Ian Rankin

When a young woman goes missing near his native Edinburgh, Scotland, Rebus finds himself just one small cog in the huge wheel of an inquiry set in motion by her powerfully rich father. Struggling to deal with both his own often-terrifying inner demons as well as the monstrous bureaucracy of the investigative team, Rebus finds himself drawn again and again into the case, desperately searching for the girl's salvation, as well as his own. In time Rebus uncovers two leads: one, a carved wooden doll stuffed tightly into a tiny casket, and the other the missing girl's possible involvement in a dark, disturbing Internet-based role-playing game. He enlists the help of the tech-savvy DC Siobhan Clarke, who is young enough to know her way around the net, but who may not be old and wise enough to avoid potentially deadly pitfalls and traps. Meanwhile, Rebus tracks down stories of similar caskets and dolls turning up in the area deep into Edinburgh's past, some stretching back to a time when body-snatchers turned into brutal killers.As Rebus and Clarke delve deeper and deeper into these perilous and obscure worlds, ancient and modern evils begin to converge and soon Rebus finds he's besieged by an impenetrable mass of secrets, lies, and deadly deceit that only he can make sense of.

Nobody likes The Complaints--they're the cops who investigate other cops. It's a department known within the force as "The Dark Side," and it's where Malcolm Fox works. He's a serious man with a father in a nursing home and a sister who persists in an abusive relationship, frustrating problems about which he cannot seem to do anything. Then the reluctant Fox is given a new case. There's a cop named Jamie Breck, and he's dirty. The problem is, no one can prove it. As Fox takes on the job, he learns that there's more to Breck than anyone thinks--dangerous knowledge, especially when a vicious murder takes place far too close to home. In THE COMPLAINTS, Rankin proves again why he is one of the world's most beloved and bestselling crime writers, mixing unstoppable pacing with the deeper question of who decides right from wrong.

In this short thriller from bestselling author Ian Rankin, murder comes to London’s most exclusive high-rise—and every resident is a suspect. The Rise is a gleaming residential tower, newly constructed from steel and blackened glass, that stands on some of London’s most prestigious real estate. Looming imposingly over Hyde Park, only multi-millionaires need apply for one of its sumptuous apartments. But when the young night concierge is found murdered in the building’s lobby, the elite residents quickly find their gilded lifestyles under unwelcome police scrutiny. Investigating officer DS Gish has her work cut out. The only suspects, those who live in the building, aren’t accustomed to police interrogation. But it seems horribly certain that one of them must be the killer. Could it be the Russian oligarch? Or the lonely actress? Maybe it’s the family of the career criminal? Or perhaps it’s the building’s reclusive developer who lives alone in the penthouse? Obstructed continually by locked doors, governments both foreign and domestic, and an apparent absence of motive, can DS Gish solve this impenetrable mystery and apprehend the murderer—before they slip away forever?