follow-up to Please Look After Mom--flawlessly rendered by award-winning translator Anton Hur--Kyung-Sook Shin has crafted an ambitious, global, epic, and lasting novel.

We join San in 1970s rural South Korea, a young girl ostracised from her community. She meets a girl called Namae, and they become friends until one afternoon changes everything. Following a moment of physical intimacy in a minari field, Namae violently rejects San, setting her on a troubling path of quashed desire and isolation. We next meet San, aged twenty-two, as she starts a job in a flower shop. There, we are introduced to a colourful cast of characters, including the shop's mute owner, the other florist Su-ae, and the customers that include a sexually aggressive businessman and a photographer, who San develops an obsession for. Throughout, San's moment with Namae lingers in the back of her mind. A story of desire and violence about a young woman who everyone forgot, VIOLETS is a captivating and sensual read, full of tragedy and beauty.

An international sensation and a bestseller that has sold over 1.5 million copies author's Korea, Please Look After Mom is a stunning, deeply moving story of a family's search for their missing mother - and their discovery of the desires, heartaches and secrets they never realized she harbored within. When sixty-nine year old So-nyo is separated from her husband among the crowds of the Seoul subway station, and vanishes, their children are consumed with loud recriminations, and are awash in sorrow and guilt. As they argue over the "Missing" flyers they are posting throughout the city - how large of a reward to offer, the best way to phrase the text - they realize that none of them have a recent photograph of Mom. Soon a larger question emerges: do they really know the woman they called Mom? Told by the alternating voices of Mom's daughter, son, her husband and, in the shattering conclusion, by Mom herself, the novel pieces together, Rashomon-style, a life that appears ordinary but is anything but. This is a mystery of one mother that reveals itself to be the mystery of all our mothers: about her triumphs and disappointments and about who she is on her own terms, separate from who she is to her family. If you have ever been a daughter, a son, a husband or a mother, Please Look After Mom is a revelation - one that will bring tears to your eyes.

How friendship, European literature, and a charismatic professor defy war, oppression, and the absurd   Set in 1980s South Korea amid the tremors of political revolution, I’ll Be Right There follows Jung Yoon, a highly literate, twenty-something woman, as she recounts her tragic personal history as well as those of her three intimate college friends. When Yoon receives a distressing phone call from her ex-boyfriend after eight years of separation, memories of a tumultuous youth begin to resurface, forcing her to re-live the most intense period of her life. With profound intellectual and emotional insight, she revisits the death of her beloved mother, the strong bond with her now-dying former college professor, the excitement of her first love, and the friendships forged out of a shared sense of isolation and grief.   Yoon’s formative experiences, which highlight both the fragility and force of personal connection in an era of absolute uncertainty, become immediately palpable. Shin makes the foreign and esoteric utterly her use of European literature as an interpreter of emotion and experience bridges any gaps between East and West. Love, friendship, and solitude are the same everywhere, as this book makes poignantly clear.

Homesick and alone, a teen-aged girl has just arrived in Seoul to work in a factory. Her family, still in the countryside, is too impoverished to keep sending her to school, so she works long, sun-less days on a stereo-assembly line, struggling through night school every evening in order to achieve her dream of becoming a writer. Korea’s brightest literary star sets this complex and nuanced coming-of-age story against the backdrop of Korea’s industrial sweatshops of the 1970’s and takes on the extreme exploitation, oppression, and urbanization that helped catapult Korea’s economy out of the ashes of war. But it was girls like Shin’s heroine who formed the bottom of Seoul’s rapidly changing social hierarchy, forgotten and ignored. Richly autobiographical, The Girl Who Wrote Loneliness lays bare the conflict and confusion Shin faces as she confronts her past and the sweeping social change of the past half-century. Cited in Korea as one of the most important literary novels of the decade, this novel cements Shin’s legacy as one of the most insightful and exciting writers of her generation.

Based on a remarkable true story, the New York Times bestselling author of Please Look After Mom brilliantly images the life of Yi Jin, an orphan who would fall under the affections of the Empress and become a jewel in the late Joseon Court. When a novice French diplomat arrives for an audience with the Emperor, he is enraptured by the Joseon Dynasty’s magnificent culture, then at its zenith. But all fades away when he sees Yi Jin perform the delicate traditional Dance of the Spring Oriole. Though well aware that women of the court belong to the palace, the young diplomat confesses his love to the Emperor, and gains permission for Yi Jin to accompany him back to France. A world away in Belle Epoque Paris, Yi Jin lives a free, independent life, away from the gilded cage of the court, and begins translating and publishing Joseon literature into French with another Korean student. But even in this new world, great sorrow awaits her. Yi Jin’s grieving and suffering is only amplified by homesickness and a longing for her oldest friend. But her homecoming was not a happy one. Betrayal, jealousy, and intrigue abound, culminating with the tragic assassination of the last Joseon empress—and the poisoned pages of a book. Rich with historic detail and filled with luminous characters, Korea’s most beloved novelist brings a lost era to life in a story that will resonate long after the final page. 

La desaparición de una mujer en la Estación Central de Seúl provoca reacciones diferentes en su marido e hijos. Su búsqueda les revelará la verdadera importancia de la madre en sus vidas. Park So-nyo, una humilde campesina, ha sido durante toda la vida una abnegada madre de familia, una mujer que siempre lo ha sacrificado todo para dar una educación a sus hijos. Ahora, tras haberse perdido en la estación central de Seúl cuando iba a visitar a sus hijos a la ciudad, su búsqueda desesperada se convierte en un encendido elogio de los lazos familiares lleno de emoción. Una novela que cautivará a todos los lectores por su sencillez, sinceridad y la honestidad de su mensaje universal que ensalza la figura materna. «Damos por descontado que nuestras madres están a nuestro lado para ayudarnos de forma incondicional y que siempre estarán ahí. Pensamos que han nacido para ser madres. Pero antes fueron niñas y mujeres como lo somos nosotras ahora. Con este libro quería dar voz a todas esas mujeres.» Kyung-sook Shin La crítica ha dicho... «Tierna, aguda y psicológicamente reveladora. Los lectores se verán reflejados en esta historia de familia, un best seller en Corea.» Publishers Weekly «Con una escritura sensible, una elegía a la intensidad de los vínculos familiares construidos y mantenidos por mujeres.» Kirkus reviews

Într-o permanentă alunecare între prezent și trecut, romanul Vorbește-mi despre tata, devenit bestseller imediat după publicarea în Coreea, este nu numai o melancolică scrisoare de dragoste adresată de către o fiică părintelui ei, ci și o dramă psihologică în care, pe fundalul multistratificat al istoriei coreene recente, amintirile pot vindeca răni adânci și restabili relații de familie fragilizate. La doi ani de la moartea fiicei sale, Heon, o scriitoare de succes, se întoarce în satul natal pentru a avea grijă de propriul tată. Traiul alături de el îi revelează cât de puțin îl cunoaște, iar pierderile de memorie și insomniile sunt câteva din simptomele declinului lent al acestuia. Heon încearcă să-i reclădească imaginea ca într-un puzzle în care piesele sunt mărturii ale celor apropiați. Secretele fiecărui membru al familiei sunt dezvăluite într-o succesiune de momente emoționante în care poveștile personajelor se suprapun peste povestea Coreei, iar toate pledează pentru rolul cathartic al sincerității.

Gara din Seoul. Son‑yo este despărțită de soțul ei la urcarea în tren și se pierde în oraș fără a mai putea fi găsită. Te rog, ai grijă de mama este un roman plin de candoare despre viața unei femei din Coreea de Sud, a cărei poveste este spusă prin vocile copiilor ei care își amintesc, rând pe rând, bucăți din trecut, reconstruindu‑i în felul acesta existența și descoperind cât de incredibilă era, de fapt, viața mamei lor.