Stefan Zweig

  The post-office girl is Christine, who looks after her ailing mother and toils in a provincial Austrian post office in the years just after the Great War. One afternoon, as she is dozing among the official forms and stamps, a telegraph arrives addressed to her. It is from her rich aunt, who lives in America and writes requesting that Christine join her and her husband in a Swiss Alpine resort. After a dizzying train ride, Christine finds herself at the top of the world, enjoying a life of privilege that she had never imagined. But Christine’s aunt drops her as abruptly as she picked her up, and soon the young woman is back at the provincial post office, consumed with disappointment and bitterness. Then she meets Ferdinand, a wounded but eloquent war veteran who is able to give voice to the disaffection of his generation. Christine’s and Ferdinand’s lives spiral downward, before Ferdinand comes up with a plan which will be either their salvation or their doom. Never before published in English, this extraordinary book is an unexpected and haunting foray into noir fiction by one of the masters of the psychological novel.

The World of Yesterday, mailed to his publisher a few days before Stefan Zweig took his life in 1942, has become a classic of the memoir genre. Originally titled “Three Lives,” the memoir describes Vienna of the late Austro-Hungarian Empire, the world between the two world wars and the Hitler years. Translated from the German by Benjamin W. Huebsch and Helmut Ripperger; with an introduction by Harry Zohn, 34 illustrations, a chronology of Stefan Zweig’s life and a new bibliography, by Randolph Klawiter, of works by and about Stefan Zweig in English. “The best single memoir of Old Vienna by any of the city’s native artists.” — Clive James “A book that should be read by anyone who is even slightly interested in the creative imagination and the intellectual life, the brute force of history upon individual lives, the possibility of culture and, quite simply, what it meant to be alive between 1881 and 1942.” — The Guardian “It is not so much a memoir of a life as it is the memento of an age.” — The New Republic

This biography of the man Stefan Zweig viewed as "the most perfect Machiavelli of modern times" was written in 1929, before the full impact of Nazism and Stalinism was understood. In this gripping case study of ruthlessness, political opportunism, intrigue, and betrayal, Zweig portrays Minister of Police Joseph Fouché (1759-1820), a "thoroughly amoral personality" whose only goal was political survival and the exercise of power.Zweig traces Fouché's career, beginning with his stint as a math and physics teacher in provincial Catholic schools and evolving into a moderate and then radical legislator. Fouché cultivated every political movement du jour, holding no convictions of his own. After preaching clemency for Louis XVI, Fouché voted to send the King to the guillotine. After writing "the first communist manifesto of modern times" he became a multi-millionaire. He led the brutal repression of an anti-revolutionary movement, earning him the nickname "le mitrailleur (butcher) de Lyon". After serving Robespierre, Fouché engineered his overthrow and rose to Minister of Police under the Directory, which he then helped to overthrow before putting his network of informants in Napoleon’s service as his Minister of Police. After turning against the Emperor, Fouché served the new King Louis XVIII – whose brother he had helped send to the guillotine. Thus, Fouché served the Revolution, the Directory, the First Empire and the Restoration.

In Twenty-four Hours in the Life of a Woman , the dramatic disappearance of the wife of a wealthy businessman from a small hotel on the French Riviera prompts a distinguished English widow to recount her fleeting encounter with a young aristocrat many years before in Monte Carlo. In The Royal Game, a tantalizing encounter takes place between the reigning world chess champion and an unknown passenger on a cruise ship bound for Buenos Aires. The stranger's diffident manner masks his extraordinary ability to challenge the grand master in a game of chess but also conceals his dark and damaged past, the horror of which emerges as the game unfolds.

For the insatiably curious Zweig, travel was both a necessary cultural education and a personal balm for the depression he experienced when rooted in one place for too long. He spent much of his life weaving between the countries of Central Europe, visiting authors and friends and exploring the continent in the heyday of international rail travel. Representing a lifetime’s observations, this collection poignantly presents Zweig’s deep-rooted sentiments about the beauty and lasting cultural importance of the Europe he loved.

A doctor in the Dutch East Indies torn between his medical duty to help and his own mixed emotions; a middle-aged maidservant whose devotion to her master leads her to commit a terrible act; a hotel waiter whose love for an unapproachable aristocratic beauty culminates in an almost lyrical death, and a prisoner-of-war longing to be home again in Russia. In these four stories, Stefan Zweig shows his gift for the acute analysis of emotional dilemmas. His four tragic and moving cameos of the human condition are played out against cosmopolitan and colonial backgrounds in the first half of the twentieth century.

"Вчерашний мир" - последняя книга Стефана Цвейга, исповедь-завещание знаменитого австрийского писателя, созданное в самый разгар Второй Мировой войны в изгнании. Помимо широкой панорамы общественной и культурной жизни Европы первой половины ХХ века, читатель найдет в ней размышления автора о причинах и подоплеке грандиозной человеческой катастрофы, а также, не смотря ни на что, искреннюю надежду и веру в конечную победу разума, добра и гуманизма. "Вчерашнему миру", названному Томасом Манном великой книгой, потребовались многие годы, прежде чем она достигла немецких читателей. Путь этой книги к русскому читателю оказался гораздо сложнее и занял в общей сложности пять десятилетий. В настоящем издании впервые на русском языке публикуется автобиография переводчика Геннадия Ефимовича Кагана "Вчерашний мир сегодня", увлекательная повесть о жизни, странным образом перекликающейся с книгой Стефана Цвейга, над переводом которой Геннадий Ефимович работал не один год и ещё больше времени пытался его опубликовать на территории СССР.

Самобытный, сильный и искренний талант австрийского писателя Стефана Цвейга (1881–1942) давно завоевал признание и любовь читательской аудитории. Интерес к его лучшим произведениям с годами не ослабевает, а напротив, неуклонно растет, и это свидетельствует о том, что Цвейгу удалось внести свой, весьма значительный вклад в сложную и богатую художественными открытиями литературу XX века. Рассказчик плывет на большом океанском пароходе из Нью-Йорка в Буэнос-Айрес, на борту он узнает, что вместе с ним в Буэнос-Айрес отправляется Мирко Чентович – чемпион мира по шахматам... Читателю нет необходимости даже знать, как ходят фигуры. Ему предлагается окунуться в мир вечной игры - ее историю, психологию, философию... Он ощутит аромат различных эпох...

A obra publicada pela primeira vez em 1941 tornou-se rapidamente um clássico. Brasil, um país do futuro é um grande retrato do país sob a ótica de um estrangeiro que passou seus últimos anos de vida no Rio de Janeiro. Stefan Zweig e sua segunda mulher, Lotte, escolheram o Brasil como refúgio às atrocidades que eram cometidas na Europa durante a Segunda Guerra Mundial. Porém, neste período, Zweig não abandonou a escrita. Pelo contrário, foi na casa de Petrópolis que finalizou sua autobiografia (O mundo que eu vi) e escreveu este que, de acordo com Alberto Dines, “é o mais famoso de todos os textos que se escreveram sobre o Brasil”. Resultado de uma extensa pesquisa aliada ao olhar crítico de Zweig, Brasil, um país do futuro é uma obra que surpreende os leitores contemporâneos pela riqueza dos temas abordados. De fato, algumas das previsões feitas por Zweig não se concretizaram, mas o livro não se trata apenas disso. Zweig pensa no futuro analisando o que vê e o que sente do contato com o povo brasileiro. No capítulo “Olhar sobre São Paulo”, por exemplo, reflete que “para representar a cidade de São Paulo seria preciso ser um pintor. Para descrever São Paulo, um estatístico ou um economista (...), pois não é o passado ou o presente que tornam São Paulo uma cidade tão fascinante, e sim o seu crescimento e o seu porvir, a rapidez de sua transformação, vistos em câmera lenta.” Zweig conduz o leitor a passeios pela Bahia, pelo Recife, pelos morros do Rio de Janeiro, observa hábitos da cultura brasileira que se destacam aos olhos estrangeiros, como o simples fato de sempre haver um café fresco para receber um visitante. Além desses dados pitorescos, o autor se aprofunda em uma análise sobre a história e a economia brasileiras, fazendo com que este livro seja, ao mesmo tempo, um documento histórico, uma crônica, um registro de impressões escrito pelas mãos de um célebre autor europeu que se impressionou e se emocionou com o que viu.

The great Austrian writer Stefan Zweig was a master anatomist of the deceitful heart, and Beware of Pity, the only novel he published during his lifetime, uncovers the seed of selfishness within even the finest of feelings. Hofmiller, an Austro-Hungarian cavalry officer stationed at the edge of the empire, is invited to a party at the home of a rich local landowner, a world away from the dreary routine of his barracks. The surroundings are glamorous, wine flows freely, and the exhilarated young Hofmiller asks his host's lovely daughter for a dance, only to discover that sickness has left her painfully crippled. It is a minor blunder, yet one that will go on to destroy his life, as pity and guilt gradually implicate him in a well-meaning but tragically wrongheaded plot to restore the unhappy invalid to health. "Stefan Zweig was a dark and unorthodox artist; it's good to have him back." —Salman Rushdie

The Royal Game crackles with suspense; it is the story of a man who outwits the Gestapo and finds the courage to go on living. Whilst in prison, he finds sanctuary in "imaginary" chess, but later on engages in a confrontation with the chess prodigy of the day.

A deep study of the uneasy heart by one of the masters of the psychological novel, Journey into the Past, published here for the first time in America, is a novella that was found among Zweig’s papers after his death. Investigating the strange ways in which love, in spite of everything - time, war, betrayal - can last, Zweig tells the story of Ludwig, an ambitious young man from a modest background who falls in love with the wife of his rich employer. His love is returned, and the couple vow to live together, but then Ludwig is dispatched on business to Mexico, and while he is there the First World War breaks out. With travel and even communication across the Atlantic now shut down, Ludwig makes a new life in the New World. Years later, however, he returns to Germany to find his beloved a widow and their mutual attraction as strong as ever. But is it possible for love to survive precisely as the impossible?

İntihar, Stefan Zweig'ın zihnini gençlik yıllarından beri meşgul eden bir kavramdı. Yaşamanın bir anlamı kalmadığını anladığı anda yaşamına kendi eliyle son verebileceğini daha üniversite yıllarında söylemişti. İlk evliliği sırasında karısı Friderike'yi kendisiyle birlikte intihar etmesi için zorlayan, sonra bu düşüncesinden vazgeçen Stefan Zweig, yıllar sonra, İkinci Dünya Savaşı sırasında, ikinci karısıyla birlikte yaşamına son verdi. Yazar, önceki intihar girişimlerinden vazgeçmiş olsa da korkularını, romanlarındaki ve öykülerindeki kahramanlara yaşatıyor. Amok Koşucusu'nda yer alan öykülerin ortak izleği de intihar. Kendi yaşamından ya da tarihteki gerçek kişilerin yaşamlarından kesitler katarak yazdığı bu öykülerde Stefan Zweig'ın duyarlı kişiliğini, olağanüstü gözlem gücünü olduğu gibi sayfalara yansıttığını görüyoruz. Yazdığı öykülerin en başarılı örneklerinin yer aldığı bu kitapta, bir uzun öykü olan Amok Koşucusu bir başyapıt. İnsanı en güçsüz, en savunmasız yönleriyle ele alıp, insan ruhunun en derin katmanlarına inmeyi bilen, bütün bunları son derece canlı, ayrıntılı, çok yönlü bir anlatımla kaleme alabilen, okuru gerçekten etkileyebilen bir yazar Stefan Zweig. Yazdıklarının üzerinden bunca yıl geçmiş olmasına karşın, öykülerinin, romanlarının bugünkü kuşaklar tarafından da aynı ilgiyle okunması, onun kalıcı bir yazar olduğunun en büyük kanıtı. Amok Koşucusu'nun bu yeni çevirisinde, daha önceki basımda yer almayan öyküler de bulunuyor.

En esta breve novela, Zweig nos habla de los celos con su habitual maestría: elusivo, con la virtud de la intriga irresuelta, ahonda en el dolor y el desamparo que produce el sentirnos sustituidos en los afectos de nuestras personas queridas por un tercero que, cuanto menos, tiene los mismos derechos que nosotros. La rabia y la violencia pueden conducir a una venganza que agravará, si cabe aún más, nuestra orfandad.

Scandale dans une pension de famille « comme il faut », sur la Côte d'Azur du début du siècle : Mme Henriette, la femme d'un des clients, s'est enfuie avec un jeune homme qui pourtant n'avait passé là qu'une journée... Seul le narrateur tente de comprendre cette « créature sans moralité », avec l'aide inattendue d'une vieille dame anglaise très distinguée, qui lui expliquera quels feux mal éteints cette aventure a ranimés chez elle. Ce récit d'une passion foudroyante, bref et aigu comme les affectionnait l'auteur d'Amok et du Joueur d'échecs, est une de ses plus incontestables réussites.

Portuguese explorer Ferdinand Magellan (1480-1521), the first to circumnavigate the globe, sailed on behalf of the Spanish monarch from the Atlantic to the Pacific Ocean, and discovered the straights that now bear his name and the Philippines. “Magellan is written in a tone of astonished wonder... a persuasive and crisp portrait of Magellan... Stefan Zweig brings the story of Magellan to life.” — Charles Poore, The New York Times “[A]n extremely well-written narrative, fired by a keen sense of justice, and with its dramatic and emotional qualities well sustained... [Zweig’s] own passion for his subject carries the story well.” — R. L. Duffus, The New York Times “A superb piece of reconstruction, intensely interesting first as a record of one of the greatest achievements in human history, and second, as a live picture of a tragic figure, Magellan, lonely and misunderstood and cheated at the end of the reward in recognition of the stupendous and courageous task he had envisioned and achieved. Fascinating reading, and enlightening as a minutely detailed picture of the problems faced and met, from the first step to the last. A book which will last...” — Kirkus Review “Zweig’s story opens with a fascinating chapter on spices. He explains the reasons for Magellan’s sailing under a Spanish flag after a youth spent in the service of Portugal. Such matters as the making of Magellan’s will, the absurd circumstances of his death, the reception of the 18 who returned, the corruption at court, are told in the light of present-day psychology and with an understanding of human nature that makes this tale of an adventurer excellent and provocative reading.” — The English Journal “Zweig’s accumulated historical and cultural studies, whether in essay or monograph form, remain a body of achievement almost too impressive to take in... Full-sized books on Marie-Antoinette, Mary Stuart, and Magellan were international best sellers.” — Clive James, Cultural Amnesia

«Sólo quiero hablar contigo, decírtelo todo por primera vez. Tendrías que conocer toda mi vida, que siempre fue la tuya aunque nunca lo supiste. Pero sólo tú conocerás mi secreto, cuando esté muerta y ya no tengas que darme una respuesta; cuando esto que ahora me sacude con escalofríos sea de verdad el final. En el caso de que siguiera viviendo, rompería esta carta y continuaría en silencio, igual que siempre. Si sostienes esta carta en tus manos, sabrás que una muerta te está explicando aquí su vida, una vida que fue siempre la tuya desde la primera hasta la última hora.»

Stefan's Zweig's Letter from an Unknown Woman and other stories contains a new translation by the award-winning Anthea Bell of one of his most celebrated novellas, Letter from an Unknown Woman , the inspiration for a classic 1948 Hollywood film by Max Ophüls, as well as three new stories, appearing in English for the first time. A famous author receives a letter on his forty-first birthday. He doesn't know the sender, but still the letter concerns him intimately. Its story is earnest, even piteous: the story of a life lived in service to an unannounced, unnoticed love. In the other stories in this collection, a young man mistakes the girl he loves for her sister; two erstwhile lovers meet after an age spent apart; and a married woman repays a debt of gratitude. All four tales, newly translated by the award-winning Anthea Bell, are among Zweig's most celebrated and compelling work-expertly paced, laced with empathy and an unwaveringly acute sense of psychological detail.

'I had never heard of Zweig until six or seven years ago, as all the books began to come back into print, and I more or less by chance bought a copy of Beware of Pity. I immediately loved this book, his one, big, great novel-and suddenly there were dozens more in front of me waiting to read.' Wes Anderson The Society of the Crossed Keys contains Wes Anderson's selections from the writings of the great Austrian author Stefan Zweig, whose life and work inspired The Grand Budapest Hotel. A CONVERSATION WITH WES ANDERSON Wes Anderson discusses Zweig's life and work with Zweig biographer George Prochnik. THE WORLD OF YESTERDAY Selected extracts from Zweig's memoir, The World of Yesterday, an unrivalled evocation of bygone Europe. BEWARE OF PITY An extract from Zweig's only novel, a devastating depiction of the torment of the betrayal of both honour and love. TWENTY-FOUR HOURS IN THE LIFE OF A WOMAN One of Stefan Zweig's best-loved stories in full-a passionate tale of gambling, love and death, played out against the stylish backdrop of the French Riviera in the 1920s. 'The World of Yesterday is one of the greatest memoirs of the twentieth century, as perfect in its evocation of the world Zweig loved, as it is in its portrayal of how that world was destroyed.' -- David Hare 'Beware of Pity is the most exciting book I have ever read...a feverish, fascinating novel' -- Antony Beevor 'One of the joys of recent years is the translation into English of Stefan Zweig's stories.'--Edmund de Waal, author of The Hare with the Amber Eyes Stefan Zweig was born in 1881 in Vienna. He studied in Berlin and Vienna and between the wars was an international bestselling author. With the rise of Nazism, he left Austria, and lived in London, Bath, New York and Brazil, where in 1942 he and his wife were found dead in an apparent double death by suicide. Wes Anderson's films include Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic, The Darjeeling Limited, Fantastic Mr Fox, and Moonrise Kingdom. He directed and wrote the screenplay for The Grand Budapest Hotel. Translated by Anthea Bell Cover illustration by Nathan Burton 272 pp Published 13/03/2014 ISBN 9781782271079 B-Format Paperback

Erasmus din Rotterdam a fost unul dintre cei mai mari cărturari ai secolelor XV-XVI. Cunoştinţele sale vaste şi credinţa neclintită în Dumnezeu şi în oameni i-au adus admiraţia şi respectul întregii Europe. Din această ipostază a avut de două ori şansa să contribuie decisiv la un drum european unitar, mai luminos, însă de fiecare dată firea lui sensibilă şi nehotărîtă l-a făcut să rateze momentul prielnic, iar bătrînul continent a căzut pradă unuia dintre cele mai sîngeroase războaie religioase. Stefan Zweig îl prezintă pe acest mare om de cultură, care a lăsat moştenire nu doar opere remarcabile, ci şi idei şi concepte aplicabile şi în zilele noastre, în contrast cu adversarul său, Martin Luther, cel care iniţial l-a venerat, apoi a fost cauza declinului lui Erasmus şi artizanul confruntării dintre Biserica Catolică şi cei care doreau Reforma. O carte despre parcursul unui om genial, despre disputele şi frămîntările lui, dar şi despre lupta dintre pană şi spadă şi tragicul triumf al pasiunii asupra raţiunii.

An epic chess match on a transatlantic liner unearths a story of persecution and obsession. One of the most perfectly gripping novellas from a master of the form, Stefan Zweig. Chess world champion Mirko Czentovic is travelling on an ocean liner to Buenos Aires. Dull-witted in all but chess, he entertains himself on board by allowing others to challenge him in the game, before beating each of them and taking their money. But there is another passenger with a passion for chess: Dr B, previously driven to insanity during Nazi imprisonment by the chess games in his imagination. But in agreeing to take on Czentovic, what price will Dr B ultimately pay? A moving portrait of one man's madness, A Chess Story is a searing examination of the power of the mind and the evil it can do. "The rediscovery of this extraordinary writer could well be on a par with last year's refinding of the long-lost Stoner, by John Williams, and which similarly could pluck his name out of a dusty obscurity." - Simon Winchester, Telegraph "Perhaps the best chess story ever written, perhaps the best about any game. Never mind that you may have never moved a pawn to King four; the story will grip you." - Economist "His great achievement in short form" - The Times A staunch pacifist after his time in the Ministry of War during the First World War, Stefan Zweig was, at his peak, one of the bestselling and most widely acclaimed authors in the world. Following Hitler's rise to power, he and his second wife fled Austria; first to England, then to America, and finally, in 1940, they travelled together to Brazil, where the couple took an overdose and died. Much of his work is available from Pushkin Press.

Chess Story, also known as The Royal Game, is the Austrian master Stefan Zweig's final achievement, completed in Brazilian exile and sent off to his American publisher only days before his suicide in 1942. It is the only story in which Zweig looks at Nazism, and he does so with characteristic emphasis on the psychological. Travelers by ship from New York to Buenos Aires find that on board with them is the world champion of chess, an arrogant and unfriendly man. They come together to try their skills against him and are soundly defeated. Then a mysterious passenger steps forward to advise them and their fortunes change. How he came to possess his extraordinary grasp of the game of chess and at what cost lie at the heart of Zweig's story. This new translation of Chess Story brings out the work's unusual mixture of high suspense and poignant reflection.

Life at the court of Louis XVI and Marie Antoinette has long captivated readers, drawn by accounts of the intrigues and pageantry that came to such a sudden and unexpected end. Stefan Zweig's Marie Antoinette: The Portrait of an Average Woman is a dramatic account of the guillotine's most famous victim, from the time when as a fourteen-year-old she took Versailles by storm, to her frustrations with her aloof husband, her passionate love affair with the Swedish Count von Fersen, and ultimately to the chaos of the French Revolution and the savagery of the Terror. An impassioned narrative, Zweig's biography focuses on the human emotions of the participants and victims of the French Revolution, making it both an engrossingly compelling read and a sweeping and informative history.

Un afamado y mujeriego escritor no reconoce la caligrafía de la carta que recibe una mañana. Para su sorpresa, la remitente es una mujer desesperada dispuesta a declararle antes de morir su amor secreto, y casi obsesivo, escondido durante muchos años. En el segundo relato, una mujer poco agraciada descubre una oculta fascinación por el hombre al que sirve.

En esta verdadera obra maestra, Stefan Zweig nos deleita con la narración de algunos momentos decisivos que han marcado el devenir de la historia y que nos ayudan a comprender nuestro presente. Personajes como Cicerón, Dostoyevski o Napoleón se enfrentan a las adversidades y toman decisiones sublimes sin las que nuestro mundo sería diferente. Momentos estelares de la humanidad aúna un estilo dotado de una belleza deslumbrante con reflexiones profundas que nos muestran a un gran conocedor de la naturaleza humana y uno de los grandes escritores del siglo XX.

Amor, angustia y traición en una de las historias más tensas de Stefan Zweig, el maestro de la novela corta Irene es una mujer burguesa, acomodada y aburrida. En ese estado de apatía se encuentra cuando, durante una de esas veladas sociales que son su único entretenimiento, conoce a un joven pianista que se convierte en su amante. Sin embargo, visitarlo a escondidas se transforma pronto en una parte más de su rutina... hasta que una astuta y amenazadora mujer descubre su infidelidad y empieza a extorsionarla a cambio de su silencio. Desde ese momento, el tedioso día a día de Irene se convierte en una vida de secretos y miedo que no sabe durante cuánto tiempo podrá soportar.

Un crucero que cubre la ruta de Nueva York a Buenos Aires es el escenario de una singular partida de ajedrez. El arrogante campeón del mundo, que acude a la capital argentina a defender su título, se enfrenta a un pomposo millonario escocés y al narrador de la historia. Al unirse un misterioso pasajero cuyo juego maravilla a todos los contendientes, sobreviene uno de los giros argumentales más estremecedores de la historia de la literatura. "Novela de ajedrez" es la obra póstuma de Stefan Zweig, un tremendo pero fascinante alegato contra el horror nazi que retrata con suma delicadeza los sentimientos y la naturaleza humana.

Escrito en 1929, Mendel el de los libros narra la trágica historia de un excéntrico librero de viejo que pasa sus días sentado siempre a la misma mesa en uno de los muchos cafés de la ciudad de Viena. Con su memoria enciclopédica, el inmigrante judío ruso no sólo es tolerado, sino querido y admirado por el dueño del café Gluck y por la culta clientela que requiere sus servicios. Sin embargo, en 1915 Jakob Mendel es enviado a un campo de concentración, acusado injustamente de colaborar con los enemigos del Imperio astrohúngaro. Un breve y brillante relato sobre la exclusión en la Europa de la primera mitad del siglo XX.