The Trouble with Inventing a Viscount (The Liars' Club, #2)

The Trouble with Inventing a Viscount (The Liars' Club, #2)

Vivienne Lorret

Enjoyment: Quality: Characters: Plot:

Honoria Hartley enjoys flirting far too much to consider marrying. And besides, she’s been betrothed since birth to the long-lost Viscount Vandemere. But no one has actually ever met the viscount and, without an heir, the title will soon become extinct. So she’s willing to do anything to keep her viscount alive, even if she has to invent him herself. Oscar Flint is a first-rate gambler. Estranged from his father’s side of the family his entire life, he grew up beneath the tutelage of a legendary con artist. There isn’t anyone who could pull the wool over his eyes. Not until he crosses paths with Honoria. Losing to her puts him in a bind… Until he remembers her story about a lost heir to a viscountcy. An heir that no one has ever met. Not yet, anyway. When Oscar arrives on Honoria’s doorstep, claiming to be Vandemere, she is thrown for a loop. This rogue is not her viscount. The only problem is, he’s quite convincing, and when he kisses her, the line between the lie and the truth becomes hazy in all the steam they create. Honoria refuses to gamble with her heart. But Oscar has never played by the rules and he’s determined to win, no matter the cost.


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  • MissUnderstood
    Mar 28, 2025
    Enjoyment: Quality: Characters: Plot:

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  • Apr 02, 2025
    Enjoyment: Quality: Characters: Plot:

    Vibes: cat and mouse, con artistry, heroine stomping her foot and going "ERRRGH" while the hero smirks

    Heat Index: 6/10

    Honoria Hartley doesn't want to marry--and that doesn't seem to be an issue, as she's been betrothed since childhood to the long-lost Viscount Vandemere. The last thing she expects is Vandemere showing up on her dootstep; and it's much worse than that. The man claiming to be the viscount is Oscar Flint, a con artist Honoria had a run-in with a year before (she probably shouldn't have told him about the missing viscount). She's determined to avoid marrying him--he's determined to pull off a con with his life on the line. Now, if they can only stop kissing...

    One of the best things about Vivienne Lorret is her sense of humor as a writer, and this book is a perfect example of that. From the very beginning, you have this snarky interplay between the truly bratty (in the best way) and headstrong Honoria and the very smarmy yet very charming Oscar. It feels kind of like a screwball comedy, with the two of them--especially Honoria--going to increasingly ridiculous lengths to one-up each other. I'm talking like... disguises. Eyepatches. Honoria comes from a theatrical family, and Lorret takes full advantage of that.

    It is a little cluttered at points, if I'm being honest--we have not only Honoria and Oscar falling in love and digging at each other, but an entire family attempting to get rid of Oscar. However, there's such a charming chemistry between the two of them--and so many hilarious moments--I could forgive a little plot lagging here and there. I wouldn't call this enemies to lovers, but it's definitely rivals to lovers, and if you're down with that... this is for you.

    Quick Takes:

    --I'm so used to romance novels starring plain heroines or heroines who are pretty and just don't realize it... Honoria is super pretty and very much realizes it. Oscar first meets her in total disguise (Honoria loves a disguise) and his dismay at realizing that she is in fact, just as pretty as she claimed to be, is excellent content. If only she wasn't hot!

    Genuinely, the characterization of Oscar and Honoria is the best part of the book. They're both kind of disasters, and they act absolutely ridiculous over each other. It's just a lot of fun.

    --At the same time, the stakes are fairly high. Lorret balances that tone with her turn of phrase, but she doesn't totally abandon the touches of darkness the plot necessitates. I mean, there is very much an executioner's bland hanging over Oscar's neck for a lot of this book. But he's so wry and clever that you don't always remember that. It's not a bad thing--the opposite, actually.

    --It's honestly kind of nice to see a plot that's really zany, even if I think the pacing between the lovers could've been a bit faster. This reminds me a little of older historicals. You definitely feel the big swings coming, and I appreciate that.

    --I love the Hartley family. So fun to read a historical in which the parents are into each other and the mom in particular is such a romantic. A romantic who wants her daughter to realize how important it is to get yours!

    --I can't get into one thread that I was excited about... which turn out to not be that. It did make me wish that we saw more historical heroines who aren't particularly into the idea of having babies.

    The Sex:

    There are about 3.5-ish sex scenes, two of which sort of run into each other. They're all well-done and hot, though I think we definitely could've gotten a little more creative. But in my opinion, the hottest scene of the book is actually a RIDICULOUS picnic that has some of the most insane erotic eating content I've ever read. I was laughing, but at the same it was like... YES?

    A con artist romcom is always fun, and this is no exception. Pick it up when you're in the mood for a romp, especially if you like the idea of heroines just! Not! Wanting! To admit! They're into someone!

    Thanks to NetGalley and Avon for providing me with a copy of this book. All thoughts and opinions are my won.

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