Cinema Love

Cinema Love

Jiaming Tang

Enjoyment: Quality: Characters: Plot:

A staggering, tender epic about gay men in rural China and the women who marry them. For over thirty years, Old Second and his wife, Bao Mei, have cobbled together a meager existence in New York City’s Chinatown. But unlike other couples, these two aren’t in love. In rural China, before they emigrated, they frequented the Workers’ Cinema: a rundown theater where gay men cruised without fear for intimacy and conversation. While classic war films played, Old Second and his countrymen found privacy—and love—in the screening rooms. In the box office, Bao Mei sold tickets to closeted men; guarding their secrets, guiding them in their relationships, and even finding her own happiness with the theater’s projectionist. But when Old Second’s passion for his lover is discovered, a series of haunting events unfold, propelling these characters toward an uncertain future in America. As we follow these characters from China to New York, from first love to old age, we bear witness to the tensions of immigration—and how memory forever weighs down the present. Cinema Love is a big-hearted and heart-shattering novel about desire, secrets, grief, how we care for one another, and how we survive.


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  • booksgamesvinyl
    Jan 03, 2025
    Enjoyment: Quality: Characters: Plot:

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  • Queeron
    Mar 10, 2025
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  • bookgang
    Mar 30, 2025
    Enjoyment: Quality: Characters: Plot:

     Cinema Love has been one of my most anticipated debuts for 2024. Tang is a queer immigrant debut novelist who holds an MFA from the University of Alabama and a 2022 Center for Fiction emerging writer who delivered an incredible character-driven literary fiction book for your summer stacks. 

    This heart-aching story chronicles the relationship between Bao Mei and Old Second, who are not necessarily in love but begin their married life in rural China. 

    Old Second finds relationships and love at a rundown cinema, where Bao carefully guards the ticket booth, keeping the secrets of each person who buys a ticket there. Many a disgruntled wife comes in search of her husband only to be turned away by Bao, but there is a reason she feels called to this role and the people who inhabit the dark corners of this place. 

    When Old Second finds love, Tang's searing description of the affair nearly took my breath away: "Theirs is the kind of love that can change the weather. A radio forecast predicting rain switches its tune the moment Old Second sees Shun-Er." 

    But when tragedy strikes, those involved become haunted by what they did and did not do, which could have changed the trajectory of the tragedies that spill upon the pages. 

    This novel is the perfect literary fiction book to sink your teeth into both cinematic in its setting and Tang's magnificent writing.

    Readers should know that Tang does not gloss over many horrific elements of homophobia, asking the reader to confront what was happening in the past. Tang smartly brings the story full circle in many ways during the pandemic as they navigate New York, showcasing racism rampant during this time with another jarring scene with a perspective that made me cry.
     
    The cast of characters is vast, and the rhythm of the voices felt confusing at times, but I found this book worth the journey experience offered. The novel explores contradictions between communities of people, but even more the contradictions within ourselves. 
     
    While I hate to compare this to A Little Life, as people have such strong reactions to this book's themes, the range of this story, felt similarly built but with additional layers through the immigrant experience and offering an #ownvoices perspective.

     

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