Jaden Payne

Laurent Fontaine has an obsession with spectacle. That is precisely the reason why he is the most famous art curator of the 20th century and why the Fontaine Museum of Art has more success than any other museum has ever seen. That is, of course, until he shuts it down. When Laurent’s wife, Marie, is found dead during an exhibition opening at the museum in 1967, the police are quick to determine suicide. Laurent is quick to determine otherwise. He promptly closes his historic building and halts his highly coveted life in the arts to dedicate the next ten years to one thing: finding the person who killed Marie. In 1977, exactly ten years after the tragedy, Laurent invites who he found to be the six most likely suspects back into his museum, breaking his silence for the first time in a decade. With the event disguised as a “Grand Reopening,” the guests arrive, and Laurent reveals the truth: none of these misfortunate people will be leaving his palace until justice is served. But, Laurent Fontaine has an obsession. Is this truly justice, or is there spectacle hidden in revenge? Is this truly an investigation, or is this emperor of art putting on one last performance? How far can Laurent morally push his grand finale?