From Gillian Flynn Books, a lyrical YA horror by debut author Wen-yi Lee that’s perfect for fans of She Is a Haunting, Stephen King’s IT, and The Haunting of Hill House. Art student Isadora Chang swore never to return to Slater. Growing up, Isa never felt at ease in the repressive former mining town, even before she realized she was bisexual—but after the deaths of two of her childhood friends, Slater went from feeling claustrophobic to suffocating. Isa took off before the town could swallow her, too, even though it meant leaving behind everything she knew, including her last surviving friend Mason. When Isa’s abusive father kicks the bucket, she agrees to come back just long enough to collect the inheritance. But then Mason, son of the local medium, turns up at the cemetery with a revelation and a plea: their friends were murdered by a supernatural entity, and he needs Isa to help stop the evil—before it takes anyone else. When Isa begins to hear strange songs on the wind, and eerie artwork fills her sketchbook that she can’t recall drawing, she’s forced to stop running and confront her past. Because something is waiting in the shadows of Slater’s valleys, something that feeds on the pain and heartbreak of its children. Whatever it is, it knows Isa’s back… and it won’t let her escape twice.
Publication Year: 2024
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0 02024 reads: 231/250
i received an advanced review copy from the publisher via netgalley in exchange for an honest review. this did not affect my rating.
isadora chang never planned on returning to slater. between her bisexuality and two of her childhood friends dying, the former mining town doesn’t feel very welcoming to her. but when isa’s abusive father dies, she comes back just to collect the inheritance. while there, though, she runs into mason, the local medium’s son, who says their friends were killed by a supernatural being, and the two need to put a stop to it before it claims more of the town’s children.
first, i want to highlight that this book was no light read (not that any horror book is). content warnings include suicide, violence, child abuse, child death, religious trauma, and transphobia. i think the author gave each of these topics respect. i also want to say that i appreciate that, while deadnaming is present in this book, the deadname isn’t found on page. rather, the part of the dialogue containing the deadname is replaced by an em dash. i thought this was a great way of showing the injustices that character faced while still respecting him.
the horror aspect was very unique. as i mentioned before, this book includes depictions of religious trauma, and the religion (more like cult) followed by many in the town is directly tied to the horror aspect. i loved seeing how this element unfolded.
i’d recommend this to ya horror readers, and i’d be interested in reading more from wen-yi lee!
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