Myriam Gurba

Myriam Gurba's debut is the bold and hilarious tale of her coming of age as a queer, mixed-race Chicana. Blending radical formal fluidity and caustic humor, Mean turns what might be tragic into piercing, revealing comedy. This is a confident, funny, brassy book that takes the cost of sexual assault, racism, misogyny, and homophobia deadly seriously. We act mean to defend ourselves from boredom and from those who would cut off our breasts. We act mean to defend our clubs and institutions. We act mean because we like to laugh. Being mean to boys is fun and a second-wave feminist duty. Being mean to men who deserve it is a holy mission. Sisterhood is powerful, but being mean is more exhilarating. Being mean isn't for everybody. Being mean is best practiced by those who understand it as an art form. These virtuosos live closer to the divine than the rest of humanity. They're queers. Myriam Gurba is a queer spoken-word performer, visual artist, and writer from Santa Maria, California. She's the author of Dahlia Season (2007, Manic D) which was a finalist for the Lambda Literary Award, Wish You Were Me (2011, Future Tense Books), and Painting Their Portraits in Winter (2015, Manic D). She has toured with Sister Spit and her work has been exhibited at the Museum of Latin American Art in Long Beach. She lives in Long Beach, where she teaches social studies to eighth-graders.

A ruthless and razor-sharp essay collection that tackles the pervasive, creeping oppression and toxicity that has wormed its way into society—in our books, schools, and homes, as well as the systems that perpetuate them—from the acclaimed author of Mean, and one of our fiercest, foremost explorers of intersectional Latinx identity.A creep can be a singular figure, a villain who makes things go bump in the night. Yet creep is also what the fog does—it lurks and slithers into place, muffling screams, obscuring the truth, and providing cover for those prowling within it. Now, Myriam Gurba delves into the sociology of “creep,” taking a deep dive into the dark recesses of the toxic traditions and the people that plague today’s America, analyzing the abusers who haunt our books, schools, and homes. Blending cultural criticism with her powerful, deeply personal experiences, Gurba examines the ways in which oppression is collectively enacted, sustaining ecosystems that unfairly perpetuate suffering and premature death to our most vulnerable. Yet identifying individual creeps, social groups, and cultures is only the beginning; the bulk of the book examines how we as individuals, communities, and institutions can challenge creeps and rid ourselves of the fog that seeks to blind us. With her brilliant mind, brazen style, and wry humor, Gurba implicates everyone from Joan Didion, Mexican sterotypes to her former abuser. Braiding her own history and identity throughout, she passionately argues for a new way of conceptualizing oppression and offers tools that can help liberate us all.