Stephanie LaCava

A stylish and raw exploration of bodies, trauma and 1960s cinema Margot is the child of renowned musicians and the product of a particularly punky upbringing. Burnt-out from the burden of expectation and the bad end of the worst relationship yet, she leaves New York and heads to to the Pacific Northwest. She's seeking to escape both the eyes of the world and the echoing voice of that last bad man. But a chance encounter with a dubious doctor in a graveyard, and the discovery of a dozen old film reels, opens the door to a study of both the peculiarities of her body and the absurdities of her famous family. At once an analysis of the abandoned 1968 Cannes Film Festival and a literary take on cinema du corp, Stephanie LaCava's new novel is an audaciously sexy and moving exploration of culture and connections, bodies and breakdowns.

It's Girl Interrupted meets Miranda July—with a touch of Joan Didion—in this captivating collection of original essays revolving around a young American girl's coming of age in Paris. As an adolescent in a foreign country, Stephanie LaCava found an unconventional way to deal with her social awkwardness and feelings of uncertainty about the future by taking solace from the strange and beautiful objects she came across in her daily life. Filled with beautiful illustrations and providing a retrospective of nineties fashion and culture, An Extraordinary Theory of Objects: A Memoir of an Outsider in Paris is sure to be a collector's item for Francophiles or anyone who has ever found security in the strangest of places.