P. Djèlí Clark

Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of Djinn Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer. So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world 50 years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage. Alongside her Ministry colleagues and her clever girlfriend Siti, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city -or face the possibility he could be exactly who he seems…

In America, demons wear white hoods. In 1915, The Birth of a Nation cast a spell across America, swelling the Klan's ranks and drinking deep from the darkest thoughts of white folk. All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring Hell to Earth. But even Ku Kluxes can die. Standing in their way is Maryse Boudreaux and her fellow resistance fighters, a foul-mouthed sharpshooter and a Harlem Hellfighter. Armed with blade, bullet, and bomb, they hunt their hunters and send the Klan's demons straight to Hell. But something awful's brewing in Macon, and the war on Hell is about to heat up. Can Maryse stop the Klan before it ends the world?

Egypt, 1912. In an alternate Cairo infused with the otherworldly, the Ministry of Alchemy, Enchantments and Supernatural Entities investigate disturbances between the mortal and the (possibly) divine. What starts off as an odd suicide case for Special Investigator Fatma el-Sha’arawi leads her through the city’s underbelly as she encounters rampaging ghouls, saucy assassins, clockwork angels, and plot that could unravel time itself.

The Dead Cat Tail Assassins are not cats. Nor do they have tails. But they are most assuredly dead. Nebula and Alex Award winner P. Djèlí Clark introduces a brand-new world and a fantastical city full of gods and assassins. Eveen the Eviscerator is skilled, discreet, professional, and here for your most pressing needs in the ancient city of Tal Abisi. Her guild is strong, her blades are sharp, and her rules are simple. Those sworn to the Matron of Assassins―resurrected, deadly, wiped of their memories―have only three unbreakable vows. First, the contract must be just. That’s above Eveen’s pay grade. Second, even the most powerful assassin may only kill the contracted. Eveen’s a professional. She’s never missed her mark. The third and the once you accept a job, you must carry it out. And if you stray? A final death would be a mercy. When the Festival of the Clockwork King turns the city upside down, Eveen’s newest mission brings her face-to-face with a past she isn’t supposed to remember and a vow she can’t forget.

Creeper, a scrappy young teen, is done living on the streets of New Orleans. Instead, she wants to soar, and her sights are set on securing passage aboard the smuggler airship Midnight Robber. Her ticket: earning Captain Ann-Marie’s trust using a secret about a kidnapped Haitian scientist and a mysterious weapon he calls The Black God’s Drums. But Creeper keeps another secret close to heart--Oya, the African orisha of the wind and storms, who speaks inside her head and grants her divine powers. And Oya has her own priorities concerning Creeper and Ann-Marie…

Fantasy and science fiction allow for limitless creation, innovation, and exploration. Yet what we actually get are Eurocentric worlds that demonize or erase people of colour. Why do authors and readers accept this? Where did it start? And going forward, how do we resist? SFF author and critic Phenderson Djeli Clark takes a look at these issues in Fantasy's Othering Fetish, the latest ebook from Media Diversified. Featuring a foreword by novelist Daniel José Older, this book discusses everything from medieval Arthurian romance to Tolkien and Game of Thrones, and provides a overview of contemporary work by global SFF authors of colour. With its sharp, insightful critique and Clark's deep knowledge of and passion for the genre, Fantasy's Othering Fetish is a much-needed antidote to the whitewashed worlds of mainstream SFF.

The Haunting of Tram Car 015 returns to the alternate Cairo of Clark's short fiction, where humans live and work alongside otherworldly beings; the Ministry of Alchemy, Enchantments and Supernatural Entities handles the issues that can arise between the magical and the mundane. Senior Agent Hamed al-Nasr shows his new partner Agent Onsi the ropes of investigation when they are called to subdue a dangerous, possessed tram car. What starts off as a simple matter of exorcism, however, becomes more complicated as the origins of the demon inside are revealed.

A girl visits a bazaar in Cairo, seeking a favor from a mysterious angelic being. This story first appeared in the anthology Clockwork Cairo: Steampunk Tales of Egypt.

IN DARKNESS, A SONG CAN LEAD THE WAY. BEWARE WHICH ONE YOU LISTEN TO. Abeni's Song by award-winning author P. Djèlí Clark is the enchanting beginning of an epic West African and African Diaspora-inspired fantasy adventure for middle-grade readers about a reluctant apprentice to magic and the stolen villagers she sets out to save.“Lush and magical.” —KWAME MBALIA • “Astonishing.” —MARK OSHIRO • "Abeni's story will sweep you away." —AMANDA FOODY On the day of the Harvest Festival, the old woman who lives in the forest appears in Abeni's village with a terrible message: You ignored my warnings. It’s too late to run. They are coming.Warriors with burning blades storm the village. A man with a cursed flute plays an impossibly alluring song. And everyone Abeni has ever known and loved is captured and marched toward far-off ghost ships set for even more distant lands. But not Abeni. Abeni is magically whisked away by the old woman. In the forest, Abeni begins her unwanted magical apprenticeship, her journey to escape the witch, and her impossible mission to bring her people home.Abeni’s Song is the beginning of a timeless, enchanting fantasy adventure about a reluctant apprentice, a team of spirit kids, and the village they set out to save.