Laura Lippman

New York Times bestseller Laura Lippman tells the story of Amber Glass, desperately trying to get away from her tabloid past but compulsively drawn back to the city of her youth and the prom date who destroyed everything she was reaching for. Amber Glass has spent her entire adult life putting as much distance as possible between her and her hometown of Baltimore, where she fears she will forever be known as "Prom Mom"--the girl who allegedly killed her baby on the night of the prom after her date, Joe Simpson, abandoned her to pursue the girl he really liked. But when circumstances bring Amber back to the city, she realizes she can have a second chance--as long as she stays away from Joe, now a successful commercial real estate developer, married to a plastic surgeon, Meredith, to whom he is devoted. The problem is, Amber can't stay away from Joe. And Joe finds that it's increasingly hard for him to ignore Amber, if only because she remembers the boy he was and the man he said he was going to be. Against the surreal backdrop of 2020 and early 2021, the two are slowly drawn to each other and eventually cross the line they've been trying not to cross. And then Joe asks Amber to help him do the unthinkable...

SOON TO BE A SERIES FROM APPLE TV! A New York Times Bestseller The revered New York Times bestselling author returns with a novel set in 1960s Baltimore that combines modern psychological insights with elements of classic noir, about a middle-aged housewife turned aspiring reporter who pursues the murder of a forgotten young woman.  In 1966, Baltimore is a city of secrets that everyone seems to know—everyone, that is, except Madeline “Maddie” Schwartz. Last year, she was a happy, even pampered housewife. This year, she’s bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life.  Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl—assistance that leads to a job at the city’s afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do Cleo Sherwood, a missing woman whose body was discovered in the fountain of a city park lake.  If Cleo were white, every reporter in Baltimore would be clamoring to tell her story. Instead, her mysterious death receives only cursory mention in the daily newspapers, and no one cares when Maddie starts poking around in a young Black woman's life—except for Cleo's ghost, who is determined to keep her secrets and her dignity. Cleo scolds the ambitious  You're interested in my death, not my life. They're not the same thing.   Maddie’s investigation brings her into contact with people that used to be on the periphery of her life—a jewelry store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people—including Ferdie, the man who shares her bed, a police officer who is risking far more than Maddie can understand.

Thirty years ago two sisters disappeared from a shopping mall. Their bodies were never found and those familiar with the case have always been tortured by these questions: How do you kidnap two girls? Who—or what—could have lured the two sisters away from a busy mall on a Saturday afternoon without leaving behind a single clue or witness? Now a clearly disoriented woman involved in a rush-hour hit-and-run claims to be the younger of the long-gone Bethany sisters. But her involuntary admission and subsequent attempt to stonewall investigators only deepens the mystery. Where has she been? Why has she waited so long to come forward? Could her abductor truly be a beloved Baltimore cop? There isn't a shred of evidence to support her story, and every lead she gives the police seems to be another dead end—a dying, incoherent man, a razed house, a missing grave, and a family that disintegrated long ago, torn apart not only by the crime but by the fissures the tragedy revealed in what appeared to be the perfect household. In a story that moves back and forth across the decades, there is only one person who dares to be skeptical of a woman who wants to claim the identity of one Bethany sister without revealing the fate of the other. Will he be able to discover the truth?

New York Times bestselling author Laura Lippman’s Tess Monaghan must put her PI skills to the ultimate test when she falls into the crosshairs of a psychopath who knows everything about her. For the past fifty years on the birth date of Edgar Allan Poe, a person wearing a cloak has placed three roses and a half bottle of cognac on the writer’s gravesite. PI Tess Monaghan has never witnessed the event. But when John P. Kennedy, an eccentric antiques dealer, asks her to uncover the identity of the caped visitor, who he believes has duped him with the sale of an inauthentic antique, Tess decides to hold vigil on the night the cloaked stranger is expected to make an appearance. But the custom takes on a bizarre, fatal twist when two cloaked figures arrive. The imitator leaves his tribute and then makes his escape…after shooting the first visitor.  Warning bells tell Tess to steer clear of this case. But when roses and cognac appear on her doorstep, Tess’s curiosity is piqued. She soon discovers that John P. Kennedy has vanished into thin air and much of what he told her was questionable. Then the identity of the shooting victim comes to light, and all clues seem to point to the possibility he was the target of a hate crime. But Tess isn’t convinced. What was his connection to the decades-long Edgar Allan Poe tradition and to the killer? When more cryptic clues are left at her home, Tess realizes that someone is watching her every move...someone who’s bent on killing again.

When Hector Lewis told his daughter that she had a nothing face, it was just another bit of tossed-off cruelty from a man who specialized in harsh words and harsher deeds. But twenty years later, Heloise considers it a blessing to be a person who knows how to avoid attention. In the comfortable suburb where she lives, she's just a mom, the youngish widow with a forgettable job who somehow never misses a soccer game or a school play. In the state capitol, she's the redheaded lobbyist with a good cause and a mediocre track record. But in discreet hotel rooms throughout the area, she's the woman of your dreams—if you can afford her hourly fee. For more than a decade, Heloise has believed she is safe. She has created a rigidly compartmentalized life, maintaining no real friendships, trusting few confidantes. Only now her secret life, a life she was forced to build after the legitimate world turned its back on her, is under siege. Her once oblivious accountant is asking loaded questions. Her longtime protector is hinting at new, mysterious dangers. Her employees can't be trusted. One county over, another so-called suburban madam has been found dead in her car, a suicide. Or is it? Nothing is as it seems as Heloise faces a midlife crisis with much higher stakes than most will ever know. And then she learns that her son's father might be released from prison, which is problematic because he doesn't know he has a son. The killer and former pimp also doesn't realize that he's serving a life sentence because Heloise betrayed him. But he's clearly beginning to suspect that Heloise has been holding something back all these years. With no formal education, no real family, and no friends, Heloise has to remake her life—again. Disappearing will be the easy part. She's done it before and she can do it again. A new name and a new place aren't hard to come by if you know the right people. The trick will be living long enough to start a new life.

In a city where someone is murdered almost every day, attorney Michael Abramowitz's death should be just another statistic. But the slain lawyer's notoriety—and his taste for illicit midday trysts—makes the case front-page news in every local paper except the Star, which crashed and burned before Abramowitz did. A former Star reporter who knows every inch of this town—from historic Fort McHenry to the crumbling projects of Cherry Hill—now-unemployed journalist Tess Monaghan also knows the primary suspect: cuckolded fiancé Darryl "Rock" Paxton. The time is ripe for a career move, so when rowing buddy Rock wants to hire her to do some unorthodox snooping to help clear his name, Tess agrees. But there are lethal secrets hiding in the Charm City shadows. And Tess's own name could end up on the ever-expanding list of Baltimore dead.

Following up on her acclaimed and wildly successful New York Times bestseller Lady in the Lake, Laura Lippman returns with a dark, complex tale of psychological suspense with echoes of Misery involving a novelist, incapacitated by injury, who is plagued by mysterious phone calls.After being injured in a freak accident, novelist Gerry Andersen lies in a hospital bed in his glamorous but sterile apartment, isolated from the busy world he can see through his windows, utterly dependent on two women he barely knows: his young assistant and a night nurse whose competency he questions. But Gerry is also beginning to question his own competency. As he moves in and out of dreamlike memories and seemingly random appearances of a persistent ex-girlfriend at his bedside, he fears he may be losing his grip on reality, much like his mother who recently passed away from dementia. Most distressing, he believes he’s being plagued by strange telephone calls, in which a woman claiming to be the titular character of his hit novel Dream Girl swears she will be coming to see him soon. The character is completely fictitious, but no one has ever believed Gerry when he makes that claim. Is he the victim of a cruel prank—or is he actually losing his mind★ There is no record of the calls according to the log on his phone. Could there be someone he has wronged★ Is someone coming to do him harm as he lies helplessly in bed★ Then comes the morning he wakes up next to a dead body—and realizes his nightmare is just beginning...

One is playing a long game. But which one? They meet at a local tavern in the small town of Belleville, Delaware. Polly is set on heading west. Adam says he’s also passing through. Yet she stays and he stays—drawn to this mysterious redhead whose quiet stillness both unnerves and excites him. Over the course of a punishing summer, Polly and Adam abandon themselves to a steamy, inexorable affair. Still, each holds something back from the other—dangerous, even lethal, secrets that begin to accumulate as autumn approaches, feeding the growing doubts they conceal. Then someone dies. Was it an accident, or part of a plan? By now, Adam and Polly are so ensnared in each other’s lives and lies that neither one knows how to get away—or even if they want to. Is their love strong enough to withstand the truth, or will it ultimately destroy them? Something—or someone—has to give. Which one will it be?

Eliza Benedict cherishes her peaceful, ordinary suburban life with her successful husband and children, thirteen-year-old Iso and eight-year-old Albie. But her tranquillity is shattered when she receives a letter from the last person she ever expects—or wants—to hear from: Walter Bowman. There was your photo, in a magazine. Of course, you are older now. Still, I'd know you anywhere. In the summer of 1985, when she was fifteen, Eliza was kidnapped by Walter and held hostage for almost six weeks. He had killed at least one girl and Eliza always suspected he had other victims as well. Now on death row in Virginia for the rape and murder of his final victim, Walter seems to be making a heartfelt act of contrition as his execution nears. Though Eliza wants nothing to do with him, she's never forgotten that Walter was most unpredictable when ignored. Desperate to shelter her children from this undisclosed trauma in her past, she cautiously makes contact with Walter. She's always wondered why Walter let her live, and perhaps now he'll tell her—and share the truth about his other victims. Yet as Walter presses her for more and deeper contact, it becomes clear that he is after something greater than forgiveness. He wants Eliza to remember what really happened that long-ago summer. He wants her to save his life. And Eliza, who has worked hard for her comfortable, cocooned life, will do anything to protect it—even if it means finally facing the events of that horrifying summer and the terrible truth she's kept buried inside.

A woman watches her marriage implode over text message and decides that ignorance is not bliss in this bitterly satisfying short mystery by the New York Times bestselling author of Lady in the Lake. Liz Kelsey promised herself she’d never again spy on her feckless husband, Phil. But then she discovers a string of suggestive texts on his secret burner phone. Even worse, he’s flirting with the woman who shook their unstable marriage once before. But knowledge is power. What’s more dangerous—what Liz knows or what Phil doesn’t know? Laura Lippman’s Slow Burner is part of Hush, a collection of six stories, ranging from political mysteries to psychological thrillers, in which deception can be a matter of life and death. Each piece can be read or listened to in one truly chilling sitting.

New York Times  bestseller Laura Lippman showcases why she is one of today’s top crime writers in this acclaimed collection of suspenseful stories featuring fierce women—including one never-before-published novella. “A first-rate collection, an obvious must for the legions of Lippman fans, but also great reading for anyone who savors short crime fiction.” —  Booklist  (starred review) The award-winning master of psychological suspense is in top form in this collection of diverse and diabolically clever stories. In the never-before-published “Just One More,” a married couple—longing for that old romantic spark—creates a playful diversion that comes with unexpected consequences. Lippman’s beloved Baltimore PI Tess Monaghan keeps a watchful eye on a criminally resourceful single father in “Seasonal Work,” while her mother, Judith, realizes that the life of “The Everyday Housewife” is an excellent cover for all kinds of secrets. In “Slow Burner,” a husband’s secret cell phone proves to be a dicey temptation for a suspicious wife. A father’s hidden past piques the curiosity of a young snoop in “The Last of Sheila-Locke Holmes.” Plus seven other brilliantly crafted stories of deception, murder, dangerous games, and love gone wrong—irrefutable evidence that Laura Lippman’s riveting fiction will more than satisfy any crime reader.

Highly acclaimed New York Times bestseller Laura Lippman returns with an irresistible mystery featuring Muriel Blossom, a former private investigator and middle-aged widow whose vacation on a Parisian river cruise turns into a deadly international mystery…that only she can solve.  Mrs. Blossom is not the kind of woman to play the lottery. She is practical, a devoted grandmother, and has a knack for blending into the background, which was an asset during her days assisting private investigator Tess Monaghan. But when Mrs. Blossom finds a winning ticket in a parking lot, everything changes...including Mrs. Blossom. She is determined to see the world that sometimes feels as if it’s passing her by. But when Mrs. Blossom booked her cruise through France on the MS Solitaire, she did not expect to meet Allan on her transatlantic flight. He is the first man who’s sparked something inside her since her beloved husband passed. She also didn’t expect Allan to be found, dead, twenty-four hours later in Paris, a city he wasn’t supposed to be in. Now Mrs. Blossom doesn’t know who to trust on board the ship, especially when a new, mystifying man, Danny, keeps popping up around every corner, always present when things go awry. He claims that Allan was involved in the transport of a stolen, precious piece of art, and he’s convinced that Mrs. Blossom knows more than she lets on, regarding both the artifact and Allan’s murder. Mrs. Blossom’s questions only increase as the cruise sails down the Seine. Why does it feel like she is being followed? Who was Allan, and why was he killed? Most alarmingly, why do these mysterious men keep flirting with her? What follows is a charming one-of-a-kind mystery from one of Time magazine’s “essential crime writers of the last 100 years.” The perfect combination of cozy and thrilling, this novel and the delightful Mrs. Blossom are sure to be unforgettable.

A Paperback Original—Also Available as a Hardcover Library Edition New York Times bestselling author Laura Lippman, a journalist for many years, collects here her recent essays exploring motherhood as an older mom, her life as a reader, her relationships with her parents, friendship, and other topics that will resonate with a large audience. Her voice is wry and relatable, her takes often surprising. Meet the Woman Behind the Books… In this collection of original and previously published nonfiction essays, New York Times bestselling author Laura Lippman offers readers an introspective look into various facets of her life. Her childhood and school years, her successful career as a newspaper reporter, the challenge of balance, her life as a novelist and a reader—Lippman’s takes on these universal subjects offer as many twists as her award-winning crime fiction. Of the 16 essays, only three have appeared in book form before. “Game of Crones,” published online by Longreads in May 2019, has more than 100,000 unique views to date. Essays include: · Men Explain The Wire to Me · Game of Crones · My Life as a Villainess · My Father’s Bar · The 31st Stocking Fans of Laura Lippman will gain a better understanding in these candid essays of who she is and of the life choices that influenced her writing and helped her to become the successful author she is today.

Hardly Knew Her: Stories

Tess Monaghan has encountered almost every possible criminal motive throughout her career: greed, revenge, jealousy, rage. But there are crimes that defy all attempts at understanding, where a search for motive seems pointless. Melisandre Harris Dawes committed such a crime. Found not guilty by reason of insanity, she fled the country, leaving her two daughters with their father. Twelve years later, she’s back in Baltimore, and Tess is asked to provide security detail while Melisandre films a documentary about her attempts to reconcile with her now teenaged children. Tess, juggling work with caring for her demanding toddler, is uneasy about the case. Still, Melisandre’s lawyer is family. And there is something about the woman herself—confident, beautiful, shrewdly intelligent—that draws Tess in. Is she a master manipulator or someone who was driven to temporary madness? Cold and calculating, or a mother concerned for her daughters’ well being? Someone is leaving Melisandre enigmatic, threatening notes. Soon Tess, insecure about her parenting abilities and receiving cryptic messages of her own, isn’t sure whether she should be protecting Melisandre from harm—or protecting everyone else from Melisandre. When Melisandre becomes the prime suspect in a murder, Tess must uncover the truth. Doing so will mean confronting her deepest beliefs about what separates good parents from bad, madness from sanity, and what lengths even the most rational person will go to, to protect what they cherish most.

The bestselling author of the acclaimed standalones After I’m Gone, I’d Know You Anywhere, and What the Dead Know, challenges our notions of memory, loyalty, responsibility, and justice in this evocative and psychologically complex story about a long-ago death that still haunts a family. Luisa “Lu” Brant is the newly elected—and first female—state’s attorney of Howard County, Maryland, a job in which her widower father famously served. Fiercely intelligent and ambitious, she sees an opportunity to make her name by trying a mentally disturbed drifter accused of beating a woman to death in her home. It’s not the kind of case that makes headlines, but peaceful Howard county doesn’t see many homicides. As Lu prepares for the trial, the case dredges up painful memories, reminding her small but tight-knit family of the night when her brother, AJ, saved his best friend at the cost of another man’s life. Only eighteen, AJ was cleared by a grand jury. Now, Lu wonders if the events of 1980 happened as she remembers them. What details might have been withheld from her when she was a child? The more she learns about the case, the more questions arise. What does it mean to be a man or woman of one’s times? Why do we ask our heroes of the past to conform to the present’s standards? Is that fair? Is it right? Propelled into the past, she discovers that the legal system, the bedrock of her entire life, does not have all the answers. Lu realizes that even if she could learn the whole truth, she probably wouldn’t want to.

Josie, Perri, and Kat have been best friends since third grade—the athlete, the drama queen, and the popular beauty. Growing up in an affluent suburb of Baltimore, they enjoy privileges many teenagers are denied. But on the final day of school one of them brings a gun with her. And when the police break down the door of the high school girls' bathroom, locked from the inside, they find two of the friends wounded, one of them critically . . . and the third girl is dead. From multiple-award winner Laura Lippman, one of the most acclaimed authors of crime fiction writing today, comes a tale of secrets, friendship, and betrayal that illuminates a dark and chilling event with clarity and empathy.

The acclaimed New York Times bestselling author of The Most Dangerous Thing, I'd Know You Anywhere, and What the Dead Know returns with an addictive story that explores how one man's disappearance echoes through the lives of the five women he left behind—his wife, his daughters, and his mistress Dead is dead. Missing is gone. When Felix Brewer meets nineteen-year-old Bernadette "Bambi" Gottschalk at a Valentine's Day dance in 1959, he charms her with wild promises, some of which he actually keeps. Thanks to his lucrative—if not all legal—businesses, she and their three little girls live in luxury. But on the Fourth of July in 1976, Bambi's comfortable world implodes when Felix, facing prison, vanishes. Though Bambi has no idea where her husband—or his money—might be, she suspects one woman does: his devoted young mistress, Julie. When Julie disappears ten years to the day after Felix went on the lam, everyone assumes she's left to join her old lover—until her remains are discovered in a secluded park. Now, twenty-six years later, Roberto "Sandy" Sanchez, a retired Baltimore detective working cold cases for some extra cash, is investigating her murder. What he discovers is a tangled web of bitterness, jealousy, resentment, greed, and longing stretching over five decades. And at its center is the man who, though long gone, has never been forgotten by the five women who loved him: the enigmatic Felix Brewer. Felix Brewer left five women behind. Now there are four. Does at least one of them know the truth?

Baltimore, 1966. Maddie, madre y esposa perfecta, decide una noche, de forma impulsiva, plantarlo todo y convertirse en periodista, dispuesta a cumplir sus sueños de juventud. Cuando el cuerpo de una joven aparece en un lago, Maddie ve la ocasión de hacerse un nombre y arrojar luz sobre este crimen, a pesar de la indiferencia general. Lo que no se imagina es la cantidad de problemas que causará al perseguir una historia que nadie quiere que cuente. La dama del lago no es sólo un fascinante relato de una investigación criminalística, sino también la historia de dos mujeres que manifestaron su compromiso por luchar contra el destino que les había tocado en suerte, en la que se entremezclan el racismo, el sexismo y la lucha de clases en la América de los años sesenta.

Stepping away from her acclaimed, award-winning mystery series featuring Baltimore private investigator Tess Monaghan, author Laura Lippman has delivered a novel of psychological suspense that will shock and mesmerize readers, gripping them to the page while breaking their hearts. The tale of a terrible event that devastates three families, after two young girls discovery of an unsupervised baby on an empty street, Every Secret Thing is a bravura demonstration of the extraordinary storytelling skill that has won Laura Lippman every major literary prize bestowed upon mystery writers, including the Edgar®, the Anthony, the Shamus, and the Agatha Awards.

Una obra de suspense psicológico sobre dos amantes atrapados en un macabro juego de pasiones y un asesinato a sangre fría. Polly y Adam se conocen en un bar de Belleville, una pequeña población de Delaware. Ella viaja hacia el oeste y él dice estar de paso. Aun así, ella se queda y él también, atraído por esa pelirroja misteriosa cuyo cuerpo voluptuoso contrasta con su actitud glacial. Un potente impulso carnal imanta a los dos protagonistas y dura un verano más intenso que cualquier presente, porque quizá sea el último. En Belleville, donde tantas mujeres han intentado embarcarse para escapar de la estrechez doméstica, una heroína decide tomar las riendas de su propio destino.

Edgar Award-winner Laura Lippman is developing a reputation as one of the most exciting new detective fiction authors in years. Now she delivers her most suspenseful novel yet, and places Baltimore's Tess Monaghan . . . In Big Trouble. First as a reporter and then as a p.i., Tess Monaghan has learned how to survive and thrive on the streets of Baltimore. But a new case will force her to confront her own past, and a man she loved and lost. It starts when she gets a newspaper photograph of her old boyfriend with a tantalizing shard of headline attached: In Big Trouble. The answers lie far from Baltimore, deep in a world of good-time music, old-fashioned ambition, and rich people's games. For Tess must find out what happened to a man she thought she knew, to a woman who may have changed him forever, and to the victims of a killer who dances to a different—and deadly—drummer.

Title 3 of 12: Tess Monaghan Listening Length = 8 hours and 47 minutes An Agatha and Anthony Award winner! PI Tess Monaghan has just set up shop in Baltimore when a man who was recently released from prison asks her to find the witnesses of his sentencing — supposedly to make reparations. But as she begins investigating, the witnesses start dying… A crackling thriller from a “brilliant” author (Gillian Flynn). Tess Monaghan has finally made the move and hung out her sign as a private investigator for hire, complete with an office in Butchers Hill. Maybe it's not the greatest address in Baltimore, but you've got to start somewhere. Then in walks Luther Beale, the notorious vigilante who five years ago shot a boy for vandalising his car. Just out of prison, he wants to make reparations to the kids who witnessed his crime, so he needs Tess to find them. But once she starts snooping, the witnesses start dying. Is the 'Butcher of Butchers Hill' at it again? Like it or not, Tess is embroiled in a case that encompasses the powers-that-be, a heartless system that has destroyed the lives of children, and a nasty trail of money and lies leading all the way back to Butchers Hill.

Past and present, truth and memory collide in this searing novel from the award winning, "New York Times" bestselling author A successful memoirist returns home to Baltimore searching for inspiration for her next book. When she discovers an old classmate had been accused of a heinous crime, she decides to braid this tragic story with reminiscences of her grade school years. To the writer’s dismay, her friends—motivated by anger, perhaps jealousy—seem determined to sabotage her efforts, leaving her to persevere alone. As she digs deeper into the tragedy surrounding her old classmate, the writer begins to see that everything she thought she knew about her life might be quite different. And if she wants to pursue the truth in this modern-day story, she may have to pay the price of living with uncomfortable truths, about her father, her past, and herself. With her deep intelligence, unerring eye for detail, and unwavering compassion, Laura Lippman raises difficult, illuminating questions about the nature of memory and truth. "Life Sentences" explores the stories we tell ourselves about ourselves, asking whether anyone can truly own any story—even their own.

The California dream weavers have invaded Charm City with their cameras, their stars, and their controversy. . . . When private investigator Tess Monaghan literally runs into the crew of the fledgling TV series "Mann of Steel" while sculling, she expects sharp words and evil looks, "not" an assignment. But the company has been plagued by a series of disturbing incidents since its arrival on location in Baltimore: bad press, union threats, and small, costly on-set "accidents" that have wreaked havoc with its shooting schedule. As a result, "Mann's" creator, Flip Tumulty, the son of a Hollywood legend, is worried for the safety of his young female lead, Selene Waites, and asks Tess to serve as her bodyguard/babysitter. Tumulty's concern may be well founded. Not long ago a Baltimore man was discovered dead in his own home, surrounded by photos of the beautiful, difficult superstar-in-the-making. In the past, Tess has had enough trouble guarding her "own" body. Keeping a spoiled movie princess under wraps may be more than she can handle--even with the help of Tess's icily unflappable friend Whitney--since Selene is not as naive as everyone seems to think, and far more devious than she initially appears to be. This is not Tess's world. And these are not her kind of people, with their vanities, their self-serving agendas and invented personas, and their remarkably skewed visions of reality--from the series' aging, shallow, former pretty-boy leading man to its resentful, always-on-the-make cowriter to the officious young assistant who may be too hungry for her own good. But the fish-out-of-water P.I. is abruptly pulled back in by an occurrence she's all too familiar with--murder. Suddenly the wall of secrets around "Mann of Steel" is in danger of toppling, leaving shattered dreams, careers, and lives scattered among the ruins--a catastrophe that threatens the people Tess cares about . . . and the city she loves.

...De kofferbak was groter dan Isaäk had verwacht, en hij was ook niet zo bang als hij had gedacht. Het was erg jammer dat het zo’n oude auto was. Een nieuwere, zoals die van zijn vader, zou misschien een lampje hebben, of zelfs een manier om de klep van binnenuit open te maken... Uit ervaring weet privé-detective Tess Monaghan dat haar klanten niet zelden oneerlijk of onbetrouwbaar zijn. Wanneer modelvader Mark Rubin haar hulp inschakelt bij de plotselinge verdwijning van zijn vrouw Natalie en hun drie jonge kinderen komt Tess dan ook voor een dilemma te staan. Moet ze Rubin op zijn woord geloven wanneer hij haar vertelt dat hun leven op alle vlakken perfect en smetteloos was? Waarom verliet Natalie dan van het ene op het andere moment haar prachtige huis en vertrouwde omgeving? Tess komt erachter dat Natalie kriskras het land doorreist met een onbekende en gewelddadige man. Een nieuw mysterie vraagt om haar eigenzinnige aanpak...

As a practiced reporter until her newspaper went to that great pressroom in the sky, P.I. Tess Monaghan knows and loves every inch of her native Baltimore, even the parts being slobbered on by the sad-sack greyhound she's minding for her uncle. It's a quirky city where baseball reigns, but lately homicide seems to be the second most popular local sport. Business tycoon "Wink" Wynkowski is trying to change all that by bringing pro basketball back to town, and everybody's rooting for him; until a devastating, muckraking expose of his lurid past appears on the front page of the Baltimore Beacon-Light. It's a surprise even to the Blight's editors, who thought they'd killed the piece. Instead, the piece killed Wink, who's found in his garage with the car running. Now the Blight wants to nail the unknown computer hacker who planted the lethal story, and the assignment is right up the alley of a former newshound like Tess. But it doesn't take long for her to discover deeper, darker secrets, and to realize that this situation is really more about whacking than hacking. It's just murder in Baltimore these days, and Tess Monaghan herself might be next on the list.

In hot legal water -- and court-ordered therapy -- for having assaulted a potential child molester, Tess Monaghan is more than ready for a distraction. So she agrees to look into a series of unsolved homicides that date back over the past six years despite the fact that the assignment originates in part from a most troubling wealthy Baltimore benefactor Luisa O'Neal, who was both instrumental in launching Tess's present career and intimately connected with the murder of Tess's former boyfriend.There are other troubling aspects as well. Apart from the suspicion that each death was the result of domestic violence, nothing else seems to connect them, Five lives -- those of four women and one man -- were destroyed by fire, gunshot, and hit-and-run, and all five cases have gone ice cold. Though Luisa's nonprofit organization hires Tess simply to review old police documents for inconsistencies and investigative blunders, curiosity is soon leading the P.I. off the paper trail.And it just may get her killed. Tess's search for connecting threads takes her beyond the Charm City limits and into dangerously unfamiliar territory. With the help of a police officer obsessed with bringing a murderer down, she follows scant leads and intuition into the remotest corners of Maryland, where a psychopath can hide as easily in the fabric of a tiny, rough-hewn fishing community as in the alleys and shadows of bustling Baltimore. Straying far from everything that's familiar and safe in her life, Tess is suddenly cast into a terrifying cat-and-mouse game with an ingenious slayer who changes identities as often and effortlessly as clothing. Because a single common link to five senseless murders is beginning to emerge with shocking clarity to tie the loose ends together into one bloody knot...and the link is Tess Monaghan herself.

“One of the best novelists around, period.”—Washington Post “Lippman has enriched literature as a whole.—Chicago Sun-Times One of the most acclaimed novelists in America today, Laura Lippman has greatly expanded the boundaries of mystery fiction and psychological suspense with her Tess Monaghan p.i. series and her New York Times bestselling standalone novels (What the Dead Know, Life Sentences, I’d Know You Anywhere, etc.). With The Most Dangerous Thing, the multiple award winning author—recipient of the Anthony, Edgar®, Shamus, and Agatha Awards, to name but a few—once again demonstrates how storytelling is done to perfection. Set once again in the well-wrought environs of Lippman’s beloved Baltimore, it is the shadowy tale of a group of onetime friends forced to confront a dark past they’ve each tried to bury following the death of one of their number. Rich in the compassion and insight into flawed human nature that has become a Lippman trademark while telling an absolutely gripping story, The Most Dangerous Thing will not be confined by genre restrictions, reaching out instead to captive a wide, diverse audience, from Harlan Coben and Kate Atkinson fans to readers of Jodi Picoult and Kathryn Stockett.

Originally serialized in the New York Times Magazine, Lippman's Tess Monaghan novella turns the intrepid Baltimore PI's at-risk late-pregnancy bed rest into a compellingly edgy riff on Hitchcock's Rear Window. Lovingly tucked up on her winterized sun porch, Tess marshals her forces-doting artist boyfriend Crow, best friend Whitney Talbot, middle-aged assistant gumshoe Mrs. Blossom, and researcher Dorie Starnes - to probe the disappearance of a chic blonde green-raincoated dog walker she'd been watching from her comfy prison. Tess also takes in the missing woman's abandoned green-slickered Italian greyhound from hell, a miniature canine terrorist whose anti-housebreaking vendetta offers comic relief from Tess's threatened pre-eclampsia, her obsessive unraveling of a complex scam, and her last-trimester spats with Crow about their future. Though postpartum Tess turns alternately weepy and shrill, that condition won't last, and this entertaining romp leaves plenty of hints of detective-mother exploits to come.

After finishing a shift volunteering at an inner-city soup kitchen, Ransome finds one of his car tires slashed and meets smooth-talking con man Lloyd Jupiter, who offers to help fix the flat for a nominal fee. Instead of calling the police on the 16-year-old scam artist, Ransome does the unthinkable and brings Jupiter back to his home, where he feeds him and offers him a bed for the night. When Tess returns home, she and Ransome discover that Jupiter may have information concerning an unsolved case involving the brutal murder of a federal prosecutor months earlier. After vowing not to reveal Jupiter's identity, Tess gives the local newspaper the story and almost immediately becomes Public Enemy No. 1 to a trio of ruthless law enforcement agents for refusing to reveal her source. With Ransome and Jupiter on the run and Tess trying hard to stay out of jail, the motives behind the mysterious murder are slowly uncovered

Tess Monaghan's life is back on course. She is where she likes to be - downtown Baltimore, her relationship with her boyfriend Crow is getting serious, she's beginning to make a name for herself as a PI, she's even banking good money. And then her father asks her a favor: to investigate the death in prison of a friend's brother convicted of killing an unidentified girl, otherwise known as 'Jane Doe'. Tess's search for Jane Doe's real identity soon reveals that she is Gwen Schiller, a teenage heiress with a serious eating disorder who has recently escaped from 'the Sugar House', an institution where bulimics and anorexics are subjected to the most brutal regimes. Tess's enquiries as to Gwen's subsequent movements lead her first to a bar, Domenick's, where the proprietor supplies something a lot more murky than food and wine, and then to the State Senate where two of the leading politicians appear to be living a double life. But it is the links between Tess's father, a liquor licensing officer, and Domenick's that worry Tess the most. What favors has her father done the Baltimore underworld in order to stay in business? Why is he scared enough to beg Tess to drop the case? It is not until her parent's house is set on fire and a body pulled from the wreckage, that she realizes that her life may have taken a very wrong turning indeed - one from which there is no going back ...