Melanie Finn

Pilgrim's husband left her for another woman, stranding her in a Swiss town where she is involved in an accident that leaves three children dead. Cleared of responsibility though overcome with guilt, she absconds to Africa, befriending a series of locals each with their own tragic past. Mysteriously, the remains of an albino appear, spooking everyone—sign of a curse placed by a witch doctor—though its intended recipient is uncertain. Pilgrim volunteers to rid the town of the box and its contents, though wherever she goes, she can't shake the feeling that she's being followed.

The Hare is an affecting portrait of Rosie Monroe, of her resilience and personal transformation under the pin of the male gaze. Raised to be obedient by a stern grandmother in a blue-collar town in Massachusetts, Rosie accepts a scholarship to art school in New York City in the 1980s. One morning at a museum, she meets a worldly man twenty years her senior, with access to the upper crust of New England society. Bennett is dashing, knows that “polo” refers only to ponies, teaches her which direction to spoon soup, and tells of exotic escapades with Truman Capote and Hunter S. Thompson. Soon, Rosie is living with him on a swanky estate on Connecticut’s Gold Coast, naively in sway to his moral ambivalence. A daughter—Miranda—is born, just as his current con goes awry forcing them to abscond in the middle of the night to the untamed wilderness of northern Vermont. Almost immediately, Bennett abandons them in an uninsulated cabin without a car or cash for weeks at a time so he can work a teaching job, that may or may not exist, at an elite college. Rosie is forced to care for her young daughter alone and to tackle the stubborn intricacies of the wood stove, snowshoe into town, hunt for wild game, and forage in the forest. As Rosie and Miranda’s life gradually begins to normalize, Bennett’s schemes turn malevolent, and Rosie must at last confront his twisted deceptions.

Ex-journalist Kay and her family are spending the summer in a rented farmhouse in Vermont. Kay is haunted by her traumatic past in Africa, and is struggling with her troubled marriage and the constraints of motherhood. Then her husband is called away unexpectedly on business and Kay finds herself alone with the children, obsessed by the idea that something terrible has happened to the owners of the house. The locals are reticent when she asks about their whereabouts; and she finds disturbing writing scrawled across one of the walls. As she starts to investigate she becomes involved with a local man, Ben, whose life is complicated by his own violent past, his involvement in a drug-trafficking operation, and his desire to adopt an abused child. Their two stories collide and intertwine, heading towards a dramatic denouement. THE UNDERNEATH is a tense, intelligent, beautifully written thriller which is also a considered exploration of violence, both personal and national, and whether it can ever be justified.