James Baldwin

Set in the contemporary Paris of American  expatraites, liasons, and violence, a young man finds  himself caught between desire and conventional  morality. James Baldwin's brilliant narrative delves  into the mystery of loving with a sharp, probing  imagination, and he creates a moving, highly  controversial story of death and passion that reveals the  unspoken complexities of the heart.

Go Tell It On The Mountain, first published in 1953, is Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.

From one of the most important American novelists of the twentieth century—a novel of sexual, racial, political, artistic passions, set in Greenwich Village, Harlem, and France. Stunning for its emotional intensity and haunting sensuality, this book depicts men and women, blacks and whites, stripped of their masks of gender and race by love and hatred at the most elemental and sublime.

In this honest and stunning novel, James Baldwin has given America a moving story of love in the face of injustice. Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions—affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin’s early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two “letters,” written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as “sermon, ultimatum, confession, deposition, testament, and chronicle…all presented in searing, brilliant prose,” The Fire Next Time stands as a classic of our literature.

Since its original publication in 1955, this first nonfiction collection of essays by James Baldwin remains an American classic. His impassioned essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. --back cover

James Baldwin's critique of American society at the height of the civil rights movement brings his prescient thoughts on social isolation, race, and police brutality to a new generation of readers. Available for the first time in a stand-alone edition, Nothing Personal is Baldwin's deep probe into the American condition. Considering the Black Lives Matter protests in the summer of 2020--which were met with tear gas and rubber bullets the same year white supremacists entered the US Capitol with little resistance, openly toting flags of the Confederacy--Baldwin's documentation of his own troubled times cuts to the core of where we find ourselves today. Baldwin's thoughts move through an interconnected range of questions, from America's fixation on eternal youth, to its refusal to recognize the past, its addiction to consumerism, and the lovelessness that fuels it in its cities and popular culture. He recounts his own encounter with police in a scene disturbingly similar to those we see today documented with ever increasing immediacy. This edition also includes a new foreword from interdisciplinary scholar Imani Perry and an afterword from noted Baldwin scholar Eddie S. Glaude Jr. Both explore and situate the essay within the broader context of Baldwin's work, the Movement for Black Lives, the COVID-19 pandemic, and the presidency of Donald Trump. Nothing Personal is both a eulogy and a declaration of will. In bringing this work into the twenty-first century, readers new and old will take away fundamental and recurring truths about life in the US. It is both a call to action, and an appeal to love and to life.

This is an older edition of ISBN 9780679761792. "There's no way not to suffer. But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their head above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob.By turns haunting, heartbreaking, and horrifying--and informed throughout by Baldwin's uncanny knowledge of the wounds racism has left in both its victims and its perpetrators--Going to Meet the Man is a major work by one of our most important writers.

James Baldwin’s final novel is “the work of a born storyteller at the height of his powers” ( The New York Times Book Review ).   “Not everything is lost. Responsibility cannot be lost, it can only be abdicated. If one refuses abdication, one begins again.”   The stark grief of a brother mourning a brother opens this stunning, unforgettable novel. Here, in a monumental saga of love and rage, James Baldwin goes back to Harlem, to the church of his groundbreaking novel  Go Tell It on the Mountain , to the forbidden passion of  Giovanni’s Room , and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses—and a living contemporary history of black struggle in this land.

Drama focusing on the murder of a Black youth by a white man in a Southern town and the racism and violent emotions it engenders

Over twenty-two months in 1979 and 1981 nearly two dozen children were unspeakably murdered in Atlanta despite national attention and outcry; they were all Black. James Baldwin investigated these murders, the Black administration in Atlanta, and Wayne Williams, the Black man tried for the crimes. Because there was only evidence to convict Williams for the murders of two men, the children's cases were closed, offering no justice to the families or the country. Baldwin's incisive analysis implicates the failures of integration as the guilt party, arguing, "There could be no more devastating proof of this assault than the slaughter of the children." As Stacey Abrams writes in her foreword, "The humanity of black children, of black men and women, of black lives, has ever been a conundrum for America. Forty years on, Baldwin's writing reminds us that we have never resolved the core Do black lives matter? Unequivocally, the moral answer is yes, but James Baldwin refuses such rhetorical comfort." In this, his last book, by excavating American race relations Baldwin exposes the hard-to-face ingrained issues and demands that we all reckon with them.

From one of the most important American writers of the twentieth century—an extraordinary history of the turbulent sixties and early seventies that powerfully speaks to contemporary conversations around racism. “It contains truth that cannot be denied.” — The Atlantic Monthly In this stunningly personal document, James Baldwin remembers in vivid details the Harlem childhood that shaped his early conciousness and the later events that scored his heart with pain—the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his retum to the American South to confront a violent America face-to-face.

At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable.  For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. And everywhere there is the anguish of being black in a society that at times seems poised on the brink of total racial war. Overpowering in its vitality, extravagant in the intensity of its feeling, Tell Me How Long the Train's Been Gone is a major work of American literature.  

James Baldwin At The Movies...  Provocative, timeless, brilliant. Bette Davis's eyes, Joan Crawford's bitchy elegance, Stepin Fetchit's stereotype, Sidney Poitier's superhuman black man...  These are the movie stars and the qualities that influenced James Baldwin...  and now become part of his incisive look at racism in American movies. Baldwin challenges the underlying assumptions in such films as In the Heat of the Night, Guess Who's Coming to Dinner, and The Exorcist, offering us a vision of America's self-delusions and deceptions.  Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained us and shaped our consciousness.  And here, too, is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change. From The Birth of a Nation to The Exorcist --one of America's most important writers turns his critical eye to American film.

To compose his stunning documentary film I Am Not Your Negro, acclaimed filmmaker Raoul Peck mined James Baldwin s published and unpublished oeuvre, selecting passages from his books, essays, letters, notes, and interviews that are every bit as incisive and pertinent now as they have ever been. Weaving these texts together, Peck brilliantly imagines the book that Baldwin never wrote. In his final years, Baldwin had envisioned a book about his three assassinated friends, Medgar Evers, Malcolm X, and Martin Luther King. His deeply personal notes for the project have never been published before. Peck s film uses them to jump through time, juxtaposing Baldwin s private words with his public statements, in a blazing examination of the tragic history of race in America.

Part of the Penguin 60s series, issued to celebrate 60 years of Penguin books. This collects "Sonny's Blues", "The Rockpile" and "Previous Condition", all taken from Going to Meet the Man (Penguin, 1991).

An essential compendium of James Baldwin's most powerful nonfiction work, calling on us "to end the racial nightmare, and achieve our country." Personal and prophetic, these essays uncover what it means to live in a racist American society with insights that feel as fresh today as they did over the 4 decades in which he composed them. Longtime Baldwin fans and especially those just discovering his genius will appreciate this essential collection of his great nonfiction writing, available for the first time in affordable paperback. Along with 46 additional pieces, it includes the full text of dozens of famous essays from such books as: - Notes of a Native Son- Nobody Knows My Name- The Fire Next Time- No Name in the Street- The Devil Finds WorkThis collection provides the perfect entrée into Baldwin's prescient commentary on race, sexuality, and identity in an unjust American society.

"Collected Essays" is the most comprehensive gathering of Baldwin's nonfiction ever published. The collection confirms his as a uniquely prophetic voice in American letters. Included are such famous essays as "The Harlem Ghetto", "Everybody's Protest Novel", Many Thousands Gone", and "Stranger in the Village" .

Publicat în 1956 și abordând subiecte-tabu la acea vreme, romanul Camera lui Giovanni a declanșat numeroase controverse. Nominalizată la National Book Award în 1957, a devenit în scurt timp o carte-cult, un manifest încă relevant al literaturii LGBTQ+. Plasată în Paris, topos emblematic al libertății individuale, Camera lui Giovanni vorbește despre vină și despre rușine, despre limitele autoimpuse și încercarea de a le conștientiza și depăși. Despre autor: Născut în 1924 în Harlem, New York, James Baldwin este un romancier, eseist, dramaturg, poet și critic social din Statele Unite care a oferit o voce literară erei activismului pentru drepturile omului din anii ’50 și ’60. Baldwin ficționalizează întrebări fundamentale despre rasă, sexualitate, credință, libertate și obstacolele internalizate de indivizi în contextul complexelor presiuni sociale și psihologice. Printre cele mai cunoscute opere ale sale se numără romanele Go Tell It on the Mountain (1953), Altă țară (Paralela 45, 2017), If Beale Street Could Talk (1974), Just Above My Head (1979), volumul de proză scurtă Going to Meet the Man (1965) și eseurile Notes of a Native Son (1955), Nobody Knows My Name (1961), The Fire Next Time (în curând la Black Button Books). Filmul documentar I Am Not Your Negro (2016), realizat de Raoul Peck pe baza eseurilor lui Baldwin, a fost premiat la BAFTA și nominalizat la premiile Oscar. James Baldwin a murit pe 30 noiembrie 1987 în Saint-Paul-de-Vence, Franța. Mormântul lui se află în cimitirul Ferncliff din Hartsdale, lângă New York. „Complexitatea personajelor sale, forța prozei și importanța atemporală a temelor pe care le abordează fac din Baldwin un scriitor pe care să-l confrunți și pe care să-l admiri deopotrivă. Romanele sale explorează acele părți ale sinelui pe care majoritatea dintre noi încercăm să le ascundem.” The Guardian „De la Baldwin am învățat să pun sub semnul întrebării tot ceea ce pare incontestabil. Nimic nu este incontestabil, și cred că Baldwin m-a ajutat să-mi dezvolt foarte devreme în viață acest tip de flexibilitate, mentală și intelectuală, cu ajutorul căreia să pot judeca totul.” Raoul Peck, regizorul filmului documentar I Am Not Your Negro „Jimmy Baldwin a creat discursul american contemporan cu mult înainte ca americanii să-l poată înțelege. Și a făcut-o pentru ca noi să ne putem vorbi cu o intensitate emoțională inimaginabilă, să ne putem înțelege unii pe ceilalți la tempouri din ce în ce mai accelerate.” Amiri Baraka Poate fi considerată un antidot pentru frică și rușine, pentru limitările autoimpuse care ne blochează capacitatea de a iubi. Baldwin explorează transparențele și opacitățile intimității cu o finețe extraordinară. Camera lui Giovanni nu este doar o carte-cult, stilistic și tematic, ci și un manifest acronic al curajului. Black Button

Les histoires d'amour tourmentées et douloureuses d'un jeune Américain à Paris dans les années 50. La sincérité et l'audace avec lesquelles James Baldwin décrit le trouble émotionnel de David, déchiré entre Giovanni et Hella, font de ce livre un classique. La Chambre de Giovanni, l'un des premiers et plus beaux livres de James Baldwin, était resté introuvable pendant plus de vingt-cinq ans.

'So the club rose, the blood came down, and his bitterness and his anguish and his guilt were compounded' Drawing on Baldwin's own experiences of prejudice in an America violently divided by race, these searing essays blend the intensely personal with the political to envisage a better world. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

En dépit des bouleversements psychologiques et sociaux qu'il exige, cet ouvrage ne veut que proposer la solution de bon sens au problème de la place des Noirs dans la société américaine. Malgré le ton parfois menaçant, malgré la satire souvent mordante, La prochaine fois, le feu est avant tout un appel à la modération, une ultime tentative de compromis (en 1963) entre les extrémistes des deux bords aveuglés par la passion.Tant par l'actualité des phénomènes dont il présente l'analyse irréfutable que par le mélange de douleur contenue et d'ironie cinglante qui lui donne ce ton si particulier, ce témoignage ne manquera pas d'attirer l'attention du lecteur qui en retiendra les qualités littéraires autant que l'importance politique.

« Certains échappaient à cette prison. La plupart y demeuraient. Ceux qui s'en échappaient laissaient toujours quelque chose d'eux-mêmes en arrière, comme certains animaux qui se coupent une patte et la laissent dans le piège. Peut-être, après tout, aurait-on pu dire que je m'étais évadé puisque j'étais professeur, ou que Sonny s'était évadé puisqu'il ne vivait plus à Harlem depuis des années ; et pourtant, tandis que le taxi roulait dans les rues qui paraissaient s'emplir rapidement de Noirs et que j'observais à la dérobée le visage de Sonny, il me vint à l'esprit que ce que nous cherchions tous deux à travers les vitres de cette voiture, c'était cette partie de nous-mêmes que nous avions laissée en arrière. » Dans cette nouvelle de 1957, Baldwin tisse magistralement le destin de deux frères, deux « enfants de Harlem ».

From one of the most brilliant writers and thinkers of the twentieth century comes a collection of "passionate, probing, controversial" essays ( The Atlantic ) on topics ranging from race relations in the United States to the role of the writer in society. Told with Baldwin's characteristically unflinching honesty, this “splendid book” ( The New York Times ) offers illuminating, deeply felt essays along with personal accounts of Richard Wright, Norman Mailer and other writers.  “James Baldwin is a skillful writer, a man of fine intelligence and a true companion in the desire to make life human. To take a cue from his title, we had better learn his name.” — The New York Times

This edition of a classic work by one of America s premier writers offers a new Foreword by Derrick Bell (with Janet Dewart Bell) to the 1995 paperback edition, and is as meaningful today as it was when it was first published in 1985. In his searing and moving essay, James Baldwin explores the Atlanta child murders that took place over a period of twenty-two months in 1979 and 1980. Examining this incident with a reporter s skill and an essayist s insight, he notes the significance of Atlanta as the site of these brutal killings a city that claimed to be too busy to hate and the permeation of race throughout the the black administration in Atlanta; the murdered black children; and Wayne Williams, the black man tried for the crimes. Rummaging through the ruins of American race relations, Baldwin addresses all the hard-to-face issues that have brought us a moment in history where it is terrifying to to be a black child in white America, and where, too often, public officials fail to ask real questions about justice for all. Baldwin takes a time-specific event and makes it The Evidence of Things Not Seen offers an incisive look at race in America through a lens at once disturbing and profoundly revealing.