Lucy Knisley

A vibrant, food-themed memoir from beloved indie cartoonist Lucy Knisley. Lucy Knisley loves food. The daughter of a chef and a gourmet, this talented young cartoonist comes by her obsession honestly. In her forthright, thoughtful, and funny memoir, Lucy traces key episodes in her life thus far, framed by what she was eating at the time and lessons learned about food, cooking, and life. Each chapter is bookended with an illustrated recipe—many of them treasured family dishes, and a few of them Lucy's original inventions. A welcome read for anyone who ever felt more passion for a sandwich than is strictly speaking proper, Relish is a book for our time: it invites the reader to celebrate food as a connection to our bodies and a connection to the earth, rather than an enemy, a compulsion, or a consumer product.

When cartoonist Lucy Knisley and her boyfriend John broke up, Lucy wondered if she would ever find love again. Three years later, she did--when John returned to New York, walked back into Lucy's life, and proposed. This is not that story. It is the story of the "happily ever aftermath"--the wedding. In this funny and moving memoir, Knisley--a working artist skeptical of the very institution of marriage--rolls up her sleeves and gets to work putting her personal artistic stamp on a tradition almost as old as humanity itself. From the venue (building a barn) to the reception (constructing a photo booth) to her wedding dress (sewing her own veil), Knisley channels her artist's ingenuity into every element of the wedding planning process, finally emerging from the creative chaos to stand, certain and joyful, at the altar with the man she loves.

If you work hard enough, if you want it enough, if you’re smart and talented and “good enough,” you can do anything. Except get pregnant. Her whole life, Lucy Knisley wanted to be a mother. But when it was finally the perfect time, conceiving turned out to be harder than anything she’d ever attempted. Fertility problems were followed by miscarriages, and her eventual successful pregnancy plagued by health issues, up to a dramatic, near-death experience during labor and delivery. This moving, hilarious, and surprisingly informative memoir not only follows Lucy’s personal transition into motherhood but also illustrates the history and science of reproductive health from all angles, including curious facts and inspiring (and notorious) figures in medicine and midwifery. Whether you’ve got kids, want them, or want nothing to do with them, there’s something in this graphic memoir to open your mind and heart.

A collection of journal comics by popular cartoonist Lucy Knisley. I used to live in a small apaertment in Chicago, where the radiator hummed noisily while i drew comics. The comics in this book were made over a two-year period that seems to consist of constant winter. They were drawn to the tune of the radiator's hum.

A world of being new is waiting for little ones and the grown-ups who love them in this warm and funny book perfect for baby showers. From napping to crying, cuddling to playing, this book introduces the world with humor, honesty, and unmitigated sweetness. Award-winning author and artist Lucy Knisley celebrates the joys of having—and being!—a baby in this timeless celebration of new beginnings and the transformative power of love.

In her graphic memoirs, New York Times-best selling cartoonist Lucy Knisley paints a warts-and-all portrait of contemporary, twentysomething womanhood, like writer Lena Dunham (Girls). In the next installment of her graphic travelogue series, Displacement, Knisley volunteers to watch over her ailing grandparents on a cruise. (The book s watercolors evoke the ocean that surrounds them.) In a book that is part graphic memoir, part travelogue, and part family history, Knisley not only tries to connect with her grandparents, but to reconcile their younger and older selves. She is aided in her quest by her grandfather s WWII memoir, which is excerpted. Readers will identify with Knisley s frustration, her fears, her compassion, and her attempts to come to terms with mortality, as she copes with the stress of travel complicated by her grandparents frailty."

Midnight picnics at the Eiffel Tower; wine tastings paired with blowgun lessons; and romance in cafés, cemeteries, and at the Brandenberg Gate--these are just some of New York Times best-selling cartoonist Lucy Knisley's experiences on her 2011 European book tour. An Age of License is both a graphic travelogue and a journal of her trip abroad. Fans of Knisley's food-focused autobiography (French Milk, Relish) savor her mouth-watering drawings and descriptions of culinary delights, seasons with cute cat cameos. But An Age of License is not all kittens and raclette crepes: Knisley's account of her adventures is colored by anxieties about her life and career, depicted with fearlessness, relatability, and honesty, making An Age of License an Eat, Pray, Love for the Girls generation.

A place where young Americans can seek poetic magic in the winding streets of a beautiful city. The museums, the cafs, the parks. An artist like Lucy can really enjoy Paris in January. If only she can stop griping at her mother. This comic journal details a mother and daughters month-long stay in a small apartment in the fifth arrondissement. Lucy is grappling with the onslaught of adulthood. Her mother faces fifty. They are both dealing with their shifting relationship. All the while, they navigate Paris with halting French and dog-eared guidebooks.

Jen is used to not getting what she wants. So suddenly moving to the country and getting new stepsisters shouldn't be too much of a surprise. Jen did not want to leave the city. She did not want to move to a farm with her mom and her mom's new boyfriend, Walter. She did not want to leave her friends and her dad. Most of all, Jen did not want to get new "sisters," Andy and Reese. If learning new chores on Peapod Farm wasn't hard enough, then having to deal with perfect-at-everything Andy might be the last straw for Jen. Besides cleaning the chicken coop, trying to keep up with the customers at the local farmers' market, and missing her old life, Jen has to deal with her own insecurities about this new family . . . and where she fits in.