Sarah Perry

Elegant, sinister, and psychologically complex, After Me Comes the Flood is the haunting debut novel by the bestselling author of The Essex Serpent and Melmoth. On a hot summer’s day, John Cole decides to shut his bookshop early, and possibly forever, and drives out of London to see his brother. When his car breaks down on an isolated road, he goes looking for help and finds a dilapidated house. As he approaches, a laughing woman he’s never seen before walks out, addresses him by name and explains she’s been waiting for him. Entering the home, John discovers an enigmatic clan of residents all of whom seem to know who he is and claim they have been waiting for him to arrive. They seem to be waiting for something else, too—something final… Written before Sarah Perry’s ascension to an internationally bestselling author, After Me Comes the Flood is a spectacular novel of obsession, conviction and providence—a startling investigation of the nature of determination in all senses of the word. Wrote Katherine Angel, author of Unmastered, Perry’s novel “made me think of Fowles’s The Magus, Maxwell’s The Chateau, and Woolf’s To the Lighthouse.” Indeed.

A fierce memoir of a mother’s murder, a daughter’s coming-of-age in the wake of immense loss, and her mission to know the woman who gave her life. When Sarah Perry was twelve, she saw a partial eclipse of the sun, an event she took as a sign of good fortune for her and her mother, Crystal. But that brief moment of darkness ultimately foreshadowed a much larger one: two days later, Crystal was murdered in their home in rural Maine, just a few feet from Sarah’s bedroom.   The killer escaped unseen; it would take the police twelve years to find him, time in which Sarah grew into adulthood, struggling with abandonment, police interrogations, and the effort of rebuilding her life when so much had been lost. Through it all she would dream of the eventual trial, a conviction—all her questions finally answered. But after the trial, Sarah’s questions only grew. She wanted to understand her mother’s life, not just her final hours, and so she began a personal investigation, one that drew her back to Maine, taking her deep into the abiding darkness of a small American town.   Told in searing prose, After the Eclipse is a luminous memoir of uncomfortable truth and terrible beauty, an exquisite memorial for a mother stolen from her daughter, and a blazingly successful attempt to cast light on her life once more.  

Uncanny. Mysterious. Eerie. Gothic . It draws us in with its air of mystery and repels us with its violence and darkness. But who were the first practitioners of the now-prevalent genre? This curated book collects the works of such masters as Edgar Allan Poe, Christina Rossetti and Mary Shelley, who with flickering candles, mysterious castles and chilling ravens first frightened and delighted readers. With a brilliantly insightful introduction by Sarah Perry, the contemporary master of the gothic genre, this book will immerse and entangle you in the roots of the gothic. Just be careful not to get lost.

London im Jahr 1893. Nach dem Tod ihres Mannes verlässt Cora Seaborne die Hauptstadt und reist gemeinsam mit ihrem Sohn Francis in den Küstenort Aldwinter. Als Naturwissenschaftlerin und Anhängerin der provokanten Thesen Charles Darwins gerät sie dort mit dem Vikar William Ransome aneinander. Beide sind in rein gar nichts einer Meinung, beide fühlen sich unaufhaltsam zum anderen hingezogen. Anmutig und intelligent erzählt dieser Roman - noch vor allem anderen - von der Liebe und den unzähligen Verkleidungen, in denen sie uns gegenübertritt.

A dazzling new work of literary fiction from the author of The Essex Serpent, a story of love and astronomy told over the course of twenty years through the lives of two improbable best friends. Thomas Hart and Grace Macaulay have lived all their lives in the small Essex town of Aldleigh. Though separated in age by three decades, the pair are kindred spirits—torn between their commitment to religion and their desire to explore the world beyond their small Baptist community. It is two romantic relationships that will rend their friendship, and in the wake of this rupture, Thomas develops an obsession with a vanished nineteenth-century astronomer said to haunt a nearby manor, and Grace flees Aldleigh entirely for London. Over the course of twenty years, by coincidence and design, Thomas and Grace will find their lives brought back into orbit as the mystery of the vanished astronomer unfolds into a devastating tale of love and scientific pursuit. Thomas and Grace will ask themselves what it means to love and be loved, what is fixed and what is mutable, how much of our fate is predestined and written in the stars, and whether they can find their way back to each other. A thrillingly ambitious novel of friendship, faith, and unrequited love, rich in symmetry and symbolism, Enlightenment is a shimmering wonder of a book and Sarah Perry’s finest work to date. 

Essex Girls are disreputable, disrespectful and disobedient. They speak out of turn, too loudly and too often, in an accent irritating to the ruling classes. Their bodies are hyper-sexualised and irredeemably vulgar. They are given to intricate and voluble squabbling. They do not apologise for any of this. And why should they? In this exhilarating feminist defence of the Essex girl, Sarah Perry re-examines her relationship with her much maligned home county. She summons its most unquiet spirits, from Protestant martyr Rose Allin to the indomitable Abolitionist Anne Knight, sitting them alongside Audre Lorde, Kim Kardashian and Harriet Martineau, and showing us that the Essex girl is not bound by geography. She is a type, representing a very particular kind of female agency, and a very particular kind of disdain: she contains a multitude of women, and it is time to celebrate them. A defence and celebration of the Essex Girl by the best-selling author of The Essex Serpent.

Millions of years ago, humans just happened. Accidents of environment and genetics contributed to the creation of sentient beings like us. Today, however, people no longer "just happen;" they are created by the voluntary acts of other people. This book examines several questions about the ethics of human existence. Is it a good thing, for humans, that humans "happened"? Is it ethical to keep making new humans, now that reproduction is under our control? And given that a person exists (through no fault or choice of his own), is it immoral or irrational for him to refuse to live out his natural lifespan? All these questions are answered in the negative - not out of misanthropy, but rather out of empathy for human suffering and respect for human autonomy.

Boek van het Jaar bij de British Book Awards 2017 Londen 1893: de nog jonge weduwe Cora Seaborne begint een nieuw leven. Met haar onhandelbare (want autistische) puberzoon Francis en diens even stoere als charmante gouvernante neemt ze haar intrek in het stadje Colchester. Tijdens haar enerverende ontdekkingstochten door de ruige natuur van Essex, op zoek naar een mythisch zeemonster dat het nabijgelegen Aldwinter zou terroriseren, ontmoet ze de steile en stugge dorpsdominee William Ransome, die aanvankelijk niets moet hebben van deze onconventionele dame uit de Londense society met haar bizarre voorliefde voor monsters en fossielen. De oerkrachten van aantrekking en afstoting die daarbij loskomen, dreigen hun beider leven volledig te ontwrichten.

Ambientada en Londres y en un pueblo de Essex en la década de 1890 e inspirada por los debates de los descubrimientos médicos y científicos de la época, La serpiente de Essex es en esencia la historia de dos personas extraordinarias que se enamoran de una forma poco corriente.Cuando el marido de Cora Seaborne fallece, esta comienza su nueva vida con tanta tristeza como alivio: su matrimonio no era feliz y nunca encajó en el papel de esposa perfecta. Acompañada por su hijo Francis, deja Londres y se traslada a Essex, donde espera que los espacios abiertos les proporcionen el refugio que necesitan. Allí escuchan rumores de más allá del estuario que aseguran que la mítica serpiente de Essex, que según dicen vagaba en el pasado por los pantanos reclamando vidas humanas, ha vuelto a la parroquia costera de Aldwinter. Cora, una naturalista aficionada, está segura de que la bestia puede ser una especie desconocida. En sus pesquisas se topa con William Ransome, el vicario local. Will contempla la inquietud de sus parroquianos desde un punto de vista moral, como una desviación de la fe verdadera. Y aunque Cora y Will no están de acuerdo en nada, según pasa el tiempo ambos se ven inexorablemente empujados el uno hacia el otro.

For centuries, the mysterious dark-robed figure has roamed the globe, searching for those whose complicity and cowardice have fed into the rapids of history’s darkest waters—and now, in Sarah Perry’s breathtaking follow-up to The Essex Serpent, it is heading in our direction. It has been years since Helen Franklin left England. In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy. But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

An einem heißen Sommertag beschließt John Cole sein Leben hinter sich zu lassen. Er sperrt seinen Buchladen zu, den nie jemand besuchte, und verlässt London. Nach einer Autopanne sucht er Hilfe, verirrt sich und gelangt zu einem herrschaftlichen, aber heruntergekommenen Anwesen. Dessen Bewohner empfangen ihn mit offenen Armen - aber hinter der seltsamen Wohngemeinschaft steckt ein Geheimnis. Sie alle kennen seinen Namen, haben ein Zimmer für ihn vorbereitet und beteuern, schon die ganze Zeit auf ihn gewartet zu haben. Wer sind diese Menschen? Und was haben sie mit John vor?

A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure, Sweet Nothings is made up of one hundred illustrated micro-essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s peanut butter cups, as well as the beloved Good & Plenty and Werther’s Originals. An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy? And in The Lion, the Witch and the Wardrobe, how could Edmund sell out his siblings for, of all things, Turkish delight? She rejects the dreaded "What is your favorite candy?" question and counters: "Under what circumstances?" The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood?—because candy is tied to the seasons of our lives. Sweet Nothings touches on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the idea of "junk food" and posits taking pleasure seriously as a means of survival.

Sarah Perry's award-winning novel, set at the end of the nineteenth century and inspired by true events. Moving between Essex and London, myth and modernity, Cora Seaborne's spirited search for the Essex Serpent encourages all around her to test their allegiance to faith or reason in an age of rapid scientific advancement. At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

Rok 1893. Cora, naturalistka-amatorka, jest pewna, że mityczny wąż z Essex istnieje. Rusza jego tropem. Poznaje pastora Williama. Choć różni ich wszystko, coś ich do siebie ciągnie, a zarazem odpycha. Londyn, rok 1893. Po śmierci despotycznego męża Cora Seaborne rozpoczyna nowe życie z uczuciem ulgi, ale i głębokiego smutku. Cora i jej syn Francis – chłopiec ekscentryczny i zamknięty sobie – wyjeżdżają ze stolicy do Essex z nadzieją, że czyste powietrze i otwarta przestrzeń przyniosą ukojenie. Na miejscu dociera do nich plotka, że mityczny Wąż z Essex, który w przeszłości miał ponoć panoszyć się po mokradłach, siejąc śmierć, teraz powrócił do przybrzeżnej parafii Aldwinter. Cora, zapalona naturalistka-amatorka, nie ma cierpliwości do przesądów: jest zachwycona, i przekonana, że bestia może się okazać przedstawicielem nieodkrytego dotąd gatunku. Rusza tropem tajemniczego stworzenia. Wtedy poznaje Williama Ransome’a, pastora w Aldwinter, który również nieufnie odnosi się do pogłosek. Jego zdaniem jednak plotki o wężu tylko odciągają mieszkańców od prawdziwej wiary. Pastor stara się uspokoić parafian. Jednocześnie Will i Cora budują intensywną relację: choć różni ich absolutnie wszystko, coś ich do siebie nawzajem nieubłaganie ciągnie, a zarazem od siebie odpycha. Wywrą na siebie wpływ, który dla obojga okaże się zaskoczeniem. Wąż z Essex jest pochwałą miłości w jej najprzeróżniejszych postaciach.

Лондон, кінець XIX століття. Кора Сіборн, до якої чоловік ставився з такою байдужістю, з якою тільки міг, після його смерті відчуває полегшення. Але поки що вона не наважується на нові стосунки. Жінка залишає столицю й оселяється в глухому куточку графства Ессекс. Від нажаханих місцевих жителів вона чує дивну, сповнену містики історію про змія, після появи якого в селищі стали зникати люди. Проте Кора не вірить у це і разом із місцевим пастором намагається всіх заспокоїти. І між цими двома, здавалося б, абсолютно різними людьми виникають стосунки, які змінюють їхні життя. Так усі герої втягуються в містичну й загадкову історію, в якій переплелися біль, страхи, наука, релігія, політика, життя, смерть і кохання… в різних його проявах.