Jack Corman is failing at life. Jobless, jaded and facing the threat of eviction, he’s also reeling from the death of his father, one-time film director Bob Corman. Back in the eighties, Bob poured his heart and soul into the creation of his 1986 puppet fantasy The Shadow Glass, but the film flopped on release and Bob was never the same again. In the wake of Bob’s death, Jack returns to his decaying childhood home, where he is confronted with the impossible — the puppet heroes from The Shadow Glass are alive, and they need his help. Tipped into a desperate quest to save the world from the more nefarious of his father’s creations, Jack teams up with an excitable fanboy and a spiky studio exec to navigate the labyrinth of his father’s legacy and ignite a Shadow Glass resurgence that could, finally, do Bob proud.

THE SONG OF DEATH- Bannon and Vree, brother and sister, they are assassins of the highest caliber who have long plied their trade for the Havalkeen army. But all their skill and experience cannot save them from a magic-sprung trap that will see the two forced to share one body when the very man they've been sent to assassinate steals Bannon's body for himself. How long brother and sister can coexist in one body neither can guess. And so they set out to catch and defeat this foe who has already bested them once. But when Bannon and Vree confront this master of a magic beyond their comprehension, he offers them a terrible choice - to continue their new dual existence forever, or to betray the Empire they have served all their lives. For it is not control of Bannon's body which is Gyhard's true goal but rather the body - and with it the identity and power - of the Imperial Prince!

THE SONG OF DEATH- Bannon and Vree, brother and sister, they are assassins of the highest caliber who have long plied their trade for the Havalkeen army. But all their skill and experience cannot save them from a magic-sprung trap that will see the two forced to share one body when the very man they've been sent to assassinate steals Bannon's body for himself. How long brother and sister can coexist in one body neither can guess. And so they set out to catch and defeat this foe who has already bested them once. But when Bannon and Vree confront this master of a magic beyond their comprehension, he offers them a terrible choice - to continue their new dual existence forever, or to betray the Empire they have served all their lives. For it is not control of Bannon's body which is Gyhard's true goal but rather the body - and with it the identity and power - of the Imperial Prince!

To call the kigh was the height of bard's magic. Only those born with the gift could learn to Sing these spirits of earth, air, fire and water into doing their bidding, and even someone as gifted as the Princess Annice must spend years studying at the Bardic Hall to truly master the Art. And for Annice, one of those rare talents able to Sing the elemental spirits from each of the four quarters, the call of magic was too strong to be denied, even if it meant renouncing her royal blood and privileges. But Annice might have made a different choice if she could have foreseen that ten years after she'd transferred her life and loyalties from the Royal Palace to the Bardic Hall, she'd find herself fleeing from the King's Guards. For Annice was twice guilty of treason, first for imperiling the order of succession by becoming pregnant, and second for aiding the father of her unborn child, the Duc of Ohrid, to escape the palace dungeons and the sentence of death hanging over his head. Now the fugitives' only hope lay in tracking down and bringing to justice the enemy who'd masterminded the Duc's downfall, a dangerous foe who had found a way to tie lies and truths together into a knot even the most powerful of Bardic spells could not unravel...

To call the kigh was the height of bard's magic. Only those born with the gift could learn to Sing these spirits of earth, air, fire and water into doing their bidding, and even someone as gifted as the Princess Annice must spend years studying at the Bardic Hall to truly master the Art. And for Annice, one of those rare talents able to Sing the elemental spirits from each of the four quarters, the call of magic was too strong to be denied, even if it meant renouncing her royal blood and privileges. But Annice might have made a different choice if she could have foreseen that ten years after she'd transferred her life and loyalties from the Royal Palace to the Bardic Hall, she'd find herself fleeing from the King's Guards. For Annice was twice guilty of treason, first for imperiling the order of succession by becoming pregnant, and second for aiding the father of her unborn child, the Duc of Ohrid, to escape the palace dungeons and the sentence of death hanging over his head. Now the fugitives' only hope lay in tracking down and bringing to justice the enemy who'd masterminded the Duc's downfall, a dangerous foe who had found a way to tie lies and truths together into a knot even the most powerful of Bardic spells could not unravel...

One man is on a journey to unravel his magical lineage in the next novel of the Whimbrel House series. Thanks to house tamer Hulda Larkin, the mischief infesting Whimbrel House has calmed. But if Hulda’s job is done, what does that mean for Merritt Fernsby, inheritor of the remote Narragansett Bay estate, who’s only now coming to terms with his enchanted place in the world?

One man is on a journey to unravel his magical lineage in the next novel of the Whimbrel House series. Thanks to house tamer Hulda Larkin, the mischief infesting Whimbrel House has calmed. But if Hulda’s job is done, what does that mean for Merritt Fernsby, inheritor of the remote Narragansett Bay estate, who’s only now coming to terms with his enchanted place in the world?

“What would you tell your teen self if you could go back in time? Underhill’s tender, innovative debut is the smartest take on this trope I’ve ever read. . . and for the record, I read it in a single sitting. A beautiful, thoughtful study of how we find our truest selves, and whom we choose to trust with that gift.” — Jodi Picoult, #1 New York Times bestselling author A poignant and enchanting novel about a magical bookstore that transports a trans man through time and brings him face-to-face with his teenage self, offering him the chance of a lifetime to examine his life and identity to find a new beginning. When Darby finds himself unemployed and in need of a fresh start, he moves back to the small Illinois town he left behind. But Oak Falls has changed almost as much as he has since he left. One thing is familiar: In Between Books, Darby’s refuge growing up and eventual high school job. When he walks into the bookstore now, Darby feels an eerie sense of déjà vu—everything is exactly the same. Even the newspapers are dated 2009. And behind the register is a teen who looks a lot like Darby did at sixteen. . . who just might give Darby the opportunity to change his own present for the better—if he can figure out how before his connection to the past vanishes forever. The In-Between Bookstore is a stunning novel of love, self-discovery, and the choices that come with both, for anyone who has ever wondered what their life might be like if they had the chance to go back and take a bigger, braver risk.

In the gripping first novel in the Daughters of the Empty Throne trilogy, author Margaret Killjoy spins a tale of earth magic, power struggle, and self-invention in an own-voices story of trans witchcraft. Lorel has always dreamed of becoming a witch: learning magic, fighting monsters, and exploring the world beyond the small town where she and her mother run the stables. Even though a strange plague is killing the trees in the Kingdom of Cekon and witches are being blamed for it, Lorel wants nothing more than to join them. There’s only one problem: all witches are women, and she was born a boy. When the coven comes to claim her best friend, Lorel disguises herself in a dress and joins in her friend’s place, leaving home and her old self behind. She soon discovers the dark powers threatening the kingdom: a magical blight scars the land, and the power-mad Duchess Helte is crushing everything between her and the crown. In spite of these dangers, Lorel makes friends and begins learning magic from the powerful witches in her coven. However, she fears that her new friends and mentors will find out her secret and kick her out of the coven, or worse.

There’s power in a book… They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to the Wellwood Home in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, give them up for adoption, and most important of all, to forget any of it ever happened. Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There’s Rose, a hippie who insists she’s going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who knows she’s going to go home and marry her baby’s father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who. Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid…and it’s usually paid in blood. In Witchcraft for Wayward Girls, the author of How to Sell a Haunted House and The Final Girl Support Group delivers another searing, completely original novel and further cements his status as a “horror master” (NPR).

There’s power in a book… They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to the Wellwood Home in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, give them up for adoption, and most important of all, to forget any of it ever happened. Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There’s Rose, a hippie who insists she’s going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who knows she’s going to go home and marry her baby’s father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who. Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid…and it’s usually paid in blood. In Witchcraft for Wayward Girls, the author of How to Sell a Haunted House and The Final Girl Support Group delivers another searing, completely original novel and further cements his status as a “horror master” (NPR).

In the gripping first novel in the Daughters of the Empty Throne trilogy, author Margaret Killjoy spins a tale of earth magic, power struggle, and self-invention in an own-voices story of trans witchcraft. Lorel has always dreamed of becoming a witch: learning magic, fighting monsters, and exploring the world beyond the small town where she and her mother run the stables. Even though a strange plague is killing the trees in the Kingdom of Cekon and witches are being blamed for it, Lorel wants nothing more than to join them. There’s only one problem: all witches are women, and she was born a boy. When the coven comes to claim her best friend, Lorel disguises herself in a dress and joins in her friend’s place, leaving home and her old self behind. She soon discovers the dark powers threatening the kingdom: a magical blight scars the land, and the power-mad Duchess Helte is crushing everything between her and the crown. In spite of these dangers, Lorel makes friends and begins learning magic from the powerful witches in her coven. However, she fears that her new friends and mentors will find out her secret and kick her out of the coven, or worse.

Mors vincit omnia. Death conquers all. London, 1883. The Veil between the living and dead has thinned. Violet-eyed mediums commune with spirits under the watchful eye of the Royal Speaker Society, and sixteen-year-old Silas Bell would rather rip out his violet eyes than become an obedient Speaker wife. According to Mother, he’ll be married by the end of the year. It doesn’t matter that he’s needed a decade of tutors to hide his autism; that he practices surgery on slaughtered pigs; that he is a boy, not the girl the world insists on seeing. After a failed attempt to escape an arranged marriage, Silas is diagnosed with Veil sickness—a mysterious disease sending violet-eyed women into madness—and shipped away to Braxton’s Sanitorium and Finishing School. The facility is cold, the instructors merciless, and the students either bloom into eligible wives or disappear. So when the ghosts of missing students start begging Silas for help, he decides to reach into Braxton’s innards and expose its rotten guts to the world—as long as the school doesn’t break him first.

Young Daine's knack with horses gets her a job helping the royal horsemistress drive a herd of ponies to Tortall. Soon it becomes clear that Daine's talent, as much as she struggles to hide it, is downright magical. Horses and other animals not only obey, but listen to her words. Daine, though, will have to learn to trust humans before she can come to terms with her powers, her past, and herself.

Young Daine's knack with horses gets her a job helping the royal horsemistress drive a herd of ponies to Tortall. Soon it becomes clear that Daine's talent, as much as she struggles to hide it, is downright magical. Horses and other animals not only obey, but listen to her words. Daine, though, will have to learn to trust humans before she can come to terms with her powers, her past, and herself.

Every time something goes missing from the village, Sir Violet, the local knight, makes his way to the dragon's cave and negotiates the item's return. It's annoying, but at least the dragon is polite. But when the dragon hoards a person, that's a step too far. Sir Violet storms off to the mountainside to escort the baker home, only to find a more complex mystery—a quest that leads him far beyond the cave. Accompanied by the missing baker's wife and the dragon himself, the dutiful village knight embarks on his greatest adventure yet. The Dragon of Ynys is an inclusive fairy tale for all ages.

Every time something goes missing from the village, Sir Violet, the local knight, makes his way to the dragon's cave and negotiates the item's return. It's annoying, but at least the dragon is polite. But when the dragon hoards a person, that's a step too far. Sir Violet storms off to the mountainside to escort the baker home, only to find a more complex mystery—a quest that leads him far beyond the cave. Accompanied by the missing baker's wife and the dragon himself, the dutiful village knight embarks on his greatest adventure yet. The Dragon of Ynys is an inclusive fairy tale for all ages.