A Princess of Thieves Raised among London's most notorious criminals, a twist of fate landed Adelaide Frampton in the bright ballrooms of Mayfair, where she masquerades as a quiet wallflower--so plain and unassuming that no one realizes she's the Matchbreaker...using her superior skills as a thief to help brides avoid the altar. A King of Reputation Henry, Duke of Clayborn, has spent a lifetime living in perfection. He has no time for the salacious gossip that arises every time the Matchbreaker ends another groom. His own reputation is impeccable--and the last thing he needs is a frustrating, fascinating woman discovering the truth of his past, or the secrets he holds close. A Royal Match When the two find themselves on a breakneck journey across Britain to stop a wedding, it's impossible for Clayborn to resist this woman who both frustrates and fascinates him. But late-night carriage rides make for delicious danger...and soon Adelaide is uncovering Clayborn's truths, throwing his well-laid plans into chaos...and threatening to steal his heavily guarded heart.

This sophisticated and entertaining first novel presents the story of a young woman whose life is on the brink of transformation. On the last night of 1937, twenty-five-year-old Katey Kontent is in a second-rate Greenwich Village jazz bar when Tinker Grey, a handsome banker, happens to sit down at the neighboring table. This chance encounter and its startling consequences propel Katey on a year-long journey into the upper echelons of New York society—where she will have little to rely upon other than a bracing wit and her own brand of cool nerve. With its sparkling depiction of New York’s social strata, its intricate imagery and themes, and its immensely appealing characters, Rules of Civility won the hearts of readers and critics alike.

**AVAILABLE FOR PRE-ORDER NOW**Ain't nothing wrong with being broken. Nothing at all. You're like these houses, not a whole brick in em and look how strong they are.As Tess traces the sunrise over the floodplains, light that paints the house a startling crimson, she yearns for the comforting chaos of life as it once was. Instead of Max and Sonny tracking dirt through the kitchen - Tess and Richard's 'rainbow twins' - Tess absorbs the quiet. The nights draw in, the soil cools and Richard fights to get his winter crops planted rather than deal with the discussion he cannot bear to have.Secrets and vines clamber over the broken red bricks and although its inhabitants seem to be withering, in the damp, crumbling soil - Sonny knows it - something is stirring . . . As the seasons change, and the cracks let in more light, the family might just be able to start to heal.This is the story of a broken family, what they see and what they cannot say laid bare in their overlapping perspectives. It is a tale of life in the cracks, because in the space for acceptance, of passing and of laying to rest, the possibilities of new energy, light and love, are seeded. 'Shocking and powerful. . . This is the best kind of story telling - characters I genuinely care about, and a narrative that demands to be followed.'VICTORIA HISLOP

A debut linked story collection of gritty, streetwise, and wickedly funny fiction from Mexico. Life’s a bitch. That’s why you gotta rattle her cage, even if she’s foaming at the mouth. In the linked stories of Reservoir Bitches, thirteen Mexican women prod the bitch that is Life as they fight, sew, skirt, cheat, cry, and lie their way through their tangled circumstances. From the all-powerful daughter of a cartel boss to the victim of transfemicide, from a houseful of spinster seamstresses to a socialite who supports her politician husband by faking Indigenous roots, these women spit on their own reduction and invent new ways to survive, telling their stories in bold, unapologetic voices. At once social critique and black comedy, Reservoir Bitches is a raucous debut from one of Mexico’s most thrilling new writers.

In 1980s’ Réunion, monsters lurk beneath the surface of vibrant island life, ready to pounce at the slightest disturbance. ‘In the heat of the Tropic of Capricorn, on the flanks of an active volcano, the sharks would tear apart your favourite magazine if only they could crawl as far as your beach towel.’ Here, the naïve Dessaintes couple make a failing bid for happiness, soon growing jaded and bitter as the orange tree in their front yard – ‘the branches laden with flowers, the juicy oranges and, eventually, the nests of insatiable weaverbirds and the stench of rotten fruit.’ Even so, sprouting defiantly through the cracks of this postcolonial legacy of violence, poverty and intergenerational trauma, the Dessaintes’ daughter shows an irrepressible zest for life. Amidst the chaos raging behind and beyond the door of her childhood home, our young narrator stubbornly resists her parents’ refrain, ‘that’s the way it is and that’s that!’ Finding refuge in reading and determined to write her own story, she falls in love with words – ‘a group of jumbled black arabesques was dancing on a little white wall ... I worshipped them as sacred beings.’ With clear-eyed, offbeat, buoyant humour, Bélem plunges us into a vivid world of extremes where, ‘quiet times and places are rare.’

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin? Will she ever be able to share her new life with her beloved and now chronically befuddled husband? And on top of her profound isolation and confusion, Tara takes in with pain how slight a difference she makes in the world. (As she puts it: “That’s how little the activities of one person matter on the eighteenth of November.”) Balle is hypnotic and masterful in her remixing of the endless recursive day, creating curious little folds of time and foreshadowings: her flashbacks light up inside the text like old flash bulbs. The first volume’s gravitational pull―a force inverse to its constriction―has the effect of a strong tranquilizer, but a drug under which your powers of observation only grow sharper and more acute. Give in to the book's logic (its minute movements, its thrilling shifts, its slant wit, its slowing of time) and its spell is utterly intoxicating. Solvej Balle’s seven-volume novel wrings enthralling and magical new dimensions from time and its hapless, mortal subjects. As one Danish reviewer beautifully put it, Balle’s fiction consists of writing that listens. “Reading her is like being caressed by language itself.”

What if all Palestinians vanished from their homeland overnight? Alaa, a young Palestinian, is haunted by his grandmother’s memories of being displaced from Jaffa and becoming a refugee in her homeland. Ariel, Alaa’s neighbour and friend, is a liberal Zionist, critical of the military occupation of the West Bank and Gaza yet faithful to the project of Israel. When he wakes up one morning to find that all Palestinians have suddenly vanished, Ariel begins searching for clues to the secret of the collective disappearance; that search, and his reaction to it, intimately reveal the fissures at the heart of the Palestinian question. Between the stories of Alaa and Ariel are the people of Jaffa and Tel Aviv against whose ordinary lives these fissures and questions play out. Critically acclaimed in Arabic, spare yet evocative, intensely intelligent in its interplay of perspectives, The Book of Disappearance is an unforgettable glimpse into contemporary Palestine.

A highly-acclaimed masterwork of fiction from Mircea Cărtărescu, author of Blinding: an existence (and eventually a cosmos) created by forking paths. Based on Cărtărescu's own role as a high school teacher, Solenoid begins with the mundane details of a diarist's life and quickly spirals into a philosophical account of life, history, philosophy, and mathematics. One character asks another: when you rush into the burning building, will you save the newborn or the artwork? On a broad scale, the novel’s investigations of other universes, dimensions, and timelines reconcile the realms of life and art. The novel is grounded in the reality of late 1970s/early 1980s Communist Romania, including long lines for groceries, the absurdities of the education system, and the misery of family life. The text includes sequences in a tuberculosis sanatorium, an encounter with an anti-death protest movement, a society of dream investigators, and an extended visit to the minuscule world of dust mites living on a microscope slide. Combining fiction with autobiography and history― the scientists Nicolae Tesla and George Boole, for example, appear alongside the Voynich manuscript―Solenoid ruminates on the exchanges possible between the alternate dimensions of life and art, as various, monstrous dimensions erupt within the Communist present.

In 1990, a country disappeared. When the Iron Curtain fell, East Germany simply ceased to be. For over forty years, from the ruin of the Second World War to the cusp of a new millennium, the GDR presented a radically different German identity to anything that had come before, and anything that exists today. Socialist solidarity, secret police, central planning, barbed wire: this was a Germany forged on the fault lines of ideology and geopolitics.In Beyond the Wall, acclaimed historian Katja Hoyer offers a kaleidoscopic new vision of this vanished country. Beginning with the bitter experience of German Marxists exiled by Hitler, she traces the arc of the state they would go on to create, first under the watchful eye of Stalin, and then in an increasingly distinctive German fashion. From the building of the Berlin Wall in 1961, to the relative prosperity of the 1970s, and on to the creaking foundations of socialism in the mid-1980s, Hoyer argues that amid oppression and frequent hardship, East Germany was yet home to a rich political, social and cultural landscape, a place far more dynamic than the Cold War caricature often painted in the West.Powerfully told, and drawing on a vast array of never-before-seen interviews, letters and records, this is the definitive history of the other Germany, the one beyond the Wall.

A dramatic reconstruction of the greatest border breach in Cold War history and its tumultuous aftermath. 'A pivotal – and exhilarating – moment in late 20th-century history . . . gripping' Observer'This little gem of a book . . . intensely moving' Sunday Times* A GUARDIAN BIGGEST FICTION AND NON-FICTION FOR 2024 * A WATERSTONES ‘BOOK YOU NEED TO READ IN 2024’ * A FOYLES TOP TEN READ FOR JANUARY 2024 *In August 1989, a group of Hungarian activists did the they entered the forbidden militarised zone of the Iron Curtain - and held a picnic.Word had spread of what was going to happen. On wisps of rumour, thousands of East German 'holiday-makers' had made their way to the border between Hungary and Austria, awaiting an opportunity, fearing prison, surveilled by lurking Stasi agents. The stage was set for the greatest border breach in Cold War that day hundreds would cross from the Communist East to the longed-for freedom of the West. The fall of the Berlin Wall, the end of the Soviet Union - the so-called end of history - all would flow from those dramatic hours.Drawing on dozens of original interviews with those involved - activists and border guards, escapees and secret police, as well as the last Communist prime minister of Hungary - Matthew Longo reconstructs this world-shaping event and its tumultuous aftermath. Freedom had been won but parents had been abandoned and families divided. Love affairs faltered and new lives had to be built from scratch.The Picnic is the story of a moment when the tide of history turned. It shows how freedom can be both dream and disillusionment, and how all we take for granted can vanish in an instant.'Evoke[s] the dramatic events in vivid colour . . . fascinating' Telegraph‘Captivating . . . a vivid, fast-paced narrative’ New York Times

Rome, 1960s. As teenage André stands on the dock, his mother fusses over their luggage - 32 suitcases, trunks and tea chests that contain their world. The ship will refuel and return to Alexandria, the home where they have left their father, as the Aciman family begin a new adventure in Rome. André is now head of the family, with a little brother to keep in line and a mother to translate for - for although she's mute, she is nothing if not communicative. Equal parts transporting and beautiful, this coming of age memoir shares the luminous, fragile truth of life for a family forever in exile, living in Rome, but still yet to find a home.

A modern masterpiece from one of Italy’s most acclaimed authors, My Brilliant Friend is a rich, intense and generous-hearted story about two friends, Elena and Lila. Ferrante’s inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship. Through the lives of these two women, Ferrante tells the story of a neighbourhood, a city and a country as it is transformed in ways that, in turn, also transform the relationship between her two protagonists.