Tsitsi Dangarembga
Spent part of her childhood in England. She began her education there, but concluded her A-levels in a missionary school back home, in the town of Mutare. She later studied medicine at Cambridge University, but became homesick and returned home as Zimbabwe's black-majority rule began in 1980.She took up psychology at the University of Zimbabwe, of whose drama group she was a member. She also held down a two-year job as a copywriter at a marketing agency. This early writing experience gave her an avenue for expression: she wrote numerous plays, such as The Lost of the Soil, and then joined the theatre group Zambuko, and participated in the production of two plays, Katshaa and Mavambo.In 1985, Dangarembga published a short story in Sweden called The Letter. In 1987, she also published the play She Does Not Weep in Harare. At the age of twenty-five, she had her first taste of success with her novel Nervous Conditions. The first in English ever written by a black Zimbabwean woman, it won the African section of the Commonwealth Writers Prize in 1989. Asked about her subsequent prose drought, she explained, "There have been two major reasons for my not having worked on prose since Nervous Conditions: firstly, the novel was published only after I had turned to film as a medium; secondly, Virginia Woolf's shrewd observation that a woman needs £500 and a room of her own in order to write is entirely valid. Incidentally, I am moving and hope that, for the first time since Nervous Conditions, I shall have a room of my own. I'll try to ignore the bit about £500."Dangarembga continued her education later in Berlin at the Deutsche Film und Fernseh Akademie, where she studied film direction and produced several film productions, including a documentary for German television. She also made the film Everyone's Child, shown worldwide including at the Jameson Dublin International Film Festival.
This Mournable Body
Tsitsi Dangarembga
A searing novel about the obstacles facing women in Zimbabwe, by one of the country’s most notable authors
Anxious about her prospects after leaving a stagnant job, Tambudzai finds herself living in a run-down youth hostel in downtown Harare. For reasons that include her grim financial prospects and her age, she moves to a widow’s boarding house and eventually finds work as a biology teacher. But at every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point.
In This Mournable Body, Tsitsi Dangarembga returns to the protagonist of her acclaimed first novel, Nervous Conditions, to examine how the hope and potential of a young girl and a fledgling nation can sour over time and become a bitter and floundering struggle for survival. As a last resort, Tambudzai takes an ecotourism job that forces her to return to her parents’ impoverished homestead. It is this homecoming, in Dangarembga’s tense and psychologically charged novel, that culminates in an act of betrayal, revealing just how toxic the combination of colonialism and capitalism can be.
Nervous Conditions
Tsitsi Dangarembga
A modern classic in the African literary canon and voted in the Top Ten Africa's 100 Best Books of the 20th Century, this novel brings to the politics of decolonization theory the energy of women's rights. An extraordinarily well-crafted work, this book is a work of vision. Through its deft negotiation of race, class, gender and cultural change, it dramatizes the 'nervousness' of the 'postcolonial' conditions that bedevil us still. In Tambu and the women of her family, we African women see ourselves, whether at home or displaced, doing daily battle with our changing world with a mixture of tenacity, bewilderment and grace.
The Book of Not
Tsitsi Dangarembga
A sequel to Nervous Conditions, this is a powerful and engaging story about one young woman’s quest to redefine the personal and political forces that threaten to engulf her. As its title suggests, this is also a book about denial and unfulfilled expectations and about the theft of the self that remains one of colonialism’s most pernicious legacies. The novel disrupts any comfortable sense of closure to the dilemmas of colonial modernity explored in Nervous Conditions and as such is a fitting sequel.
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