The Name-Bearer (Flowers of Prophecy #1)

The Name-Bearer (Flowers of Prophecy #1)

Natalia Hernandez

Enjoyment: Quality: Characters: Plot:

For her entire life, the Name-Bearer’s sole purpose has been to receive and deliver the names of the future monarchy from the Flowers of Prophecy. But when the child is finally born and the Name-Bearer is sent to the Flowers, they refuse to name him. Instead they deliver a prophecy; another child was born who is more worthy of the Naming, and if they are found and brought before them it will usher in a reign of peace. Having failed in her duties the Name-Bearer is considered a traitor to the crown, and must hide among an elite sect of warrior women where she experiences friendship, found family, and love. Her training as a warrior helps prepare her to embark on her quest to find the Unnamed Prince, clear her name, and bring peace to her realm. A story of magia, warrior women, found family and love - and not accepting who you are told to be, but embracing who you are destined to become.


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    Completed judge review for Indie Ink on 3.28.24. 

    The following is a personal review, and does not reflect judging for Indie Ink 2024 judging I completed:

    This was a really interesting novel, although there were odd breaks in the progress of the overall story arc as the protagonist went from one place (geographically) to another. This created a slightly disjointed/jarring reader experience for me, and also made the pacing feel slower than it would have otherwise, I think. I'd suggest the pacing of the novel is slow/medium, with some sections more solidly in each category. 

    The world building, magic system, and overall story was distinctive, if not unique. I wasn't particularly compelled by the use of Spanish words/how they were integrated - it didn't feel as thoughtful as some other Latine bilingual authors' works are in their use of English and Spanish words. 

    The end of the novel represents a fairly unsatisfying cliffhanger for me personally, as a reader, but would likely feel more compelling for other readers. 

    All CWs as mild, as there is either a brief/not emotionally intense engagement in the text with the CW, or it is threatened/mentioned, but not done (e.g. sexual harassment rather than sexual violence, as it was a verbal threat towards the protagonist, but not one that was carried through or anywhere near that). 

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