How the Word Is Passed: A Reckoning with the History of Slavery Across America

How the Word Is Passed: A Reckoning with the History of Slavery Across America

Clint Smith

Enjoyment: Quality: Characters: Plot:
Write a review

1 ratings • 1 reviews

Poet and contributor to The Atlantic Clint Smith’s revealing, contemporary portrait of America as a slave owning nation  Beginning in his own hometown of New Orleans, Clint Smith leads the reader through an unforgettable tour of monuments and landmarks-those that are honest about the past and those that are not-that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola Prison in Louisiana, a former plantation named for the country from which most of its enslaved people arrived and which has since become one of the most gruesome maximum-security prisons in the world. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted. Informed by scholarship and brought alive by the story of people living today, Clint Smith’s debut work of nonfiction is a landmark work of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in understanding our country.


From the Forum

No posts yet

Kick off the convo with a theory, question, musing, or update

Recent Reviews
  • Enjoyment: Quality: Characters: Plot:

    I like the curiosity with which Smith questions the viewpoints those who may have different opinions him and phrases them thoughtfully, which I think allows him to get authentic answers (rather than purely defensive ones). He also effectively entangles history snippets with the interviews and narrative structure of the book. There are some really profound moments that make this a book definitely worth the read, especially for anyone grappling with the legacy of white supremacy in the U.S. (and globally).


    * “i’ve come to realize that there’s a difference between history and nostalgia, and somewhere between those two is memory,” he said. “I think that history is the story of the past, using all the available facts, and that nostalgia is a fantasy about the past using no facts, and somewhere in between is memory, which is kind of this blend of history and a little bit of emotion… I mean, history is kind of about what you need to know, but nostalgia is what you want to hear.” (14%)

    * Memory, for me, is often a home where the furniture has been rearranged one too many times. Years after my initial visit, I remember less about the texture of the walls in this faded-pink house and more about how the tightness of its small rooms hugged my body. (74%)

    * “I think that history is the story of the past, using all the available facts, and that nostalgia is a fantasy about the past using no facts, and somewhere in between is memory.” (Dr. Araujo)

    0
    comments 0
    Reply
  • Community recs for similar books
    Buy Lucy & Jennifer a coffee ☕️